René is an artist. His studio is set up in a former nightclub that is now closed down. He lives and works there with his friend. All goes well, and yet not as well as all that. René believes he’s caught something. He doesn’t really feel sick, but he’s doesn’t feel absorbed by the world around him. Why do things that enter his mind no longer want to leave it? One of them is this photo of two strange clowns that he cut out of a magazine.
In the town of Martin, Tennessee, Chip Hines, a precocious six year old, has only known life with his two dads, Cody and Joey. And a good life it is. When Cody dies suddenly in a car accident, Joey and Chip struggle to find their footing again. Just as they begin to, Cody's will reveals that he named his sister as Chip's guardian. The years of Joey's acceptance into the family unravel as Chip is taken away from him. In his now solitary home life, Joey searches for a solution. The law is not on his side, but friends are. Armed with their comfort and inspired by memories of Cody, Joey finds a path to peace with the family and closer to his son.
Rou has returned to the monastery he was raised in. As he listens to the whispering of the Gods through his germanium radio, Rou defies God in every which way and puts religion to the test.
In the end, one is dead and the others are alone, although the truth is that they were already alone long before his death. Now all of this is gone and there is no point in looking back.
Inside the Kit Kat Club in 1931 Berlin, starry-eyed singer Sally Bowles and the lewd Emcee sound the clarion call to decadence, while outside, the Nazi party grows into a brutal force. (Filmed live during the 1993 revival, Sam Mendes' directorial debut takes place at the Donmar Warehouse in London's West End.)
17-year-old Jakob wants nothing more than to feel alive. Uncontrollable anxiety attacks prevent him from doing so and force him to escape into virtual worlds. One night, he meets 26-year-old Kristjan in a cam chat. Their encounter marks the beginning of a transpersonal journey to the wounds of their souls.
We Are Not Here is a short film about a small derelict town, waiting for a road. Through a series of vignettes we take a glimpse into the life of the town and its residents.
In his twilight, a lonely gay man reflects on his life and the three loves of his long-lost youth one woman and two men. Forced into early retirement by a heart attack, he wanders aimlessly through the graffiti-marred streets of his New York neighborhood. Familiar haunts trigger flashbacks of happy and not-so happy times.
A film about endless love, relationship and arguments between two young homosexual men. They seem to be the happiest couple in the world but...
JJ is an aspiring MC exploding onto London's exciting outlaw urban music scene. He's got the skills, he's got the rhymes, and he's got the drive. But there's a problem — not only is JJ a white boy from the sticks — he's also gay. And gay — in the world of hip-hop and ragga — ain't good. So when JJ resolves to come onstage at the Urban Slam Finals, taking his boyfriend Orlando with him, he knows it's going to get a bit grimy... but when the couple falls foul of the Infamous ghetto-rap crew, the Ilford Illmanics and Orlando is beaten into a state of permanent brain-damage, all of their lives are changed forever in a way no one could have ever foreseen.
Han-do is a closeted gay student. He was studying with his school friend in his apartment when his drunk boyfriend comes in.
Petros is a gay archaeologist who experiences the naked Greek paranoia in the center of Athens. Either by choice or coincidence, he comes into contact with people who are "different": An Arab immigrant, who comes to Greece, a land of "infidels", determined to conquer it by any means; A Greek-French cello player, who is burdened by the agony of her alcoholic mother; A young Albanian pianist, who carries the curse of his own personal genius and divinity; A Greek immigrant, who was repatriated but now has nowhere to call home; A bank director, who believes everything can be bought, even love; A patrolman, who creates his own version of socio-political reality. Petros' contact with these people is in fact a traumatic experience. For each encounter he has to pay a price. Sometimes the price is material, while other times it's emotional. At times it is both. Will the experience gained make up for the loss?
The heterosexual man Axel is thrown out of his girlfriends home for cheating and ends up moving in with a gay man. Axel learns the advantages of living with gay men even though they are attracted to him and when his girlfriend wants him back he must make a tough decision.
After meeting in a chat room, Fede arrives at a down- town building to have an intimate encounter with a gay couple older than him. As the night unfolds, Fede has an intense and telling experience. The next morning finds him different, as if suddenly he had found a new possible way to love.
Walt is a lonely convenience store clerk who has fallen in love with a Mexican migrant worker named Johnny. Though Walt has little in common with the object of his affections — including a shared language — his desire to possess Johnny prompts a sexual awakening that results in a tangled love triangle.
Tobi and Achim, the pride of the local crew club, have been the best of friends for years and are convinced that nothing will ever stand in the way of their friendship. They look forward to the upcoming summer camp and the crew competition. Then the gay team from Berlin arrives and Tobi is totally confused. The evening before the races begin, the storm that breaks out is more than meteorological.
A biopic of writer Truman Capote and his assignment for The New Yorker to write the non-fiction book "In Cold Blood".
Eyal, an Israeli Mossad agent, is given the mission to track down and kill the very old Alfred Himmelman, an ex-Nazi officer, who might still be alive. Pretending to be a tourist guide, he befriends his grandson Axel, in Israel to visit his sister Pia. The two men set out on a tour of the country, during which Axel challenges Eyal's values.
When an old friend brings filmmaker Enrique Goded a semi-autobiographical script chronicling their adolescence, Enrique is forced to relive his youth spent at a Catholic boarding school. Weaving through past and present, the script follows a transvestite performer who reconnects with a grade school sweetheart. Spurred on by this chance encounter, the character reflects on her childhood sexual victimization and the trauma of closeting her sexual orientation.
In 1960s Wyoming, two men develop a strong emotional and sexual relationship that endures as a lifelong connection complicating their lives as they get married and start families of their own.