Chronicles from Kashmir seeks to create a sense of “balance”: between differently positioned voices that emerge when speaking about Kashmir; between differently placed narratives on the “victim”/“perpetrator” spectrum. While there is an inevitable streak of political commentary that runs throughout the work – a political current that cannot be escaped when talking about Kashmir – Chronicles from Kashmir does not espouse any one political ideology. We see ourselves as being artists and educators, using aesthetics and pedagogy to engage audiences with diverse perspectives from/about the Valley.
Diving deep into the true causes of the Great Recession, the financial crisis of the 2010s, renowned economists, investors and business leaders explain what America is facing if we don't learn from our past mistakes. Is the economy really improving or are we just blowing up another Bubble?
Jonathan Pie is the frustrated news reporter that satirises the world of politics and the media. Known for venting his spleen in unguarded “off-camera” rants, Pie’s online videos have been viewed by millions worldwide.
The film is a controversy on democracy. Is our society really democratic? Can everyone be part of it? Or is the act of being part in democracy dependent to the access on technology, progression or any resources of information, as philosophers like Paul Virilio or Jean Baudrillard already claimed?
Information Violence
A meek reporter happens upon a murder, an escaped gangster and a stolen jade chess set.
True story of Norman Bethune, a medical doctor who fought for justice in China during Mao's rise to power.
From his modest apartment in Lima, a teacher gives virtual classes, seeking to reflect with his young students with low socio-economic backgrounds on racism, politics and inequality: issues that resonate in an increasingly fractured country.
If you think you know how money is created in Canada, think again. Great home made documentary about Canada and its current monetary system. Canada in a nutshell. Great interviews with former Prime Ministers, MP’s and others. It doesn’t matter where you are, in what country you live. This might be happening to your county too. This is a movie about money, debt, and ownership (as in who owns the
Henry’s and Fay's son Ned sets out to find and kill his father for destroying his mother's life. But his aims are frustrated by the troublesome Susan, whose connection to Henry predates even his arrival in the lives of the Grim family.
Nanni Moretti takes another look at the ebbs and flows of life in April 1996, as he becomes a father for the first time and seems unable to focus on his documentary about the upcoming national elections.
“The Color of the Sky” is a testimony from those who, from their position as left-wing militants, full of dedication and faith, struggled to change Peruvian society, to conquer its sky. Set during the political events of the late 1970s and early 1980s, Unity, Political Violence, and Democracy are the main themes addressed by our protagonists.
American novelist David Raybourne accidentally becomes entangled in the Red Brigade's terrorist plan to kidnap Italian Premier Aldo Moro during a research trip to Rome. As the terrorists attempt to kill David, he and his photojournalist friend must struggle to stay alive.
Someone Else’s Country looks critically at the radical economic changes implemented by the 1984 Labour Government - where privatisation of state assets was part of a wider agenda that sought to remake New Zealand as a model free market state. The trickle-down ‘Rogernomics’ rhetoric warned of no gain without pain, and here the theory is counterpointed by the social effects (redundant workers, Post Office closures). Made by Alister Barry in 1996 when the effects were raw, the film draws extensively on archive footage and interviews with key “witnesses to history”.
The story of unemployment in New Zealand and In A Land of Plenty is an exploration of just that; it takes as its starting point the consensus from The Depression onwards that Godzone economic policy should focus on achieving full employment, and explores how this was radically shifted by the 1984 Labour government. Director Alister Barry's perspective is clear, as he trains a humanist lens on ‘Rogernomics' to argue for the policy's negative effects on society, as a new poverty-stricken underclass developed.
In 2019, the leakage of messages exchanged by authorities in Brazil undermines the credibility of Operation Lava Jato. A group of journalists follows the unfolding of the case, in a sequence of crises that puts Brazilian democracy at risk.
NYC custodian Daryll Deever is a big fan of local news reporter Tony Sokolow, so he is intrigued when she shows up to cover a story at his workplace. There's been a murder in the office building, and Tony suspects that Daryll may have insight into the crime, a notion that he furthers to stay close to her. However, when those behind the killing begin to think that he really knows something, they target the pair to keep their secrets hidden.
Bajo el signo libertario is a propaganda documentary, with the script and direction of Les (known for his articles in Solidaridad Obrera and the magazine Espectáculo) whose central theme is the reconstruction of the development of life in a libertarian community in the Aragonese town of Pina de Ebro.
Harvey Milk was an outspoken human rights activist and one of the first openly gay U.S. politicians elected to public office; even after his assassination in 1978, he continues to inspire disenfranchised people around the world.
Though he began in stand-up comedy, Andre Allen hit the big-time as the star of a trilogy of action-comedies about a talking bear but now he wants to be taken seriously. His passion project about the Haitian Revolution, a movie called Uprize, was panned by the NY Times film critic. A couple days before the wedding to his reality star fiancée, he's forced to spend the day with Chelsea Brown, a profile writer for the New York Times. Unexpectedly, he opens up to her, and as they wind their way across New York, he tries to get back in touch with his comedic roots.