Father of the City

A docu-art film about Kyiv and the contemporary problems of the capital. The film raises the issue of the dilapidated state of Kyiv's old buildings and the search for effective mechanisms to preserve the city's architectural heritage.

A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.

Summer 2021, in Damascus city, some young emerging directors roamed the city's streets to follow their dreams and shoot their first movies with the simplest available tools. so, the city would open her arms and hug them day and night with her streets and neighborhoods.

Since the end of World War II, one of kind of urban residential development has dominate how cities in North America have grown, the suburbs. In these artificial neighborhoods, there is a sense of careless sprawl in an car dominated culture that ineffectually tries to create the more organically grown older communities. Interspersed with the comments of various experts about the nature of suburbia

The Californian sun, which lights up the city, lights up again every evening in cinemas all over the world". Guided by these words from Blaise Cendrars, L.A. L.A. END is a stroll through Los Angeles, among the remnants of Hollywood's Golden Age. Following in the footsteps of a Marilyn Monroe lookalike, we meet a gallery of characters who paint a sensitive portrait of a bygone era that gradually becomes a portrait of a woman.

Misfits to Yuppies is the last of three films (Dom kallar oss mods, Ett anständigt liv, Det sociala arvet) that shows conditions for addicts in Stockholm and try to find out how social legacy have been transferred to their children from previous films.

Morning reveals New York harbor, the wharves, the Brooklyn Bridge. A ferry boat docks, disgorging its huddled mass. People move briskly along Wall St. or stroll more languorously through a cemetery. Ranks of skyscrapers extrude columns of smoke and steam. In plain view. Or framed, as through a balustrade. A crane promotes the city's upward progress, as an ironworker balances on a high beam. A locomotive in a railway yard prepares to depart, while an arriving ocean liner jostles with attentive tugboats. Fading sunlight is reflected in the waters of the harbor. The imagery is interspersed with quotations from Walt Whitman, who is left unnamed.

Make No Little Plans: Daniel Burnham and the American City reveals the fascinating life and complex legacy of architect and city planner Daniel Hudson Burnham. In the midst of the late nineteenth century urban disorder, Burnham offered a powerful vision of what a civilized American city could look like, one that provided a compelling framework for Americans to make sense of the world around them. A timely, intriguing story in the American experience, Make No Little Plans explores Burnham's impact on the development of the American city as debate continues today about what urban planning means in a democratic society.

Targeted for several failed redevelopment plans dating back to the days of Robert Moses, Willets Point, a gritty area in New York City known as the “Iron Triangle,” is the home of hundreds of immigrant-run, auto repair shops that thrive despite a lack of municipal infrastructure support. During the last year of the Bloomberg Administration, NYC’s government advanced plans for a “dynamic” high-end entertainment district that would completely wipe out this historic industrial core. The year is 2013, and the workers of Willets Point are racing against the clock to forestall their impending eviction. Their story launches an investigation into New York City’s history as the front line of deindustrialization, urban renewal, and gentrification.

Nadja is a guest student, who stays at Cité Universitaire and visits the Sorbonne, while preparing a thesis on Proust; she also likes to stroll about Paris.

Founded in 1919 by Walter Gropius, Bauhaus was supposed to unite sculpture, painting, design and architecture into a single combined constructive discipline. It is a synthesis of liberated imagination and stringent structure; cross-medial concepts that embellish and enrich our existence, illumination and clarity, order and playfulness. But Bauhaus was never just an artistic experiment. Confronted with the social conditions of that particular time, as well as the experience of WWI, the movement concerned itself with the political and social connotations of design from the very outset. Hence, Bauhaus history is not just the history of art, but also the history of an era that stretches from the early 20th century to the modern day.

As France's first ZAC (Zone d'Aménagement Concerté, or concerted development zone), Grigny is the ideal place to describe how France transformed its dream of a happy suburb into an impoverished urban nightmare. The film aims to leave the camera rolling throughout the story, to discover the inhabitants and the labyrinths of yesterday and today, and to answer the essential questions. From the residents to the architects, including the city of Grigny, the mayor, the prefect, the landlords, and the ANRU (National Agency for Urban Renewal), the film examines and deciphers the consequences of what happened in Grigny and the state's housing policy. Through the analysis of Grigny's history, we see how the state has participated and continues to participate in the creation of social exclusion.

France, il était une fois demain

Amina, Sami and Jennyfer are high school students in the Paris suburbs, in 93. At the initiative of 3 of their teachers, they embark on an unexpected investigation into a gigantic leisure park project which involves concreting agricultural land near their homes. But can we have the power to act on a territory when we are 17 years old? Funny and intrepid, these new citizens take us to meet residents of their neighborhood, property developers, farmers and even elected officials of the National Assembly. A joyful quest that challenges conventional wisdom and revives our connection to the land!

France 2100, le pourquoi du comment

Candid interviews of ordinary people on the meaning of happiness, an often amorphous and inarticulable notion that evokes more basic and fundamentally egalitarian ideals of self-betterment, prosperity, tolerance, economic opportunity, and freedom.

What’s it like to dedicate your life to work that won’t be completed in your lifetime? Fifteen years ago, filmmaker David Licata focused on four projects and the people behind them in an effort to answer this universal question.

A City Runs Through the Festival is an anatomy of the Festival through the eyes of its own audience.

Sylvia Kristel – Paris is a portrait of Sylvia Kristel , best known for her role in the 1970’s erotic cult classic Emmanuelle, as well as a film about the impossibility of memory in relation to biography. Between November 2000 and June 2002 Manon de Boer recorded the stories and memories of Kristel. At each recording session she asked her to speak about a city where Kristel has lived: Paris, Los Angeles, Brussels or Amsterdam; over the two years she spoke on several occasions about the same city. At first glance the collection of stories appears to make up a sort of biography, but over time it shows the impossibility of biography: the impossibility of ‘plotting’ somebody’s life as a coherent narrative.

The Erie Canal was an engineering marvel in its time and remains so today. This documentary travels from Palmyra to the Genesee River, stopping along the way to visit the people and places that make the canal so special. Canal historian Thomas Grasso offers insight into the canal’s past while the Golden Eagle String Band provides the music track.