True Mirror

Five film students are producing a documentary about the local zoo when suddenly the animals go berserk: The reason is a light ball flying by in the sky and crashing at the horizon. Convinced that they've just witnessed a meteor landing the students follow the trajectory to document the event with their camera. In a forest area they discover a burned crater. Since it's too dark to film they decide to spend the night in their van. The next morning one of them is missing. The remaining students find first a trail of blood and then the torn up pieces of what used to be their friend. Soon they realize that something is hunting them - something that's not from this world.

Ryan and Jennifer are opposites who definitely do not attract. At least that's what they always believed. When they met as twelve-year-olds, they disliked one another. When they met again as teenagers, they loathed each other. But when they meet in college, the uptight Ryan and the free-spirited Jennifer find that their differences bind them together and a rare friendship develops.

Short film made with the help of the Sundance Film Institute and serving as a proof-of-concept for the subsequent feature film.

Myia and Aristote live from gluglu hunting. These cloud-animals allow them to grow courgettes in the desert. One day, Myia falls in love with one of them …

Darren Aronofsky’s AFI short opens with angry slacker Dave sitting in a dreary, empty junkyard. Dave stares into space, sips beer, and beats the hell out of a cracked guitar. We quickly realize the emptiness of the dump parallels the emptiness of Dave’s life which consists of smoking weed, staring at television screens and watching school children. Dave’s friend Pete is shortly introduced, along with their friend, Ari, who despite calling her pals losers, doesn’t seem to accomplishing much herself. These three are going nowhere fast. They’re the amoebas of life… protozoa….

In his squalid apartment, a man tries to squash with his shoe an insect of some kind that is moving around the room.

Hollywood beckons for recent film school grad Nick Chapman, who is out to capitalize on the momentum from his national award-winning student film. Studio executive Allen Habel seduces Nick with a dream deal to make his first feature, but once production gets rolling, corporate reality begins to intervene: Nick is unable to control a series of compromises to his high-minded vision, and it's all he can do to maintain his integrity in the midst of filmmaking chaos.

A hyper sensitive film student falls in love with an older woman.

Seeking fulfillment, a young drifter forgoes isolation to embark on a year-long murder spree.

A high school student has a mental breakdown and brings a gun to class. A standoff against the police ensues.

The main character is a young girl who sees the world around her as cold, depraved and ugly. She can’t and won’t fit in. One day, a strange cloud appears over her apartment, triggering a supernatural event.

A brief, abstract exploration of identity.

After being whacked on the head with a shovel, Valdis no longer shows interest in the things that used to make his life worthwhile: alcohol, techno, cars and fights. His friends desperately try to help him regain his memory, but nothing works.

Andi shares a deserted building with a group of fellow-squatters he considers his family. One day his sister turns up unexpectedly with her small son Levi, seeking refuge from her abusive boyfriend; she has nowhere else to turn. So Andi suddenly finds himself in the role of uncle, the squat is transformed into an alternative kindergarten, and the estranged pair become the siblings they once were.

First the atomic war broke out, new machines were made, dead birds appeared. In 1999, a bacteriological warfare began, there were sandstorms and giant locust infestations; the human tissue was transformed and a new being, once legendary, now real, emerged: the vampire. Only Robert Neville, the last man on Earth, remains unpolluted, living in constant struggle with the new inhabitants of the planet.

Mickey Skinner is a truly talented actor. But he lacks that essential part of the 'what-you-know' versus 'who-you-know' equation. He's hard working and survives with no chip on his shoulder, right up until the final moment of the worst day of the rest of his life.

Image Archive archivist Dino Everett assembled a feature-length compilation of SCA student works from the late ’60s and ’70s. The compilation features recently uncovered and previously unseen student films by Dan O’Bannon and John Carpenter. • BLOOD BATH (1969, written and directed by Dan O’Bannon) B/W (original 16mm) 7 min. • THE DEMON (1970, written and directed by Charles Adair) B/W (original 16mm) 19 min. • GOOD MORNING DAN (1968, written and directed by Dan O’Bannon, camera by John Carpenter) Color (original 8mm) 19 min. • CAPTAIN VOYEUR (1969, written and directed by John Carpenter) B/W (original 16mm) 7 min. • BLOOD BATH (1976, written and directed by Dan O’Bannon) Red tint (original 16mm blown up to 35mm) 8 min. • JUDSON'S RELEASE (1971, written by Alec Lorimore, directed by Terence H. Winkless) (original 16mm) Color 15 min. Total program time: 80 minutes.

Lynch's first film project consists of a loop of six people vomiting projected on to a special sculptured screen featuring twisted three-dimensional faces.

In a series of juxtaposed images and sounds, Jaromil Jireš comments on the tragic premature death of thousands as well as their posterity due to the atomic bomb.

A young man's obsession with capturing the beauty of his wooden figure gets in the way of his personal life, his passion for his art driving a wedge between himself and his best friend.