Funny and Fearless: Chelsea Tolle

A man gets into a terrible traffic accident in the middle of nowhere, and two religious zealots try their best to "save" him.

Dummy Ache is a 1936 American short comedy film directed by Leslie Goodwins. An assuming husband, suspicious of his wife, follows her for the day. Misunderstandings, mishaps, and hijinks ensue. It was nominated for an Academy Award at the 9th Academy Awards in 1936 for Best Short Subject (Two-Reel). Preserved by the Academy Film Archive in partnership with Library of Congress. Motion Picture, Broadcasting, and Recorded Sound Division in 2013.

Joe Cobb is a wealthy child who longs for a baby brother. His nursemaid takes him to the other side where he meets some kids his age (the rest of Our Gang) where Joe offers three dollars for a baby. Farina finds a fellow African-American neighbor woman who lets him mind her infant which he then paints white and sells to Joe. The rest of the gang has set an assembly-line system that washes, dries, rocks, and feeds male and female babies.

A Pete Smith Specialty short on saving an important dinner after the household's cook suddenly quits.

It's the Fourth of July and the mother of Our Gang member Joe Cobb is doing a brisk business at her fireworks stand. Briefly left in charge of the stand, Joe does his best not to blow up himself or his friends, but a poorly-aimed skyrocket owned by Allen "Farina" Hoskins triggers a somewhat premature but undeniably spectacular display of pyrotechnics.

The Foy Family performs a vaudeville act.

Ko-Ko and Fitz emerge from an inkwell into the sultan's harem.

Fourteen year old Leander is being teased by the other boys at school because he thinks his willy is too small. The teasing gets worse when he falls in love with Martina who is helping him with his geometry homework. As a result the boys play a game in the changing room and use their protractor triangle from geometry to measure completely different things...

A mother and son attend a funeral for someone they really don't know, and intend to leave right after, but end up leading the procession to the burial.

German writer Uwe Johnson lived for several years in the 1960s on Manhattan’s Upper Westside where he got to know his neighborhood very well, observing the goings-on in the streets, cafeterias, and parks. In 1968 German Television agreed to co-produce a film for broadcast featuring interviews with various neighborhood characters.

A little entry from the RKO shorts department serving also as an audition-type (stick 'em in one of these and see if they appeal to a real audience, and make a buck or two at the same time)film for studio contractees and budding starlets. And, surrounded and supported by veteran character actors, such as Jack Norton, Jack Rice and Harrison Green, the likes of Tony Martin, Phyllis Brooks and Lucille Ball usually looked pretty good. And soon made for themselves, with studio help, rather nice Hollywood careers.

Shortly after German reunification, three residents of a quiet area north of Berlin talk about their plans and attempts at new economic beginnings amid the changes brought by the fall of the Berlin Wall.

After a historic Texas winter storm leaves three twenty-somethings isolated without reliable food, water, and electricity, they must use their ingenuity to cook their final food source, a frozen burrito.

A family lives in a house that teeters precariously on the very tip of a mountain. The balance of the house is affected not only by the family that lives inside, but also their cow, dog, cat, a passing bird, and a man with a couple of sheep who returns in a car. The slopes of the hill themselves also seem rather slippery at times.

The ultimate Bobby Jones golf series reaches its climactic conclusion on board a speeding train to oblivion.

Like the best USIA films, The Wall distills political events into an emotionally clear and compelling ideological "story". In 1962 Walter de Hoog gathered footage from U.S. and German newsreel sources and crafted this taut short film about the first year of the Berlin Wall. Straightforward, keenly balanced narration portrays Berliners as "accepting the wall but never resigned to it". The extraordinary footage of the first escapes was propaganda enough-- His challenge was to make the politics human.

Mickey, Minnie, Horace Horsecollar, and Clarabelle Cow go on a musical wagon ride until Peg-Leg Pete tries to run them off the road.

A gingerbread comes to life, enacting revenge for his fallen brother.

Me Leva Pra Casa

Bob is a car nut who's oblivious to his wife Sue's need for some amorous action and Barry's (his gay neighbor) unrequited affections. When Sue mistakes the legs sticking out under her hubby's car for Bob's and decides to take action, who can tell where events will lead?