After exchanging glances between "good mornings" and "good afternoons", Marcelo realizes it's time to try to go further with Márcio, the doorman in his building. Two worlds will collide through these men's bodies.
Whilst doing their last concert before the Christmas Holidays, Busted find that their guitars have all disappeared mysteriously. With their only clue to there where-abouts being a mysterious note signed by 'Sinister Santa' the band take on London in hopes of finding their Guitars but learn the true meaning of Christmas along the way.
This is a poetic film set in the times of Lenin's NEP. A ballet dancer steals a brooch and gives it as a present to another dancer. This is a crime of passion. A mysterious black ball is after the heroine. She runs away from it and manages to give the brooch in an exquisite pirouette movement, as shiny as diamond facets. What gives a stone its dazzling luster are its polished facets. But the real gem is love, and it's much harder to get than any diamond in the world.
A podcaster implicates her step-father in a series of unsolved murders, which makes for a compelling show but an awkward family reunion.
After experiencing her first heartbreak, Anais declares war on all the boys in 6th grade.
The Plan Man is about a man who lives everything according to plan until he meets a woman who wasn't a part of it.
The latest in Peccadillo’s critically acclaimed series – now established as a leading showcase for new and emerging queefilm-makingng talent from around the world – features a fresh and exciting selection of the very best contemporary gay short films. Each self-contained drama in this diverse and thoughtfully curated collection offers fascinating and insightful new perspectives on the gay experience – sensual, affecting, sometimes provocative and always entertaining. The 8 short films are: Have We Met Before? (2019); The Act (2020); First Position. (2019); Winter [Invierno] (2021); The Suit Weareth the Man (2020); Infinite While It Lasts [Infinito Enquanto Dure] (2019); Melon Grab (2017); Thrive (2019).
Welkom
Alex Owens, a young woman juggling between two odd jobs, aspires to become a successful ballet dancer. Nick, who is her boss and lover, supports and encourages her to fulfil her dream.
For Ted, prom night went about as bad as it’s possible for any night to go. Thirteen years later, he finally gets another chance with his old prom date, only to run up against other suitors including the sleazy detective he hired to find her.
Lucien Littlefield is a dentist who believes in giving generous doses of laughing gas to the patients. On this occasion when a girl arrives at his office with an aching molar, he administers even more than the usual quantity. Under the influence of the laughing gas, she leaves the office and trips blithely along through all kinds of dangerous traffic, makes love to a married man while his wife looks on and succeeds in getting herself into several difficulties. In the meantime the dentist pursues with a restorative.
At a tiny Parisian café, the adorable yet painfully shy Amélie accidentally discovers a gift for helping others. Soon Amelie is spending her days as a matchmaker, guardian angel, and all-around do-gooder. But when she bumps into a handsome stranger, will she find the courage to become the star of her very own love story?
After his long-time girlfriend dumps him, a thirty-year-old record store owner seeks to understand why he is unlucky in love while recounting his "top five breakups of all time".
The third in a series of films featuring François Truffaut's alter-ego, Antoine Doinel, the story resumes with Antoine being discharged from military service. His sweetheart Christine's father lands Antoine a job as a security guard, which he promptly loses. Stumbling into a position assisting a private detective, Antoine falls for his employers' seductive wife, Fabienne, and finds that he must choose between the older woman and Christine.
Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).
The story of two lovestruck teens, Vince and Kath, through text messages.
Jamilah has her whole life figured out. She's the president of her black sorority, captain of their champion step dance crew, is student liaison to the college dean, and her next move is on to Harvard Law School. She's got it all, right? But when the hard-partying white girls from Sigma Beta Beta embarrass the school, Jamilah is ordered to come to the rescue. Her mission is to not only teach the rhythmically-challenged girls how to step dance, but to win the Steptacular, the most competitive of dance competitions. With the SBBs reputations and charter on the line, and Jamilah's dream of attending Harvard in jeopardy, these outcast screw-ups and their unlikely teacher stumble through one hilarious misstep after another. Cultures clash, romance blossoms, and sisterhood prevails as everyone steps out of their comfort zones.
Harry Gribbon and Shemp Howard enter the world of fine art in Paris.
A teenage boy navigates the final minutes before his first theater stage performance, which includes experiencing his first kiss. Despite his rising anxiety, he shares a romantic moment with a classmate.
Two 20-somethings take the next step in their long-distance cyber romance: meeting in person for the first time during an exotic vacation in W Doha. Will their tech-enabled feelings hold true in real life?