Meenakshi Sundareshwar

Shirin, a singer mysteriously disappears. Abhay looks for Shirin and tries to solve this mysterious incident.

Jaandaar (English: Lively; Hindi: जानदार) is a 1979 Bollywood Action film, produced and directed by S.K. Lutha under the Kareer Films banner. It stars Vinod Mehra, Bindiya Goswami, Amjad Khan, Mahendra Sandhu in the lead roles while Jeetendra has given a special appearance and the music was composed by Kalyanji Virji Shah.

Squadron Leader Veer Pratap Singh, a pilot in the Indian Air Force, rescues the stranded Zaara, a woman from Pakistan, following a bus accident, and their lives are forever bound.

A man pursues a woman who is already engaged and eventually gets married to her. Differences between the two lead to a bitter separation that threatens to destroy their relationship forever.

The encounters of two people who run into each other on several occasions under circumstances ranging from friendly to hostile to loving. Along many years and countless run-ins, the two despise each other, befriend each other, and fall in love with each other—in no particular order.

An uptight MBA student falls for the charismatic new neighbor who charms her troubled family – but he has a secret that forces him to push her away.

A young Prince Asoka works to perfect his skills in battle and also deals with family conflict. During a struggle with one of his step-brothers, his mother urges Asoka to escape to stay alive. While away, Asoka meets Kaurwaki and falls in love, but must use his skills as a warrior to protect her. A dangerous and heartbreaking web of conspiracy follows, which leads Asoka to embrace a Buddhist path.

A poet falls in love with an art student, who gravitates to his bohemian lifestyle — and his love of heroin. Hooked as much on one another as they are on the drug, their relationship alternates between states of oblivion, self-destruction, and despair.

Three womanisers find a baby left at their doorstep. Chaos ensues as they try to contact their former girlfriends to determine who is the father amongst them.

Taking an experimental approach to the relationship between the written text and moving image, Mani Kaul has a series of texts read aloud in voice-overs (poetry, essays, and stories), while the characters within the texts walk through real or imaginary landscapes.

A boy and girl from opposing families meet and fall in love, determined not to let the hate between their parents stand in the way of their happiness.

Teacher Anne and policeman Georg are thought of as the perfect couple. However, appearances are deceptive: one of them is covered with scars and bruises. But which one is the abuser?

This is the story of Amit and Samara - two souls in Mumbai, a city of millions and how the universe conspires to bring them together. This is a coming of age film about how two people are destined to meet but only when their individual lives are ready for each other. Through a chance encounter, a series of coincidences and fates helping hand, Amit and Samaras lives intersect and affect each other. Whether they can find their true paths or not, only time will tell.

After her much older husband forces a move to a suburban retirement community, Pippa Lee engages in a period of reflection and finds herself heading toward a quiet nervous breakdown.

Grace Livingston is leading a happy life in her small town, with her mother and father, being courted by two men, the steady but predictable Tommy Tucker and the more ambitious, flashy, and worldly Dick Loring, who seems closer to Grace in his desire for travel and adventure.

A period drama, the film is based on Ismat Chugtai's most celebrated story "Lihaaf" (published 1942). The film inter weaves the plot of same sex relationship between Begum and her masseuse and the trial that Ismat underwent after being slapped with a case of obscenity on publishing the story. The film raises themes of homosexuality and freedom of speech that our society is grappling with even today.

Once upon a time there was a Kingdom Ujjaini and its King was Maharaj Raja Vijay Singh (Pran) his only daughter Princess Indumathi (Jayaprada) loves a dynamic guy Ramu (Jeteendra) who was a gardener in fort, Maharaj keeps a condition that if he could become equal to his status then he will give his daughter's hand to him. There was a mesmerizing person Mantrik Husair (Kader Khan) who has super natural power who wants to achieve a powerful ideal of Pataal Bhairavi

Doug and Amber were madly in love and married during their college years. Driven by the "dream" of a prosperous life together - Amber worked two jobs to put Doug through school. Soon after they shared in his business success and celebrated the birth of their precious, beautiful daughter. Fast forward 15 years - Amber has continued to be committed to her husband and their marriage, but Doug has fallen into the traps of an unfaithful spouse, convincing himself that he wants more out of life. In the midst of this turmoil, tragedy strikes, but the series of events that follows just might give this couple a chance to survive and once again regain the love for one another that was pledged in their sacred vows, 15 years earlier.

The first time that up-and-coming architect Yuji Muraoka (Yujiro Ishihara) met Natsuko (Ruriko Asaoka) was at a contemporary art exhibition at the Ueno Museum of Art. At the time, he didn't feel anything special about her, other than being impressed that she was the younger sister of the respected Nonomura-san. Later, at Nonomura's birthday party, some people who were jealous of Yuji's talent tried to embarrass him by forcing him to perform a hidden talent show, and Natsuko quickly came to his rescue. This incident caused the two of them to become much closer...

Krishna Bhagat is a local bread supplier in three different families of a housing complex - it's the early times of the pandemic setting in. A lockdown is announced and that sets to change lives for these families poignantly. Phase 1 of lockdown exposes the extramarital affair of Arjun's wife with Aru's husband, a neighbor. In phase 2 Sushma, pressurised by her son Akash, a TV journalist, forces Krishna to return the money that she had loaned him. Phase 3 brings to fore the conflict within Leela Seth, a lady in her late sixties, her daughter in law, Naina in her mid thirties and granddaughter, a teenager, Siya. Will all of them be able to emerge out of their situations with a brave spirit?