Documentary about the history of male impersonation.
Good Grief is a short stop motion animated documentary that explores the lessons we learn from dealing with grief and loss. Five real people share their true stories of losing something precious and what it has taught them about living.
A trip to the Valley of Salazar, in the Navarrese Pyrenees. People united for the love of the earth. A story full of hope. People transformed by an encounter.
The Broken Brothers Brass Band visits the Andrés Muñoz Garde public special education school in Pamplona. And through their interaction with the workers, the volunteers and even the beneficiaries, the work that is done there is revealed, the universe that is hidden there.
On the surface, this collection of shorts by up-and-coming African American filmmakers arrived at a perfect time. The cutting-edge products of the New Black Cinema of the early '90s had disappeared, giving way to embarrassingly stereotypical, scatological fare such as Booty Call and Next Friday. This feature-packed compilation (which includes production notes, interviews with all of the filmmakers, and audio commentary by four) attempts to prove that African American cinema is intent on moving past the lowbrow humor, as six of the seven shorts steer clear of any comedy.
A collage of five people from different cultures living in Switzerland. They reflect on life by looking at their origins. The liveliness and diversity of life can be divined.
A Documentary about the Lanka Comic Con, history of how it started, and its community.
A generational trauma through the lens of an Asian American teenager through food and poetry.
Documentary about the life of the indigenous people in the Andes and in the slums of Lima, and of their religiosity.
Documentary about the excavation of Ancient Sardis.
Short film about shepherds in the Puszta
A Palestinian refugee visiting his ruined village is documented in an Israeli film. Amazingly, out of pure coincidence the same person is filmed again returning to his village in a different film, thirty years later. Will it be possible to film the return scene for the third time?
Gil Cardinal searches for his natural family and an understanding of the circumstances that led to his becoming a foster child. An important figure in the history of Canadian Indigenous filmmaking, Gil Cardinal was born to a Métis mother but raised by a non-Indigenous foster family, and with this auto-biographical documentary he charts his efforts to find his biological mother and to understand why he was removed from her. Considered a milestone in documentary cinema, it addressed the country’s internal colonialism in a profoundly personal manner, winning a Special Jury Prize at Banff and multiple international awards.
After mutilating his fingers, a carpenter decides to go back to work to support his family and prove that he can still do it.
An investigation about human intervention in nature, from the subjective point of view of the camera, the environment and its transformation are observed.
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Swimming movements of a common seal under water, propulsion through hind extremities.
The film shows open air shots of life in the colony of the sea lion. The following behaviours are shown: establishing territories and rivalry fights, courting and mating, feeding the young, play among young animals.
A portrait of the German city of Ulm and it's social activities, fassades, court building. Also about the role of the district court during National Socialism.