Les hommes sans gravité

In the nineteenth century, a French adventurer sets off to establish a kingdom in the inhospitable South of Chile, uniting the feared Mapuche under him. The response of the Chilean army is devastating.

Created by gay directors and actors, Boys On Film features numerous award-winning shorts that deal with all aspects of gay life. Volume 1: Hard Love contains nine complete films: Hong Khaou's "Summer" starring Peter Peralta and Jay Brown; Michael Simon's "Gay Zombie" starring Brad Bilanin, Ryan Carlberg, and Robin McDonald; Jason Bushman's "Serene Hunter" starring Eric Debets, Flannan Obé, and Jonathan Blanc; Timothy Smith's "Le Weekend" starring Omar and Fernando Peres; Jean Baptiste Erreca's "Cowboy Forever" featuring Govinda Machado de Figueiredo and Jones Carlos Fialho de Araújo; Damien Rea's "Scarred" starring Chris Anderson, David Durham, and Lara Cazalet; Tim Hunter's "Packed Lunch" featuring Kevyn Boemia, Chris Sayers, and Steven Quigg; John Winter's "Mirror Mirror" starring Roy Billing; and Maxwell Barber's "VGL-Hung!" starring Marcus Proctor, Jeff Chandler, and Ashley Ryder.

Lois Patiño dissects the movement of a fire, analyses its fleeting ephemeral forms, and transforms them with sound to enrich the meaning of the images. The Image Burns begins as a reflection on our perception and becomes an intense interaction between the parts, between the images and the spectator. We look at the fire and the fire looks back at us.

Five-thousand-year-old vampire Miriam promises her lovers the gift of eternal life. When John, her cellist companion for centuries, discovers that he has suddenly begun growing old, he attempts to seek out the help of Dr. Sarah Roberts, a researcher on the mechanisms of aging.

Felix has been raised by his grandmother and has never met his father. His father Johan, doesn't even know he exists. Felix decides to become a regular in his father's bar in Amsterdam to secretly learn more about the man he has never known.

Set in a parallel universe where the sexual bias favors homosexuals, Eric, a struggling heterosexual, admits himself into a straight conversion camp. What begins as a cure to his deviant lifestyle, becomes a journey of self acceptance.

In Razor Blades, Paul SHARITS consciously challenges our eyes, ears and minds to withstand a barrage of high powered and often contradictory stimuli. In a careful juxtaposition and fusion of these elements on different parts of our being, usually occurring simultaneously, we feel at times hypnotised and re-educated by some potent and mysterious force.

Straight-to-video filmmaker David Payne writes and directs the docudrama Just Can't Get Enough: The True Story of the Chippendales' Murders. The movie opens with Nick DeNoia (Peter Nevargic) getting shot in his office. The bulk of the story takes place in the early '80s during the glory days of the Chippendales night club, owned by sleazy businessman Steve Banerjee (Shelley Malil). Innocent college graduate Chad Patterson (Johnathan Aube) gets a job at the club to make some extra money, but he manages to get corrupted by the money and lifestyle. Then choreographer DeNoia gets involved in a blackmail scandal and Steve gets illegal ideas of his own.

A conflicted youth confesses to crimes he didn't commit while a man and woman aroused by death become obsessed with each other.

An array of outrageous people, including a desperate nymphomaniac and a terrorist with an acute sense of smell, seek love and happiness in Madrid.

In 1942, Friedrich Weimer's boxing skills get him an appointment to a National Political Academy (NaPolA) – high schools that produce Nazi elite. Over his father's objections, Friedrich enrolls. During his year in seventh column,Friedrich encounters hazing, cruelty, death, and the Nazi code. His friendship with Albrecht, the ascetic son of the area's governor, is central to this education.

A Los Angeles detective discovers the unbelievable while searching for a missing child and in the aftermath his life begins to unravel.

During a night of drinking, M. arrives by chance in an apartment where an orgy takes place. Embarrassed, he locks himself in the bathroom where he will find a sleeping guy he knows pretty well.

An experimental docu-fiction short from hours of collected material shot by the director. Different scenes, from drunk parties with friends to shots of the Dutch landscape during a train ride, are cut together to see if a narrative story can be constructed from nothing but randomly shot footage.

A boy, obsessed with comparing himself with those less fortunate, experiences a different life at the home of his aunt and uncle in 1959 Sweden.

Young artist Kyoko wreaks havoc on everyone that she encounters when Japan's oldest major movie studio asks a batch of venerable filmmakers to revive its high-brow soft-core Roman Porno series.

Nazi skinheads in Melbourne take out their anger on local Vietnamese, who are seen as threatening racial purity. Finally the Vietnamese have had enough and confront the skinheads in an all-out confrontation, sending the skinheads running. A woman who is prone to epileptic seizures joins the skins' merry band, and helps them on their run from justice, but is her affliction also a sign of impurity?

Diwan, a lyric anthology, an outdoor movie with people. With people living in the surrounding precious and very beautifully photographed nature, are neither more nor less than one part of it. What Nekes manages there with landscape, as a cunning and quote many fine artist in a medium that runs in time, as he defeated the time changed, by themselves for change of scenery uses, as it interferes with the laws of chronology through the rewind ability of the camera or destroyed, which is a compelling and highly aesthetic experimental company.

First film by Julio Bressane shot in exile, "Memoirs" is a film about a man who repeatedly kills the same type of woman in same places, the same way. Filmed on the streets of London.

Bressane's second London film, shot in six days in his apartment. "I had seen the French avant-garde films of the 1920's and naturally the title cites Breton. But underneath it can also be read in many ways. It is a cinema that is invented on the spur of the moment, like you invent an instrument to play music and then abandon it. This film came out like an improvisation, a total risk. It is a deconstruction of meaning but not in the analytical, intellectual sense. I have always tried to lose myself with my films. There is no trace of American or French underground cinema. If anything, it is the idea of home movies, there were many ideas for digital films long before digital film existed. This film made itself, it was like a jazz improvisation. Amor Louco is a lost object, it doesn't speak any language, it has no signs, no letters, no captions. And in the scene where the cataract is cut with the razor blade, it was the adventure of the film itself that was put to the test".