See the Dead

A deliciously scary story about a boy who outsmarts an old witch-woman before she can have him and his brothers for dinner.

A man is being haunted by a masked stranger. The only language used in the movie comes from three (inter) title cards and a few sentences of sermon-like talk in Danish. Some of the talk is modified citations from the bible and similar sources.

Bubba's Chili Parlor, a restaurant in rural Texas, becomes ground zero for a worldwide zombie epidemic after Bubba unwittingly serves chili infected with a mutated strain of Mad Cow Disease.

A man is trapped in a sinister flat, where nothing seems to obey the laws of nature.

A group of people is having a barbecue party when two Krishnas appear at their doorstep, both of which transform into hideous monsters and start killing everybody in gory ways. The survivors retreat to a friend's house and realize something bigger is going on...

This is a film about a man without a face. His arms and legs, bound with ropes, the disabled man is still without even a shudder in a white room. A series of unusual scenes in this room expresses what lies between memories, nightmares, and violent images.

One of the two earliest horror films ever made. This film is presumed lost.

One of the two earliest horror films ever made. This film is presumed lost. In this black comedy scene, the bottom falls out of a coffin, the corpse tumble out, and is jolted back to life. Short sequences like this, as well as street scenes and dancing geisha girls were the main subjects of early Nippon cinema, pioneered by Shiro Asano and Shibata Tsunekichi from 1897 onwards. In creating dramatic, scenes, film-makers naturally chose the most striking or bizarre. Another undocumented film, recalled by cameraman Shiro Asano.

On a dark and stormy night, four bored ghosts decide to have some fun by calling the Ajax Ghost Exterminators.

A man listening to Rachmoninoff's 'Prelude' dreams he is the victim of premature burial.

The story of a cat who, legend has it, longs to become human.

The surrealist film shows repetitive imagery involving a string fashioned in a bizarre, almost spiderweb-like pattern over the hands of several individuals, most notably an unnamed young woman and an elderly gentleman. The film also shows a shadowy darkness and people filmed at odd angles, an exposed human heart, and other occult symbols and ritualistic imagery which evokes an unsettling and dream-like aura. Considered an unfinished film.

Rough Magik is about The Night Scholars, a clandestine organization setup to monitor the ancient cult of Cthulhu. After decades of compiling an enormous database of arcane information, they have come to a single, incontrovertible conclusion: the Sleeping God is waking.

Four tales of terror: "Blood Witch": A twisted Goth girl summons a murderous seventeenth century witch to exact gory revenge on anyone who crosses her path. "Mike Wuz Here": Night shift workers at an old movie theater are terrorized by the ghost of a former employee who committed suicide in the building. "One Foot In The Grave": When a beautiful young dancer loses one of her feet due to malpractice, she uses black magic to bring the severed appendage back to life. "Slay Ride": Left behind by her family on Christmas eve, a teenage delinquent punk chick quickly becomes surrounded by murder and mayhem.

Image Archive archivist Dino Everett assembled a feature-length compilation of SCA student works from the late ’60s and ’70s. The compilation features recently uncovered and previously unseen student films by Dan O’Bannon and John Carpenter. • BLOOD BATH (1969, written and directed by Dan O’Bannon) B/W (original 16mm) 7 min. • THE DEMON (1970, written and directed by Charles Adair) B/W (original 16mm) 19 min. • GOOD MORNING DAN (1968, written and directed by Dan O’Bannon, camera by John Carpenter) Color (original 8mm) 19 min. • CAPTAIN VOYEUR (1969, written and directed by John Carpenter) B/W (original 16mm) 7 min. • BLOOD BATH (1976, written and directed by Dan O’Bannon) Red tint (original 16mm blown up to 35mm) 8 min. • JUDSON'S RELEASE (1971, written by Alec Lorimore, directed by Terence H. Winkless) (original 16mm) Color 15 min. Total program time: 80 minutes.

Dracula travels to New York for a change of scenery.

The strange Pearce sisters live in isolation on a remote, rain-swept island. One day, a sailor is washed ashore and the sisters take steps to ensure they retain their guest.

On a cold winter night, Laura reads her brother David the story of a strange creature that attacks children. Suddenly, a shiver runs Laura's body, feeling a strange presence in the house. It's him.

A young woman finds herself alone in the house of her late mother where an unsettling and sinister presence emerges. Short, remade full length in 2012.

The shadowing forth of Our Lord Lucifer, as the Power of Darkness gather at a midnight mass. The dance of the Magus widdershins around the Swirling Spiral Force, the solar swastika, until the Bringer of Light—Lucifer—breaks through.