The Dream is Always the Same: The Story of Risky Business

The Invisible Subtitler is an independent documentary about the use of subtitles in cinema and the life of subtitlers themselves, focusing on the economic issues faced by the subtitlers and how they are currently invisible in the globalized business of the film industry.

The coming of age story of Shéár Avory, a 17 year old trans* aspiring social justice advocate in Los Angeles who navigates housing instability and familial dependency on their journey to adulthood. Shéár depends closely on their mother for continued access to their medical transition, though struggling in her recovery from addiction, she is unable to always offer Shéár the support they need. An observational piece, the film aims to ask, what does coming into adulthood actually look like, for a young Black trans* femme in today’s America?

Debris is a 25 minute film made in collaboration with the National September 11th Memorial and Museum. This documentary tells the story of September 11th, 2001 using bystander footage, source audio and newly composed music. Some of what you'll see may seem familiar - but certain events in Debris have rarely been viewed by the public.

Every year at Christmas, the women of the Slavonian Ladies' Auxiliary celebrate their culinary heritage by getting together to make pusharatas (a type of Croatian doughnut) for the people of Biloxi, Mississippi.

Telugu Film Director Vamsy, reminisces about his early days as an Assistant Director Working at "Seethakoka Chilaka" sets with his Mentor Bharathi Raja and how he made a Unique Trailer Cut for the Film.

Telugu Film Director Vamsy Shares the Story of Actor Rajanala.

"The operations that dislocate a film like Summer Solstice– I hope irreparably– from being a movie about the locomotion and eating habits of cows, a dairy farm document, or what have you, are finally of a whole lot less concern to me than the following things: how it looks, the sense that probably it was done deliberately, the pleasure or displeasure– the intrigue, possibly– of attempting to retrieve the manner in which it was done while one is watching." -HF

Three arrested and detained undocumented immigrants must navigate the system to fight impending deportation.

Telugu Film Director Vamsy Expresse his Train Journey with Music Direcor Ilayaraja.

The director’s mother, Mirka Mora, avoided Auschwitz by one day. On his father’s side many perished in the Holocaust. These facts triggered three visits to Auschwitz by Mora from 2010 to 2014 in an effort to understand and remember.

As dawn breaks over Taipei, a whole world comes to life around the Luzhou temple night market, only to be dismantled by sunrise. In COME HUNGRY, Oscar-winner Carol Dysinger creates a city symphony out of the rhythms, sounds, colors, and flavors of this ephemeral community that revolves around Taiwanese food, traditions, and identity.

The Numbers Start with the River is a 1971 American short documentary film about small-town life in Iowa. Produced by Donald Wrye for the United States Information Agency, it was nominated for an Academy Award for Best Documentary Short.

Lost Theaters of Wichita has the inside story from those who were there. It’s a tale of two great entertainment palaces—one that barely survived and the other that came crashing down while still in its prime. The Miller could still be entertaining people to this day in a grand atmosphere unlike any other. But instead, a parking garage sits in that spot–a monument to history lost and a lesson for future generations to heed. Program includes additional segments on Wichita theater history not included in the documentary itself, and a question and answer session with some of the people interviewed in the film.

Documentary film written by music critic Artemiy Troitskiy. It depicts the variety of Soviet and Baltic rock music and offers its viewer an idea that all this forbidden music is not really dangerous for society. Featuring music bands: "Круиз" (Tambov), "In Spe" (Estonia), "Новый мир" (Estonian hard-rock), "Великие Луки" (punk-rock from Tallinn). Moscow music scene represented by: "Тупые", "Нюанс", "Звуки Му". Leningrad music scene: "Джунгли", "Алиса". Also appearing: "Воплі Відоплясова" from Kiev and "Антис" from Lithuania. Not credited: Roman Neumoev with "Инструкция по выживанию" and Oleg Sudakov with "Гражданская оборона".

How does love fill your life? What is your perspective on love? (not)betrayed by love recognizes that there are several truths about love Is your love fragile, full of loneliness or full of life?

To the WWE Universe, Shawn Michaels made every match he competed in feel like a main event. No matter the time or the place, when The Showstopper stepped inside the ring, he delivered a performance unlike any other. Now for the first time ever, WWE Home Video dives deep into the archives to bring the WWE Universe never-before-released matches spanning the entire career of “The Heartbreak Kid.”

The old bus "Tired Theodore" came into service in 1954 and operated for long periods along the line Lumparland - Mariehamn. One summer day a number of older people had gathered for a bus ride along the winding country roads in Lumparland, and to relive old memories. At the same time one of the locals, Putte Karlsson, took up a large project: rebuilding the old mill in Lumparby. The mill was owned by his grandfather, skipper and farmer in the village. Sawmills previously existed in many villages in Åland Islands but today they are no longer in use. It is a big challenge and many are skeptical that Putte will put everything to work.

George Lucas, Irvin Kershner, Lawrence Kasdan and John Williams look back at The Empire Strikes Back 30 years later.

The film shows one day from waking up in the morning all the way to waking up again the next morning. The everyday situations that many commercials are made of, the little dramas that they create and solve through the product or service they sell, are stitched together into one day. This is a film about the everyday in (German, or Western-European) society because the commercials are part of the everyday of most people (everyone who watches television) and they depict an ideal image of society. The film abundantly uses repetition as an editing technique, in visual ways as described above, but also because commercials can be read in different ways. For instance, Brat baking foil shows up at the evening dinner sequence, when an ovendish is put on the table, and again later on in the sequence about going out to a classic concert, because the clip has classic music.

A fond farewell to London's trams - whose peculiarly endearing qualities were discovered only at the threat of their disappearance.