The Beauty of Horror: Paul Schrader on The Comfort of Strangers

An early short film by Peter Weir, produced between 1967 and 1968 for a Channel Seven staff revue and later screened in underground film programs.

Leon and his partner meet up with friends to have a day walking. But with their relationship on the rocks, the pull of nature and its head-quieting effect transform his outlook on life.

Wallace and Gromit have run out of cheese, and this provides an excellent excuse for the duo to take their holiday to the moon, where, as everyone knows, there is ample cheese.

Wallace's whirlwind romance with the proprietor of the local wool shop puts his head in a spin, and Gromit is framed for sheep-rustling in a fiendish criminal plot.

Harry Fox performs his vaudeville act.

Herrmann is a leftist Thirty Something, who is still politically active, despite beginning to live the usual life of having a girlfriend and a child. On the way to his weekly political meeting he is kidnapped.

At the end of the 1990s the Internet comes to Northern Norway and coincides with the sexual awakening of young Mads (12). The introduction of pornographic images into his life complicates his relationship with his parents, and their house becomes a minefield filled with uncomfortable interactions.

In the vicious slums of Colombia, where prosperity is dictated by brutality, a conflicted kid seeks membership in a brutal gang, with the hope of one day having the power to determine his own destiny.

Two lovers caught in a perpetual cycle of self sacrifice where one has to kill themselves for the other to become alive but they keep repairing each other trying to find a way to break the curse.

A tale about isolation and lack of communication, the gap between the reality a teenage boy lives, and how he would like it be. He has a secret that he would like to tell his family, something that he has come to terms with and is about to affect the rest of his life. But how will they react?

In this Broadway Brevity short, a soda jerk/songwriter dreams (literally) of performing his songs on Broadway.

A writer of sci-fi and fantasy novels becomes obsessed with obtaining proof that he has been the victim of multiple alien abductions.

As Pacworlders excitedly decorate for Berry Day, Pac is saddened about missing his parents as he receives a picture ornament of them from his Aunt Spheria. The teens reminisce of their childhood Berry Day as they enjoy Christmas eggnog. Since Berry Day is one of the happiest days of the year, Betrayus launches a plan to get rid of the day by capturing Santa Pac and his Round Deer and to possess the gifts and Berry Day decorations. All Pac wants for Berry Day is to see his parents Sunny and Zac and is overjoyed when they arrive. But, his parents tell him they want to see the tree of life in the secret location which is forbidden. Are these Pac’s real parents or are they a trick from Betrayus and Dr. Slimestein? Let’s hope Berry Day can be merry after all.

A Salesman tries to locate a notorious Mexican bandit.

The scene is a parlor out West, with Ray Mayer sitting at the piano in is cowboy duds - hat, scarf, and chaps. He plays a little barrel-house music and then introduces Edith Evans, who enters wearing fur. She sings - her voice a light-opera soprano - while Mayer plays.

Pussy Have the Power is the song improvised by four girls in a recording studio. When an established music producer walks in, they face the choice of selling out their work to something that could lead to success, while they risk losing their own message

Safia, a 25 year old policewoman, fulfills her dream and joins the prestigious 36 quai des Orfèvres (the headquarters of the criminal investigations department of the Parisian police) after 5 years of service in Clichy-sous-bois. On her very first day, totally out of the blue, she comes across a dangerous gangster who defies her ruthlessly.

Caleb, came from a rich family with extraordinary perks in almost every avenue of life, albeit sports, college or his social life. This made him attract girls from everywhere, but surprisingly, he always kept to himself. Until one day.

Paparazzi explores the relationship between Brigitte Bardot and groups of invasive photographers attempting to photograph her while she works on the set of Jean-Luc Godard's film Le Mépris (Contempt). Through video footage of Bardot, interviews with the paparazzi, and still photos of Bardot from magazine covers and elsewhere, director Rozier investigates some of the ramifications of international movie stardom, specifically the loss of privacy to the paparazzi. The film explains the shooting of the film on the island of Capri, and the photographers' valiant, even foolishly dangerous, attempts to get a photograph of Bardot.

Wallace rents out Gromit's former bedroom to a penguin, who takes up an interest in the techno trousers created by Wallace. However, Gromit later learns that the penguin is a wanted criminal.