Maroc, au coeur des traditions

During the oppressive reign of Moroccan King Hassan II in the 70s and 80s (Years of Lead), many dissidents went missing. After the throning of a new king, a truth commission was formed in the 2000's. Families of the missing speak.

A small village high up in the mountains of Ketama, Northern Morocco. The life of the people here has been shaped by the drug hashish for centuries. Hashish as daily work, hash as exchange currency, hashish as business, hashish as basis and philosophy of a social system, hashish as medium for dreams and hashish as reason for stagnation.

Dawn Of The Moroccan Fitness is an inspiring documentary by Abdelillah Habbat Idrissi. Through engaging interview formats, Idrissi imparts valuable lessons to Moroccan youth, showcasing that perseverance and finding the right path are timeless pursuits. A heartfelt thank you is extended to the individuals who shared their testimonies in the documentary. Their presence adds depth and authenticity to the narrative, creating a powerful connection with the audience. Additionally, gratitude is expressed to all those who contributed directly to the realization of this documentary. Their efforts and support played a crucial role in bringing "Dawn Of The Moroccan Fitness" to light, making it a meaningful and impactful exploration of life's journey.

Orientalism is a literary and artistic movement born in Western Europe in the 18th century. Through its scale and popularity, throughout the 19th century, it marked the interest and curiosity of artists and writers for the countries of the West (the Maghreb) or the Levant (the Middle East). Orientalism was born from the fascination of the Ottoman Empire and followed its slow disintegration and the progression of European colonizations. This exotic trend is associated with all the artistic movements of the 19th century, academic, romantic, realistic or even impressionist. It is present in architecture, music, painting, literature, poetry... Picturesque aesthetics, confusing styles, civilizations and eras, orientalism has created numerous clichés and clichés that we still find today in literature or cinema.

On July 30, 2024, Mohamed VI celebrates the 25th anniversary of his reign in style. Who is this so-called secret monarch? How did he gradually impose his vision and projects?

As Lupin's mentor Don Dolune lies on his deathbed, he hands the master thief a gift, the diamond named Twilight. Though it's only half the treasure — the other half of the Twilight can be found in Morocco. Lupin must contend with his on-again-off-again-partner Fujiko, his feelings for the mysterious Lara, and the relentless whip-wielding maniac Sadachiyo in order to bring Twilight back to its full glory.

This FitzPatrick Traveltalk short visits the cities of Casablanca, Rabat, and Marrakesh in Morocco, as well as the city of Algiers in Algeria.

Documentary that shows the changing attitude towards immigrant labor in The Netherlands. The documentary follows three immigrants that arrived in Holland 30 years ago to work in a bakery.

Les Enfants de l’ovale... Un essai qui transforme !

Study of the relationship between observer and landscape in the contemplative experience. The view building the landscape from the necessary distance. The delimitation of its borders against the total continuum of nature. The observer immersed in the path of his gaze across the landscape. Resting the gaze in the details that make the globallity. The view selecting the space included as a landscape.

We approach to invisible details for our eyes, figures disappearing as we move away from them, diluted in space. Parts that are integrated into the whole landscape. The remoteness as disappearance. The human figure betrays us here negligible small in the vastness of the territory, the voracity of the active vacuum that surrounds him. Images captured in the Atlas region in Morocco.

Somewhere between documentary and fiction, this is an essay on questions of territory and human displacements made during an excursion from southern Spain to northern Morocco. Travelling on the Mediterranean rim, we hear immigrants tell their stories.

The film is set in Tangier, a city in northern Morocco known for its rich cultural heritage and vibrant artistic scene. It features Iliass, a young interdisciplinary artist who skillfully merges four distinct art forms—blurring the lines between tradition and modernity—to create a singular, innovative expression. Through Iliass's journey, the film explores the dynamic interplay of identity, creativity, and the transformative power of art, set against the backdrop of Tangier’s unique blend of Mediterranean and Moroccan influences.

A humorous observation in Barcelona’s immigrant neighbourhood El Raval. Four barber shops, four places of remembrance, strange time and space capsules inhabited by people who left their home to find a better one, while the Spaniards are about to leave their own country themselves.

Yann Arthus-Bertrand flew over Morocco with his cameras and asked the journalist Ali Baddou to write and record the comment.

Road documentary that delves into the musical and religious expressions of sub-Saharan Africa. Through Mauritania and Mali, the film documents the lives of Dogon, griots, musicians and instrument makers who, through oral accounts, explain why music plays a fundamental role in the socio-religious organization of peoples. The film culminates its search with the recording of the performance of the traditional Dogon mask dance, in Begnematou, a small village lost in the desert.

Furias

The young farmer Aalami leaves his family to find work elsewhere. He gets to know the country and its people, customs and traditions at Küste in North Africa: Market life in Tetuan, the art of craftsmanship, the life of the Moors, dances and festivities in honour of the caliph, white mosques, the call of the muezzin of the minaret and the music of the shepherd flutes. Aalami also follows Franco's call and flies from Morocco to Spain to fight at Bürgerkrieg. In the end Aalami comes back to his wife and children.

A seagull, a dog, a child, a call to prayer; Looking through a window, the corridor of a train, the wall of a medina; Everyday life is momentarily paused through the eyes of a stranger in an unknown land.

Following the death of Amina Filali, a 16 year-old girl who killed herself after she was allegedly forced to marry the man who raped her, a young woman carries a personal investigation into the representation and perception of rape in Morocco. Here rapists are offered to marry their victims as a means to save the "honour" of the family. By liberating the voices of these victims, 475 : Break the Silence gives an unprecedented view of family, the deceit of love, relationships, marriage and honour in urban deprived areas of a country seeking to find its identity between modernity and tradition.