Violettina

Sam, a fearless young girl raised outside of her Māori culture, is determined to fulfill her mission of connecting with her mountain. She hopes it can heal her from the cancer she is battling. Along the way, she meets some misfits and new kids in town, and together they journey through a difficult route, discovering the true spirit of adventure and the magic of friendship.

Stockholm in the 1920s. Young Roland lives with his socialist father, Jewish mother and a boxing brother. His mother sells condoms illegally, and from them, Roland makes slingshots which he sells. His rebellious ways has gotten him the special attention of his school teacher, who always makes sure that Roland is punished. Roland also tries to make extra money by repairing bicycles, a successful business that in the end lands him in hot water.

Libuše

This short begins with a pair thriving in a lush paradise representing the Garden of Eden. The pair are suddenly uprooted and driven to the unknown: the original sin of slavery. In the end, they dig their roots into the soil and stretch their limbs to the sun, finding new identities, new truths and new power.

Lumee, one of the two main characters (of the opera p r i s m), sings this aria while smoking outside a nightclub in the second act, providing a window into her selfish fantasies. Not a recorded section of the opera, but a companion piece meant to depict the character's imagined realities.

Verdi’s IL TROVATORE again storms the Met stage in a star-studded, anvil-wielding cast , including Sondra Radvanovsky, Dolora Zajick and Dmitri Hvorostovsky. Marcelo Álvarez sings Manrico, the troubadour of the title. The story is well-known already: The gypsy Azucena has harbored a grudge for thirty years, but she is about to have revenge at last. Meanwhile, her son Manrico is in love with Leonora, but so is his arch-enemy, the Count Di Luna. A pot-boiler, where every tune is a hit.

An operatic film adaptation of the poem by Paul Laurence Dunbar of the same name.

Erik lives by night. He works in a nightclub and occasionally dresses up as a woman to rob rich clients. One day Erik's father arrives uninvited. It's a surprise visit that brings out memories of complicated childhood.

As the end-of-year concert approaches, Théa, a young student pianist at a conservatory, finds herself losing all her nerve due to her fascination with one of her elders, Cécile.

A dead woman wanders through the shadowy space between memory and reality, tracing the lines of her identity through the land she once walked—an immigrant in death as in life.

Two mystical beings emerge from the scenery, embarking on a journey through Gallup— Na'nízhoozhí in the Navajo language— before melting back into the desert at nightfall.

A Força da Amizade

Opera Australia's 1976 production of Lakmé, an opera in three acts by Léo Delibes, with a French libretto by Edmond Gondinet and Philippe Gille. Set in India during the British Raj, the story focuses on Lakmé, the daughter of a Hindu priest. Lakmé's life is troubled by her infatuation with a British officer.

For the first time in company history, the Met presents the original five-act French version of Verdi’s epic opera of doomed love among royalty, set against the backdrop of the Spanish Inquisition. Patrick Furrer leads a world-beating cast of opera’s leading lights in this March 26 performance, including tenor Matthew Polenzani in the title role, soprano Sonya Yoncheva as Élisabeth de Valois, and mezzo-soprano Elīna Garanča as Eboli. Bass Günther Groissböck and bass-baritone John Relyea are Philippe II and the Grand Inquisitor, and baritone Étienne Dupuis rounds out the all-star principal cast as Rodrigue. Verdi’s masterpiece receives a monumental new staging by David McVicar that marks his 11th Met production, placing him among the most prolific and popular directors in recent Met memory. This live cinema transmission is part of the Met’s award-winning Live in HD series, bringing opera to movie theaters across the globe.

A girl disappears without a trace while playing hide and seek with her friend. The friend is asked to explain how it happened, but the adults around him find it hard to believe his story. With visual originality, the limits of existence are allowed to be stretched in a film that depicts the incomprehensible from a child’s perspective.

Attila

TANNHÄUSER UND DER SÄNGERKRIEG AUF WARTBURG is a grand opera by Richard Wagner in three acts. After experiencing boundless sensuality and freedom with the fun-loving Venus (soprano), the singer Tannhäuser (Tenor) finds it impossible to conform to the cultured setting of his betrothed Elizabeth (soprano), who loves him. During a singing contest, Tannhäuser describes the affair with Venus as the ultimate love experience and because of that, he is cast out from the established society. Thanks to Elizabeth's intervention, he is allowed to undertake a pilgrimage to the Pope to ask for the Holy Father's pardon. If the Pope accepts to forgive him, he would be allowed to take back his place in society. Tannhäuser accepts. But fate will not allow him to meet with his beloved Elizabeth again in this life. This is a recording of the legendary staging by Götz Friedrich for the 1978 Bayreuth Festival conducted by Sir Colin Davis.

Two nieces, Tilda and Harriët, meet again after a long time. But now, a rat named Erebos has come between them.

The true story of a young man's battle with bone cancer and his family's fight to carry him through. Written and Directed by the older brother of the story's main character, this biographical account offers an intimate glimpse into a family perservering in hope when faced with their worst nightmare.

Star tenor Jonas Kaufmann brings aching intensity and vocal charisma to the tortured title hero of Massenet’s Goethe adaptation. Sophie Koch, in her Met debut, is an appealing and elegant Charlotte, the object of Werther’s passionate affection that will lead to tragedy. Lisette Oropesa as Sophie, David Bižić as Albert, and Jonathan Summers as Le Bailli co-star. Richard Eyre’s atmospheric production is conducted by rising maestro Alain Altinoglu.