Emile Chenal and his wife, Françoise, leaned on boxing manager Jim Fox Warner to cough up the considerable sum of money that he owes them, with both the police and the mob circling the situation. In the same hotel, Inspector Neveu looks into a murder that took place years before, and his storyline overlaps with the arc of the Chenals.
A middle-aged couple has a drifter enter their lives. The fish-store owners find that the mysterious young man awakens the couple in ways they didn't expect. Things get tense when the drifter begins an affair with the woman of the house.
Suspecting her partner of an affair, Helena goes to extreme lengths to discover the truth.
Who Killed Narciso?
Struggling fair owner Kesselring (Nicolás de Jesús) is given a unique opportunity to restore the fair to its former glory when his friend Dr. Goodkat (Fredy Roque) introduces him to Marcus Kelevra (Alexis Adrián), a man whose mysterious act will draw people back to the fair, at a deadly cost, and even sparking interest among his fellow fairgoers.
Exploring the issue of stolen children in Spain, the plot tracks Vera’s search for her biological son, given in adoption, thereby coming across Cora and her adoptive son Egoz.
A modern neo-noir exploring the themes of love and friendship in an ever stratified world where human relationships are tested in the face of isolationism, technology and individualism.
A robbery goes wrong and the bank's teller, Josie is abducted by lone gunman Angelito Asuncion. A few weeks pass and Josie escapes to tell a tale of terror and mayhem. She asserts to have faked falling for him in order to win his trust while Angelito surfaces to claim otherwise. Josie is not really a victim but has been his lover for some time. In fact, they planned the whole thing so they could start a new life together. Who is telling the truth?
In 1950s, two incestuous lovers, a depraved suave journalist and his equally depraved prostitute sister, plan to get rich through seduction and murder.
A vicious gang of crooks plan to steal the wages of a local factory, but their carefully laid plans go wrong, when the factory employs an armoured van to carry the cash. The gang still go ahead with the robbery, but when the driver of the armoured van is killed in the raid, his wife plans revenge, and with the police closing in, the gang start to turn on each other.
Private detective Germán Areta el Piojo gets a terminally ill client who wishes to see his long lost, runaway daughter before he dies.
The director Lauri Nurkse tells that Veijarit is a film about "arjensietokyvyttömyys" (= inability to tolerate everyday life) and about the Peter Pan complex. The main actor Mikko Leppilampi says it's about "kolkyttoistavuotiaat" (= thirtyeenagers = people of thirty behaving like teenagers). An immediate reference point is the commedia all'italiana of the 1950s and the 1960s, the black comedy often exposing the infantile stage of development of the Italian male. Saku and Ässä are anti-heroes, but we never fail to sense the humanity behind their shallow and crazy ways. Veijarit is a satire and a parody of a superficial way of life, but there is a vitality in the protagonists that we feel can lead them to a more meaningful stage of existence after the prolonged youth full of sound and fury. There is a motif of transcendence in the imagery of flying: will the balloons carry me or will they burst.
Michael is a recovering addict. Back on the wagon, he's now responsible for a young, beautiful, and pregnant wife. He's working the graveyard shift at a gas station to support his new family, but the job drives him crazy. Then a wealthy stranger, Stuart, enters Michael's life, taking Michael through a tour of the seediest and slimiest parts of L.A. underbelly. Is Stuart leading Michael to hell, or salvation?
A Christmas Eve encounter between two enigmatic strangers sparks a poignant connection - but a dark turn of events threatens to expose their murky past.
On her 60th birthday, the proud owner of a Los Angeles strip club, finds herself in hot water over a twenty-five year old debt to the mob, leading her on a downward spiral of violence and revenge through the underbelly of Los Angeles.
Porter Wren is a Manhattan tabloid writer with an appetite for scandal. On the beat he sells murder, tragedy, and anything that passes for the truth. At home, he is a dedicated husband and father. But when Caroline, a seductive stranger asks him to dig into the unsolved murder of her filmmaker husband Simon, he is drawn into a very nasty case of sexual obsession and blackmail--one that threatens his job, his marriage, and his life.
Based on a true story and set in one of the most colorful periods in Philippine history, ROSARIO is destined to be a modern masterpiece in Philippine filmmaking. It is a monumental yet intimate portrait of a woman's emancipation and the sometimes painful consequencesof following one's desires.
A man opens a small-town bookstore in order to escape his connections to a mobster, but is reluctantly drawn back to his dark past by a mysterious woman.
A father faces a personal crisis when he discovers his estranged son fleeing a botched drug deal. The two men embark on a violent odyssey that grapples with themes of fatherhood, family and fate.
Holly is a struggling singer whose life is torn apart when she loses custody of her daughter, Chloe. When she travels to her soon to be ex-husbands estate in the country, for a weekend visit with Chloe, she is shocked to discover that he is missing. The police are called and the following day, Holly is accused of the murder of her husband. Holly unwittingly finds herself at the center of a small town conspiracy and must harness all her inner strength to save her daughter and clear her name.