Lost World Of Pompeii

In 25 AD, Judah Ben-Hur, a Jew in ancient Judea, opposes the occupying Roman empire. Falsely accused by a Roman childhood friend-turned-overlord of trying to kill the Roman governor, he is put into slavery and his mother and sister are taken away as prisoners.

After the death of the paranoid emperor Tiberius, Caligula, his heir, seizes power and plunges the empire into a bloody spiral of madness and depravity.

The rebellious Thracian Spartacus, born and raised a slave, is sold to Gladiator trainer Batiatus. After weeks of being trained to kill for the arena, Spartacus turns on his owners and leads the other slaves in rebellion. As the rebels move from town to town, their numbers swell as escaped slaves join their ranks. Under the leadership of Spartacus, they make their way to southern Italy, where they will cross the sea and return to their homes.

Determined to hold on to the throne, Cleopatra seduces the Roman emperor Julius Caesar. When Caesar is murdered, she redirects her attentions to his general, Marc Antony, who vows to take power—but Caesar’s successor has other plans.

Ramses II : La Vérité sur le plus grand des pharaons

Herzog and cinematographer Peter Zeitlinger go to Antarctica to meet people who live and work there, and to capture footage of the continent's unique locations. Herzog's voiceover narration explains that his film will not be a typical Antarctica film about "fluffy penguins", but will explore the dreams of the people and the landscape.

Carmine Gallone and Amleto Palermi’s The Last Days of Pompeii 1926 stages in sumptuous colour tinting the epic fall of the ancient city buried by Mount Vesuvius’ eruption. Adapted from Edward Bulwer-Lytton’s love story, the film was innovative in its special effects and an early major box-office hit. A beautiful tinted restoration print was prepared using photochemical processes by Centro Sperimentale di Cinematografia-Cineteca Nazionale in the mid-1990s and the premiere screening of the restoration print was held in the amphitheatre in Pompeii, followed by a screening at the major restoration festival ‘Il Cinema Ritrovato’ in Bologna in 1998.

The story of the Trojan Horse is probably one of the most famous stories ever told: after ten years of bloody war, the Greek coalition decides to lift the siege and depart, but not before leaving at the gates a huge wooden horse, which the Trojans confidently lead into the city. A few hours later, the once invincible Troy goes up in flames. What exactly happened? Is this myth true or false?

For almost two thousand years, the story of Jesus’ final days has been celebrated by Christians the world over. From Jesus’ triumphant entry into Jerusalem, through to his eventual crucifixion six days later, the key moments have been immortalized in countless films, pieces of music, and works of art. But in recent years, some historians have begun to question inconsistencies in the Gospels’ version of events. They believe that the Gospels could hide a very different story; one that casts the historical Jesus in an entirely new light. Based on a new interpretation of contemporary historical events in Rome, "Last Days of Jesus" peels back thousands of years of tradition, to explore a new political context to the events in Jerusalem. "Last Days of Jesus" explores how dramatic political events in Rome could have played a crucial role in shaping Jesus’ destiny, and examines an extraordinary political alliance that altered the course of history.

The assassination of the would-be ruler of Rome at the hands of Brutus and company has tragic consequences for the idealist and for the republic.

The epic story of the life of a volcano, capable of both causing the extinction of all things and helping the evolution of species, over 60 million years.

After fierce Roman commander Marcus Vinicius becomes infatuated with beautiful Christian hostage Lygia, he begins to question the tyrannical leadership of the despotic emperor Nero.

Titus Andronicus returns from the wars and sees his sons and daughters taken from him, one by one. Shakespeare's goriest and earliest tragedy.

A falsely accused nobleman survives years of slavery to take vengeance on his best friend who betrayed him.

In the year 180 A.D. Germanic tribes are about to invade the Roman empire from the north. In the midst of this crisis ailing emperor Marcus Aurelius has to make a decision about his successor between his son Commodus, who is obsessed by power, and the loyal general Gaius Livius.

After the death of Emperor Constantine in Rome, the persecutions of the Christians threaten the centurion Marco forced to become a gladiator.

The devious general Cethegus plays the Byzantine and Gothic forces against each other for his own gain.

Rome chafes under the rule of the Emperor Domitian and his Egyptian mistress, Artamne. A mysterious champion arises to fight against the Emperor -- a masked man known as the Red Wolf. In fact, the Red Wolf is Valerius Rufus, one of the Emperor's trusted centurions who's aided by none other than the Emperor's court jester, the diminutive Elpidion. Rebels in league with Valerius kidnap Artamne, planning to exchange her for two of their imprisoned colleagues, but Artamne escapes and soon both Valerius, (now exposed as the Red Wolf), and his fiancee, Lucilla, are sentenced to be immersed in a cauldron of molten lead. Valerius's friends, however, rise up to rescue him and to liberate Rome.

Drunk and disillusioned Roman, Marcellus Gallio, wins Jesus' robe in a dice game after the crucifixion. Marcellus has never been a man of faith like his slave, Demetrius, but when Demetrius escapes with the robe, Marcellus experiences disturbing visions and feels guilty for his actions. Convinced that destroying the robe will cure him, Marcellus sets out to find Demetrius — and discovers his Christian faith along the way.

More than 2.000 years ago, Narbonne in today's Département Aude was the capital of a huge Roman province in Southern Gaul - Gallia Narbonensis. It was the second most important Roman port in the western Mediterranean and the town was one of the most important commercial hubs between the colonies and the Roman Empire, thus the town could boast a size rivaling that of the city that had established it: Rome itself. Paradoxically, the town that distinguished itself for its impressive architecture, today shows no more signs of it: neither temples, arenas, nor theaters. Far less significant Roman towns like Nîmes or Arles are full of ancient sites. Narbonne today is a tranquil town in Occitania