Tiong Bahru Social Club

The story spans from 1965 to the early 1970s. Heavily pregnant Zhao Di, the unwanted second wife of an older man, was chased out by her husband's family and forced to return to her own family. She gave birth to a pair of twins, Shun Fatt and Su-mei. As Su-mei had two moles on her face, which was said to be bad luck, she decided to give her up due to the pressure of wanting to build a better life for the rest of her family.

Zhao Di takes over her family farm with the help of Ah Long after the 1969 floods. After the government started reclaiming land for development in 1977, licensed owners like Zhao Di are compensated but her brother accuses her of having an affair with Ah Long to get the money for himself. Meanwhile, Osman does not approve of his son playing in a rock band as he fears the negative influence, causing his son to run away from home. As for Ah Hee and Rani, they decide to get married but their traditional parents are against it.

Fast, frenetic, and furious best describe the story of five teenage boys all but abandoned by the system, estranged from any parents, and discarded by life in general. They build a world of there own in which gangs, drugs, fighting, body piercing, self-harm, and even suicide are considered commonplace. The film highlights their harrowing place in time and this small world; where brotherhood is valued above all else. Impressively acted by actual street kids, the movie highlights a gritty side of modern-day Singaporean life.

Former bootlegger Remy Marco has a slight problem with forclosing bankers, a prospective son-in-law, and four hard-to-explain corpses.

Two playboys try to forget previous romances in Singapore - until they meet Dorothy Lamour...

Two Singaporean girls join together to form the Papaya Sisters, a getai group that sings at performances during the seventh lunar month. Big Papaya is estranged from her mother, who disapproves of her performances, whilst Little Papaya is an orphan who suffers from terminal cancer. The two are assisted by Auntie Ling and her son, Guan Yin. The two soon rise to the top of the Singaporean getai scene singing traditional Hokkien songs, but their fame brings along with it the enmity of the Durian Sisters, a rival group of techno-singing Eurasian girls.

Disappointed by his failed dreams, Loh Poh Huat visits his frustrations on his family. So when he wins the lottery, everyone believes the money will deliver them from their struggles. However, Loh dies abruptly and his elaborate and surreal Taoist funeral pitches the family into a battle where the stakes are the very meaning of life itself. Singapore Dreaming is a poignant yet darkly humorous story which follows the lives of six individuals as they navigate the rapidly changing conditions experienced in today’s modern South-East Asian cities.

Kok Pin, Boon Hock and Terry are classmates in "EM3" stream. In Singapore, that means that at the age of 12, the government has decided that they are not as academically inclined as their peers. Kok Pin is creative and a born artist but his parents would rather he focus on his Maths and Sciences. Boon Hock comes from a low-income family and needs to balance school and helping out at the food stall. Terry, a spoilt brat is just too lazy a student. While the three children suffer from the pressure of school, their parents have another set of problems - their jobs and careers.

A jaded Office Lady’s perspective on life is thwarted when she runs into her ex, an Ah Beng giving out free hugs to strangers.

An American-born Chinese economics professor accompanies her boyfriend to Singapore for his best friend's wedding, only to get thrust into the lives of Asia's rich and famous.

In a world where food has been outlawed, a small band of food lovers risks their skins to defy the authorities and feast on contraband food.

Even if two people are on the opposite sides of the universe, once the connection is made, they're basically one.

Wahid provides a brief account of his life beginning with his move to the city in search for employment after persuasion from his girlfriend, Rahmah. He soon finds himself caught in a host of sticky situations as he navigates towards finding steady employment. Gado Gado is one of the 91 sole-surviving Cathay-Keris Malay Classics film titles made during Singapore’s Golden Cinema era from the 1950s to early 1970s, and preserved by the Asian Film Archive. In 2014, the collection was inscribed onto the UNESCO Memory of The World Asia-Pacific Register, a list of endangered library and archive holdings. At 35 minutes long, the film is the only musical variety short from the Cathay-Keris catalogue.

The film depicts 24 hours in a HDB block of residential flats in Singapore. There are three main storylines. San San, fat, silent, and alone, hears the ghost of her mother constantly upbraid her. Ah Gu, a tofu soup vendor, is at odds with Lily, his materialistic immigrant wife, who longs for something he cannot provide. Meng spouts every moralistic bromide of the striving middle class, but is unhinged by his teenage sister May ("Trixie" to her boyfriend) who won't study, parties all night, and seems doomed by youth culture.

WHAT IF, in the unforeseen future, when there are not enough boys in Singapore? If Girls have to serve National Service also, what will happen? The story will focus on the first batch of female recruits, a bunch of Gen Z teens and youngsters with different backgrounds and education. As they trained under the fierce leadership of Sergeant Chow and Lieutenant Roxanne, they find themselves being pushed to the limit of their potential. Together, they overcome hardship and initial resistance to serve NS and discover newfound abilities, using it to solve and mend relationships in their personal life as well.

A bright bubbly short film about coming of age, queer puppy love and girlhood in Singapore, following Bunny - who meets Jyn, a cool yet kind non-binary teen, and realises the world isn't as terrible as her mother makes it out to be.

An aspiring filmmaker, who is also down on luck, goes to Singapore to meet a producer, but what follows is misadventure after misadventure, with a dash of romance thrown in.

In an alternate timeline, Ken, Lobang and Wayang King are transferred to the Naval Diving Unit (NDU) and have to overcome obstacles and personal issues to grow as people.

A musical, all-singing, all-dancing, attack on censorship in Singaporean movies

An emotive anthology by seven of Singapore's most illustrious filmmakers, celebrating SG50 through the lives and stories of Singaporeans. Directed by Eric Khoo, Jack Neo, K. Rajagopal, Royston Tan, Tan Pin Pin, Boo Junfeng, Kelvin Tong.