A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
A purely observational non-fiction film that takes viewers into the ethically murky world of end-of-life decision making in a public hospital.
"The Ornithopter Story: Fly, Hiyodori Tengu!"
Documentary about a neck mill in Bulgaria
A film that conveys some of Peter Wessel Zapffe’s philosophical ideas.
When Dortmund is playing against Schalke, riots and brawls are destined to happen. The fans of both clubs are shown during soccer matches and asked where the abysmal hatred against the opposing club comes from.
Young people dive into the sea by jumping off a manmade wooden raft, while a small boat loaded with passengers passes by.
A military horseback riding event from 1897.
American Indians dancing.
Released on October 4, 1896 in Lyon ( France ) under the title “ Fêtes de l'inauguration du monument de Guillaume Ier à Breslau : II. - Le voile tombe (Lyon républicain, 4 octobre 1896)”. (catalogue-lumiere.com)
Panorama of Nice from the deck of a ship.
Shot of Venice from the Canal.
African men dance, sing and play instruments.
An impression of the funeral parade for Victoria, Queen of England, filmed in London (via https://catalogue-lumiere.com/le-char-funebre/)
Elaborate floats and costumes parading the streets of Nice.
A steamboat coming to port.
Teasing tigers with meat.
The parade occupies only a small portion of the screen, the crowds are a seething mass that do really move and the Independence Bell is nowhere to be seen.
A documentary on the work of experimental British animator David Anderson.
Itzanamí, a young woman, is facing stormy relationships. In his attempt to discover himself, he creates a documentary, wondering why he associates love with violence. Revisiting her family's past, and the relationships her grandmother and mother have gone through, she discovers the true face of love: the love between the women in her family.