Il viandante

About an artful Fox who gets caught in snare while stealing grapes, and uses her wits to escape. Based on a Ukrainian folk tale.

When asked to make a documentary about her friend’s mother—a Parisian astrologer named Juliane—the filmmaker sets off for Montmartre with a Bolex to craft a portrait of an infectiously exuberant personality and the pre-war apartment she’s called home for 50 years.

A story of adoption told without glamour and hypocrisy that usually accompanies this topic.Anna is a top model, who was adopted by a French couple as a child. She returns to her hometown with a charity mission from France.A story of an orphan turned princess becomes a legend in her native provincial town. Anna gets treated like royal person and everyone expects miracles from herAnna is confused and cannot understand what all these people want from her. She is used to a calm and logical western lifestyle. Her home is France, in Russia she is a guest. Horrified, she watches her photographer boyfriend Michelle, admire incomprehensible Russian mentality

Grete Minde, based on the novel by Theodor Fontane, tells the story of a girl trapped in the turbulent religious and social prejudices of 17th-century Sweden.

When 10-year-old Park works up the nerve to give the girl across the street a love note, she faces the judgment of those closest to her. Park has to decide if she will remain true to herself or become what others expect her to be.

On a rough and tumble construction site for a new factory, the conversation flows and love blooms for trio Lyuba, Misha, and Kolya. In the liminal space of their workplace, they build material and intangible connections.

Senya, a young hunter, hunts for two wolves that have been preying on sheep of various farms in Siberia. Kira Muratova and husband Oleksandr Muratov's diploma film.

A fatally ill mother with only two months to live creates a list of things she wants to do before she dies without telling her family of her illness.

A troubled teen is sent to live with his estranged father, a park ranger. During his time there, he develops an unusual affinity with and passion for the wolves in a local pack.

Cecilie and Joachim are about to get married when a freak car accident leaves Joachim disabled, throwing their lives into a spin. The driver of the other car, Marie, and her family don’t get off lightly, either. Her husband Niels works in the hospital where he meets Cecilie and falls madly in love with her.

A girl living alone in a post apocalyptic wasteland finds herself hunted down by marauders who want her to fight in their fighting pit for their entertainment.

It's Ted the Bellhop's first night on the job...and the hotel's very unusual guests are about to place him in some outrageous predicaments. It seems that this evening's room service is serving up one unbelievable happening after another.

Anna, the daughter of an elderly owner of Kõrboja farm, is told by her father that if she won't move in their home farm then it will be sold to strangers. But the farm needs also a master, and Anna has been living in town for years. She comes back home and reunites with Villu, her friend from childhood.

During the German occupation of Estonia a young mother finds a Red Army soldier hiding in the hay in her barn.

A solitary nurse bonds with a badly burned patient who survived an accident on an oil rig.

Two lost souls visiting Tokyo -- the young, neglected wife of a photographer and a washed-up movie star shooting a TV commercial -- find an odd solace and pensive freedom to be real in each other's company, away from their lives in America.

Mirrored Measure features two women separated by a generation. The older woman ceremoniously lays a table – she repeatedly spreads a cloth and smoothes it out. The table is set and glasses and jug filled with water. A balanced and controlled ritual follows in which the jug is passed round and water is repeatedly sipped. Water becomes the lens through which we see and the medium through which the protagonists connect. The sense of connectivity is abruptly severed when the first glass tumbles.

Swollen Stigma nourishes the fantasy of its protagonist’s inner life and proposes a lesbian imaginary which takes leap into risk and displacement. The film opens with an entranced seated woman working her fingers through a single strand of hair and proceeds to explore her lived imaginary in which desire and fear interlace. She re-visions different moments in time which are haunted by an absent lover. Like a playful fairy princess, this lover appears upside down in an armchair, hanging legs-down from the ceiling, playing dead on the floor, or eating roses; her body continuously permeates the woman’s reality. The film’s shifting points of view jump between the protagonist, fantasy spaces and her lover, making an internal world leak into what is external with the fluidity of blood into water.

Cast creates a claustrophobic and haunting space where people and things invade worlds in which they do not normally belong. Lifeless dolls are heaped inside drawers, dolled-up life size figures lie motionless on a windy beach at the water’s edge; a chair rocks in an empty room, a mirror reflects and observes, and a chest of drawers is caressed by the sea. The film has a dramatic sensibility that sets up a false promise of narrative. Its structure, instead, is akin to that of dreams where different scenic spaces collapse and the inanimate and animate interchange. Wide-angled perspectives, shifting points of view and juxtapositions of sound and silence force inner and outer realities to collide, creating an unsettling psychic world.

Ritualised through performance to camera, Stages of Mourning is Pucill’s journey of bereavement. In as much as this is a meditation on coming to terms with loss, the film is an exploration of how our relationship with the dead is made different through film. The artist orders image fragments of her late lover and collaborator, Sandra Lahire. By trying to physically immerse herself into photographs and film footage or by restaging these, Pucill forms a continuous stream of a life of two lovers. Through this doubling and layering, illusions accumulate as if these were a product of a machine that didn’t stop.