My Neighbor, My Killer

Trans man Stafford candidly tells the story of a memorable encounter he had at a sex club.

Creative and competitive, members of the Evil Geniuses Starcraft 2 team must prove themselves to make the cut in professional video gaming. Good Game follows the team as they discover that one wrong move could end their dreams.

Nebbishy filmmaker Joanna Arnow documents her yearlong relationship with an open-mic poet provocateur. What starts out as an uncomfortably intimate portrait of a dysfunctional relationship and protracted mid-twenties adolescence, quickly turns into a complex commentary on societal repression, sexuality and self-confrontation through art.

A documentary on the German Women Football National Team and the 2011 FIFA World Championship in Germany.

The Sea [Morze] is a 1933 Polish short documentary film directed by Wanda Jakubowska. It was nominated for an Academy Award in 1933 for Best Short Subject (Novelty).

Solidão e Fé

Contrasts traditional and modern village life, as changes occur with better transport and as country estates are sold off for housing.

The lives of three generations of women who suffered political persecution during the military dictatorship in Brazil.

Em Todo Canto

My Really Cool Legs! follows a group of pediatric amputee athletes who challenge themselves beyond their disability. Led by their amputee mentor and coach, these kids dance and ski, ice skate and run, refusing to let their disability define who they are and what is possible.

A brooding, deceptively rich series of near-static shots of farms, factories, townscapes, and—in dispassionate middle distance—people going about their mundane daily tasks in sparsely populated southeastern Oregon.

This is the story of the few people who went ahead, beyond racial prejudice. And their struggle to open the workplace to other people.

Père-Lachaise - one of the world's most famous and beautiful cemeteries - is the final resting-place of a gifted group of artists from all eras and corners of the world. Some - such as Piaf, Proust, Jim Morrison and Chopin - are worshiped to this day. Others have fallen into oblivion, or are visited occasionally by a single admirer. In Forever we see the mysterious, calming and consoling beauty of this unique cemetery through the eyes of people of flesh and blood. Many come for their 'own' beloved: husbands, wives, family and friends. Others Honor 'their' artist by leaving behind a personal message or a flower. While admirers share with us the importance of art and beauty in their lives, the graveyard gradually reveals itself as a source of inspiration for the living. Death offers little consolation except for the passing of time, the melancholia of a moss-covered tomb, and the beauty and power of a piece of music, a poem or a painting Written by Cobos

Akerman spends a month in Tel Aviv, in an apartment by the sea, contemplating childhood, family, and her Jewish identity.

Based on the letters of a fictitious poetess to her lover. Duras reads extracts from the letters, about the poetess’s Jewish past, while the film shows stark waves beating against the seashore. – BFI

The film is set to the music of Franz Schubert and is very strange. Much of it consists of disembodies arms and legs all moving about to the music. There are also folks in body suits moving rhythmically to the tune. Occasionally, there are shots of a guy in full color with multiple exposures.

After several farmyard analogies featuring chicks and calves, the well-spoken narrator and director of the film, Winifred Holmes, considers the subject of girls and how they reach adulthood and readiness for the 'important job of motherhood.

Actress Rosie Perez makes a stunning directorial debut in this heartfelt tribute to Puerto Rican pride. She takes an in-depth look at the complex and often controversial history of Puerto Rican-U.S. relations. By turns shocking and celebratory, this wide-ranging documentary examines such rich themes of the Puerto Rican experience as family, language, and racism, all with careful consideration of historical context.

In front of the camera, a woman relates how soldiers raped her during the war in the Democratic Republic of Congo. Another victim is filmed while bathing in a lake: 'Every time I smell their odour, I take a bath.' By expressing themselves and participating in support group meetings, raped Congolese women fight for recognition. At one meeting, men first point at the women's provocative clothing. But a soldier extends his support to the activists, just like a reverend does with a scathing sermon to his parishioners. The documentary switches back and forth between hope and sorrow. Two men took their wives back, one of them even participates in the information meetings now. But a young woman who tells about her rape will probably never get married. 'She will become a prostitute', her father sighs. The filmmakers meet with a condemned offender in jail, but he does not show any remorse.

The film tells the story of two friends who want to disappear from life. While their country Belgium is falling apart, two lost souls cling to each other.