A chain-smoking woman has an encounter with a vampire.
The film tells the back story about the characters and events leading up to the explosive oil truck heist in Fast & Furious.
When she stumbled across a dead man in the middle of nowhere, she decided to take away his only possession. But little did she know that she would also step into the dead man's shoes. There's a trail and there's a hunter. She can't stop him. The problem is, he can't stop her either...
A distraught squatter tries to cope with his werewolf nature through drugs and music.
A man volunteers to take part in an experiment that attempts to analyse human behaviour under extreme conditions of terror. His mission is to remain seated inside a dark room for a length of time of 15 minutes. If he manages to hold on, he will receive in return a generous sum of money. Is it possible to terrify an individual who knows beforehand that everything is a farce?
A high-speed drive through the streets of Paris.
Mad God is a fully practical stop-motion film set in a Miltonesque world of monsters, mad scientists, and war pigs.
You'll never look at a statue of the Virgin Mary the same way again. Based on the assertion that divine apparitions aren’t what they always appear to be, Vesuvius is an interesting take on the psychopath with Catholicism smacked against the background. Gio Alvarez provides a convincing portrayal of a madman, and people can even argue if this short inclines toward the supernatural or the psychological. Whereas Grave Torture uses darkness impeccably, Vesuvius plays with light so well.
Pirelli Film's first promotional short, starring John Malcovich and Naomi Campbell.
A man is being haunted by a masked stranger. The only language used in the movie comes from three (inter) title cards and a few sentences of sermon-like talk in Danish. Some of the talk is modified citations from the bible and similar sources.
A deliciously scary story about a boy who outsmarts an old witch-woman before she can have him and his brothers for dinner.
The boozy mercenary of the title, based on the actual historical figure of Naoyuki Ban (1567-1615), attempts to rid a haunted castle of spooks.
As a practical joke, an actor impersonates the screen monster he made famous.
This is a film about a man without a face. His arms and legs, bound with ropes, the disabled man is still without even a shudder in a white room. A series of unusual scenes in this room expresses what lies between memories, nightmares, and violent images.
Rami Haruvi, a daring Mossad Agent, is sent to rescue the abducted US ambassador held at the state of Sugyra. If Rami fails his mission, the annual mossad vacation at "Olga Resort" will be canceled. Due to the importance of the mission, Hayim, the Head of the Mossad decides to assign Rami a new agent to his mission - the daughter of a mythological Mossad agent named Shuki, a ladies' man and Rami's role model. The two are getting into trouble both in their mission and relationship. Are the Americans good? Are the terrorist bad? Yet none of it compares to the real important question: will Hayim get his longed annual vacation at the Olga Resort?
Four friends, Abdul, Jason, Angela and Danielle enrolled at university with two things in mind: to pass their degree and have fun at the same time. They attended induction day to find out the first year exams weren't compulsory, so they did what any other student would do, take the year off.
A doctor must remove a parasite infestation from within a patient's breast.
One of the two earliest horror films ever made. This film is presumed lost.
One of the two earliest horror films ever made. This film is presumed lost. In this black comedy scene, the bottom falls out of a coffin, the corpse tumble out, and is jolted back to life. Short sequences like this, as well as street scenes and dancing geisha girls were the main subjects of early Nippon cinema, pioneered by Shiro Asano and Shibata Tsunekichi from 1897 onwards. In creating dramatic, scenes, film-makers naturally chose the most striking or bizarre. Another undocumented film, recalled by cameraman Shiro Asano.
A group of people is having a barbecue party when two Krishnas appear at their doorstep, both of which transform into hideous monsters and start killing everybody in gory ways. The survivors retreat to a friend's house and realize something bigger is going on...