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Alice, the only relatively normal member of the eccentric Sycamore family, falls in love with Tony Kirby, but his wealthy banker father and snobbish mother strongly disapprove of the match. When the Kirbys are invited to dinner to become better acquainted with their future in-laws, things don't turn out the way Alice had hoped.

The Österman brothers have come to realize that they need a housekeeper. Oldest brother Kalle travel to town and return with the young and modern Anna.

In a small town in the 1950s a repertory company meets on Monday morning to start rehearsing the following week's play. This is a ghastly thing written by the aunt of one of the theatre's directors. The producer doesn't try to hide his annoyance about it, and is further exercised when the authoress herself arrives to help. The cast have to try and sort out real-life problems that keep intruding as they wrestle with the play's dire dialogue.

It's summer vacation, but two high schoolers have been instructed to clean the (empty) swimming pool. As they sweep the pool, they initially discuss school life, love and makeup. But it isn't long before their worries begin to overflow and their thoughts intersect.

The madcap life of eccentric Mame Dennis and her bohemian, intellectual arty clique is disrupted when her deceased brother's 10-year-old son Patrick is entrusted to her care. Rather than bow to convention, Mame introduces the boy to her free-wheeling lifestyle, instilling in him her favorite credo, "Life is a banquet, and most poor sons of bitches are starving to death."

Madrid, Spain, early thirties. The charming playboy Sergio Hernán is an unscrupulous womanizer who over the years has seduced and abandoned hundreds of women with the complicity of Oshidori, his cynical butler. However, his brief encounter with Elena Fortún, blonde, posh and a bit cheesy, unexpectedly leaves an indelible mark on his soul.

Royal Shakespeare Company's televised adaptation of Moliere's play with Antony Sher in the title role of Tartuffe.

A modernized comedy of Branislav Nusic's novel, about the life and work of a "small manufacturer", his professional and familial relations.

Bank clerk William Marble is desperate for money to pay his family's bills. When his wealthy nephew visits, Marble asks him for a loan, but the young man refuses. Marble decides to kill his nephew. It is a twisted path to justice after Marble is transformed by the crime he committed and the wealth he gains.

Monologuist Spalding Gray talks about the great difficulties he experienced while attempting to write his first novel, a nearly 2,000-page autobiographical tome concerning the death of his mother. Among his many asides, Gray discusses his problems in dealing with the Hollywood film industry, recounts the trips he took around the world in order to avoid dealing with his writer's block and describes his ambivalence about acting as stage manager for a Broadway production of "Our Town."

Jackie-O is anxiously awaiting the visit of her brother home for Thanksgiving, but isn't expecting him to bring a friend — and she's even more shocked to learn that this friend is his fiance. It soon becomes clear that her obsession with Jackie Kennedy is nothing compared to her obsession with her brother, and she isn't the only member of the family with problems.

A Parisian nightclub owner known for her performances of the can-can attracts the ire of a self-righteous judge. He hatches a plot to photograph her in the act but ends up falling for her — much to the chagrin of her lawyer boyfriend.

Sisters Ruth and Eileen Sherwood move from Ohio to New York in the hopes of building their careers. Ruth wants to get a job as a writer, while Eileen hopes to succeed on the stage. The two end up living in a dismal basement apartment in Greenwich Village, where a parade of odd characters are constantly breezing in and out. The women also meet up with magazine editor Bob Baker, who takes a personal interest in helping both with their career plans.

A pair of divorced actors are brought together to participate in a musical version of The Taming of the Shrew. Of course, the couple seem to act a great deal like the characters they play, and they must work together when mistaken identities get them mixed up with the mafia.

The beloved American musical that brought us “The Impossible Dream” turns its lens on modern love and society, especially as brought to the Playhouse stage by director Mark Lamos in our award-winning 2018 production. In this play within a play, Cervantes has not yet finished his manuscript for Don Quixote—he sits in jail awaiting trial during the Spanish Inquisition. Fourteen actors portraying Cervantes and his fellow prisoners bring to life the great odyssey we all know of a questing knight tilting at windmills and battling for the love of the fair maiden Aldonza.

Shakespeare's comedy of gender confusion, in which a girl disguises herself as a man to be near the count she adores, only to be pursued by the woman he loves.

The son of a French aristocrat is accused of stealing his father's money and of stealing his step-sister's heart.

While Leena is spending time at a health resort in the countryside, her husband Esa, an accountant, finds himself falling for Kirsti, who works at his office. The breakdown of their marriage also stirs up feelings in their adult children, who begin to question their own ideas about relationships.

Private Tossavainen and Corporal Konstila end up cleaning the apartment of Captain Kulma, their company commander, while trying to avoid outdoor duty. The neropats compete for the attention of maid Maiju when Captain Agatha's aunt, who has spent her life at sea, arrives for a visit with her foster daughter Emma, turning the entire barracks upside down.

University student Jaakko and master's degree holder Aarne arrive in a rural village, where they become involved in organizing a charity event and the relationship problems of farmhand Kaapro and maid Senni.