Raised a boy in East Berlin, Hedwig undergoes a personal transformation in order to emigrate to the U.S., where she reinvents herself as an 'internationally ignored' but divinely talented rock diva, inhabiting a 'beautiful gender of one'.
Alma, petrified, does not know how to react when her son, age 8, wants to dress as a fairy and go to school. She asks advice from her neighbor, and eventually the entire building debates his right to behave cross-gender.
You will meet me and we will smile again
A group of old friends reunite for an evening. Something ugly is bubbling up to the surface.
On many working sites where workers spend years away from their families, every visit is an event. A husband climbs down from a potentially fatal construction site to meet his wife for lunch.
A granddaughter struggles to care for her grandfather, whose fading memories and haunting hallucinations blur reality, in this poignant tale of love and communication.
Plant
Plastic Chairs follows Dylan, a recovering addict forced back into a support meeting by his sister after a near-fatal overdose. There, he meets Tom — a man further along the same path, who recognises his own past in Dylan and quietly offers understanding rather than judgment. As stories are shared and silences linger, the film observes the difficult, often invisible act of choosing to stay. Plastic Chairs is an intimate short film about relapse, accountability, and the courage it takes to show up for yourself when it feels impossible. Chloe Webb makes her directorial debut.
When Albin lands a much-wanted acting job, he doesn't hesitate to make it his top priority in life. But he's still not clear about what the job entails.
A seemingly never-ending project that through strong determination and small breakthroughs along the way is finally completed. In an environment of chaos and junk, norms and structures are challenged, not least in one’s own family.
Nils works with a comedy talk-show but doesn’t get the respect that he thinks he deserves. At a pitch meeting one of his ideas gets stolen by his colleague, Fabian. Everyone loves the idea, but no one except Nils realizes the fact that Fabian stole it.
Love is love. Someday, the pain of being in love will be an endearing memory. No matter who the feelings are towards, no matter what form it takes, all love and lifestyles have the same value. An omnibus anime tells the stories of “The wedding of an ex”, “a student and a teacher at an all-boys’ school” and “childhood friends whose bodies and hearts change with adolescence.”
Sully Johnson lives as an orphan with his sister Nicole. To give her a better life, he chooses to abandon his dangerous and criminal activities and create a better environment for his last surviving family member.
An unsuccessful meeting with her estranged father leaves Noel questioning whether or not he deserves a role in her life.
O preço da felicidade
Nineteen-year-old Ari confronts both his sexuality and his Greek family. Ari despises his once-beloved parents, former radical activists, for having entombed themselves in insular tradition. Ari is obsessed with gay sex, although he does make an unenthusiastic attempt to satisfy the sister of one of his best friends. While all of this is going on, he's facing problems with his traditional Greek parents, who have no clue about his sexual activities.
A teen attempts to befriend her crush who lives across the street. However, the only time they see each other is the brief walk from the front door to their cars on their way to school.
Carter Page III, a middle-aged gay man in Washington, D. C., is a "walker", a single man who escorts other men's wives to social events so the husbands do not have to. One of the women he escorts, Lynn Lockner, is the wife of a United States senator and is carrying on an affair with a lobbyist. When she finds the lobbyist murdered, she embroils Carter in an investigation that leads to the highest levels of the federal government.
The second installment of Frank Mosley's Perception Trilogy, inspired by Greek philosopher Plato's quote, "We can easily forgive a child who is afraid of the dark; the real tragedy of life is when men are afraid of the light." It is an examination of responsibility during the creation of the Atomic bomb during 1945. Shot on a soundstage to invoke the sense of theater, it highlights a moment in time where innocence is lost and only uncertainty lies ahead. Michael Morse is an anonymous man working for an anonymous sector of the Manhattan Project when he gets two phone calls in quick succession: that the atomic bomb has been completed and that his wife has just given birth to their son at the local hospital. What happens next is a fusing of past, present, and future, interweaving in the head of a man doomed to be the messenger of destruction.
Billy the Marine's last day home before going back to Iraq. Realizing he may never come back, he tries to make amends with various people in his life. For Billy, the real battle may be on the home front rather than the front lines. LEAVE is an entirely improvised drama that was shot over the course of one day in Arlington, Texas, using both actors and non actors, both family and friends of the director, all from a one page outline. The story ultimately describes the different ways people express their love to one another, and how these ways of communicating love are sometimes lost.