Sydney, Australia, 1920. A burnt female body is discovered. There is almost no evidence at the crime scene, but Commissioner Dick thinks that a homicide has been committed. Meanwhile, Eugène, a sailor, alone at his hotel room, immerses himself in his memories: the disappearance of his wife Annie is one of them.
It's a hot summer day in June, 1969. Marsha throws herself a birthday party and dreams of performing at a club in town, but no one shows up. Sylvia, Marsha’s best friend, distraught from an unsuccessful introduction between her lover and her family, gets so stoned she forgets about the party. Marsha, Sylvia, and friends eventually meet at the Stonewall Inn to celebrate Marsha's birth. When the police arrive to raid the bar, Marsha and Sylvia are among the first to fight back.
Working at a transgender bar, Min-a is a female with male genitals. When her colleague is assaulted by a male customer, she steps in to help, only to accidentally kill the assaulter. At the court, Min-a insists that she had no choice ? she had to protect her colleague - but the situation is not favorable to her. Taking advantage of her sexual identity, the prosecutor drives the case as if the murder were a result out of jealousy, and Min-a’s own lawyer does not pay attention to her situation. Not until Min-a is placed in a men’s jail and is seized with terror do the human rights issues for transgender people emerge. Min-a is finally transferred to a prison for females, but still she suffers from misunderstanding. Presenting the transgender human rights issues as a court drama, this film tries to correct the myriad misunderstandings toward transgender people.
Based on the real life story of Parinya Charoenphol, a Muaythai boxer who underwent a sex change operation to become a woman.
Pakistan's first transgender movie.
Two drag performers and a transgender woman travel across the desert to perform their unique style of cabaret.
Parimal is a woman trapped in a man’s body who runs away from home and joins a ghetto of eunuchs as Puti and sings at traffic signals to earn money. There she falls in love with Madhu, a delivery boy with a Chinese restaurant who moonlights as a flautist in kirtans. The love blossoms even as Puti dreams of raising the money required for the sex reassignment surgery.
When Gabriel, a 7-year-old Chinese kid who loves ballet, becomes friends with Rob, another Chinese kid from school, Rob’s dad gets suspicious about Gabriel's feminine behavior and decides to intervene.
Esi is a 25 year old, queer, biracial woman. Growing up in a conservative town in Missouri with immigrant parents, her sexuality and desire to be a photographer have become laced with shame and guilt. Six months after moving to LA, we find Esi isolated and disconnected from world around her. After another day of feeling invisible as a PA, Esi stumbles upon a vivid house party of QTPOC (queer and trans people of color). For the first time in her life, Esi is welcomed into a community where she can let down her walls, let go of societal and family pressures and begin to embrace her true self.
OPEN is a hallucinogenic journey through gender, identity, the body, love and how those can be shared by two people. The film consists of interlocking stories lines- the first about two trans women in a pandrogynous relationship in which they simultaneously receive plastic surgery treatments to mirror each other's features to ideally form into a single person. The second story follows a trans man and his new (cisgender) boyfriend as they run away from home and push against their own personal boundaries while dealing with his unexpected pregnancy.
A transgender woman takes an unexpected journey when she learns that she had a son, now a teenage runaway hustling on the streets of New York.
A young transgender man explores his gender identity and searches for love in rural Nebraska.
Ludovic is waiting for a miracle. With six-year-old certainty, she believes she was meant to be a little girl -- and that the mistake will soon be corrected. But where she expects the miraculous, Ludo finds only rejection, isolation and guilt -- as the intense reactions of family, friends, and neighbors strip away every innocent lace and bauble. As suburban prejudices close around them, family loves and loyalties are tested in the ever-escalating dramatic turns of Alain Berliner's critically acclaimed first feature. Winner of the Golden Globe for Best Foreign Language Film and a favorite at festivals around the world, this unique film experience delivers magic of the rarest sort through a story of difference, rejection, and childlike faith in miracles.
A psychiatrist tells two stories: one of a trans woman, the other of a pseudohermaphrodite.
Down and out, directionless, and without a driver's license, Emma is going nowhere fast and she knows it. The men and women this bisexual enigma has been sleeping with think she's a waitress, an artist or a kindergarten teacher... while in reality, she works in a seedy porn shop, dressing up nightly as various "sexy" characters. One night at the local Albany bar, Emma meets Mason, a transgender IT technician who seems to have it all. Could Mason be the knight in shining armor she's been searching for? Soon, Emma finds her web of carefully crafted lies beginning to unravel when she encounters one of the few things she hasn't before- sincere feelings for another person. Little Bi Peep... it's hard to find someone to love ewe.
On a family visit, a young man and his girlfriend set out to discover why his eccentric uncle has been mysteriously confined to one room for years.
Esteban has left home for Spain, to study. He returns to see his parents in Paris for holidays. Between walks and Sunday lunches, Anne and Pascal do their best to adapt to their son’s new situation.
Troy and his young transgender son Joe are on the run from his conservative mother in the Montana wilderness, with a detective in hot pursuit.
Huckleberry pursues Jolene, in spite of her loathsome boyfriend, Clint. Rebuffed, Huckleberry confronts Clint, but not before unleashing hell upon him while still cloaked in the lingering shadow of his undiscovered intentions.
Sixteen-year-old Billie’s reluctant path to independence is accelerated when her mother reveals plans for gender transition, and their time together becomes limited to Tuesdays. This emotionally charged story of desire, responsibility, and transformation was filmed over the course of a year—once a week, every week, only on Tuesdays.