Amari Gaan Jhua

In an alternate timeline where women are educated and obligated to bear children, one student struggles to change her fate.

24-year-old child marriage activist, Sali, is on a mission to end the harmful practice of child marriage. She seems to be the only person able to help the 14-year-old, soon-to-be child bride, Adi, living in a rural West African village. The tale of Adi's uncertain future and Sali's painful past shows the devastating impact child marriage can have over multiple generations as well as the bravery it takes to speak out against it.

The story of Jerry Lee Lewis, arguably the greatest and certainly one of the wildest musicians of the 1950s. His arrogance, remarkable talent, and unconventional lifestyle often brought him into conflict with others in the industry, and even earned him the scorn and condemnation of the public.

After years of traveling, Anyas parents have decided to return from Australia to their native France, and she has to attend a public school for the first time in her life. But normal everyday school life quickly causes problems for the girl. On the first day, she gets a shot with a soccer ball on the head. When no one wants to apologize for this, a violent argument immediately ensues. So she messed it up with the locals right from the start. Anya becomes an outsider, which doesn't even really bother her. But Zoé, Nils and Jade, who are also a bit different, take care of her. A new clique is formed. But the pretty outsider would prefer to be friends with Nathan, the school director's son. But he gives her the cold shoulder because it wouldn't be cool to be interested in girls in front of his buddies. Meanwhile, the girls hatch a plan to win their place in the schoolyard. A real fight ensues between the students. Now it's girls against boys. But how far can a dispute between children go?

A traditional Egyptian family is celebrating the birth of their newest child a baby doll. The doll grows up and is undergoing genital mutilation and is getting ready to get married. Through the exploration of the relationship between sound and moving pictures “Object” deconstructs the childhood of a common Egyptian girl.

A young Ojibwa girl from 1770 marries a Scottish fur trader and leaves home for the shores of Georgian Bay. Although the union is beneficial for her tribe, it results in hardship and isolation for Ikwe. Values and customs clash until, finally, the events of a dream Ikwe once had unfold with tragic clarity.

Thrown together under incredible circumstances, two strangers must discover courage and strength when they begin a journey across the treacherous African desert! Equipped only with their wits and the expertise of a native bushman who befriends them, they are determined to triumph over impossible odds and reach their destination. But along the way, the trio face a primitive desert wilderness.

This engaging series of childhood recollections tells of an unconventional school in Tokyo during World War II that combined learning with fun, freedom, and love. The school had old railroad cars for classrooms and was run by an extraordinary man – its founder and headmaster, Sōsaku Kobayashi – who deeply valued children's independence, and who was a firm believer in freedom of expression and activity.

Teenage best girlfriends decide to go on a dangerous joy ride with two older men and their lives are changed forever.

Jennie is a twelve-year-old girl living with her parents in extremely rural mountain country. Her schoolteacher, Miss Carol, though a mountain girl herself, has gone off to be educated and returned in hopes of stopping the tradition of child marriage which permeates the culture. Jennie's father Ira is a good man who tries to protect Miss Carol from the men who threaten her if she doesn't call off her crusade. One of these men, Jake Bolby, has his eye on little Jennie and plots to make her his bride.

Set in a dystopian dollhouse, Jameela, a friendly little girl wants nothing more than to fit in with the other girls in the house.

When Nova reminisces on her childlike spirit through the reminder of Charlie, a childhood friend, she faces the uncomfortable truth that change is inevitable and promises are broken regardless of how outside influences crave to keep things as they were.

The 12-year old Dolores, a feisty preteen desperate to be seen as a grown-up in 1976 suburbia is on her humiliating, hilarious journey from girlhood to growing up. She fantasizes about sex, womanhood, work... and Freddie Prinze. The girl thinks she's got the lowdown on being a woman, but when her overworked single mom Janice hires Cleo to babysit her world collides with the super cool black 16-year old's, each learns painful truths about what it really means to grow up.

For 13-year-old Kaitlyn, her world threatens to collapse when she learns that her parents want to get a divorce, especially because it threatens the loss of the house they shared in Portland, which had always been Kaitlyn's home. The teenage girl has dark thoughts and lost interest in life. The breeding pigeons given to her by her mother's police colleague don't make things any better. What should she do with the birds? Then her best friend Adam gives her an idea: they could steal the very valuable racing pigeon named Granger from the local breeder Jaan Vari, sell it and use the proceeds to pay off the mortgage on her family's home. The plan initially works, but then everything seems to go wrong and Kaitlyn loses her footing even more. But surprisingly, the old man who was robbed takes care of the girl and a bond develops between the two, which ultimately leads her to a new outlook on life.

16-year-old Hormoz is consoled by the prospect of hiring on at the strip mine as he is married off to 13-year-old Hendi. Alas, the young man finds the doors of opportunity shut tight. When Hendi becomes pregnant Hormoz enters into an ominous pact with a smuggler in order to ensure his family’s livelihood.

For the movie-loving Maya, one thing is certain: the story of her young married friend Togor, who returns to her family broken after being mistreated by her new husband, must be told. But not everyone in the small Indian village is happy about her film project.

When Petra spends an evening with her best friend Sanna, Sanna asks how she knew she was bi. Petra tries in earnest to show her the truth.

Following the arrival of an unwanted guest, the tightly-knit bond between two sisters is put to the test when their idyllic playdate takes a dark turn. Supported by The Future of Film is Female, ALBION ROSE is a late bloomer's coming-of-age drama with hints of magical realism and dark fairytale elements that paint a delicate, yet emotionally charged portrait of sisterhood, loss, and the healing powers of fantasy.

In a house far from Santiago de Chile, little Alonso tries to change the fate of his sister Daniela, still just a child, who is about to become the seventh wife of the Lion of Judah, a supposed prophet, leader of a cult, who apparently provides electricity when he is touched.

Nina and her two friends share trepidations and desires, amid adolescent games and self-discovery. As the girls engage in ever new challenges, Nina immerses herself in her own hesitations.