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Na Câmara da Morte (In the Deathroom) is a short film based on Stephen King's short story of the same name. Armando Costa (Gabriel Alsan), a Brazilian journalist stationed in Colombia, is kidnapped by a local militia. During a violent interrogation and various acts of torture, Pablo Escobar (Uriel Martínez) tries to extract information from Armando, while his allies plan his rescue.

A professional cult infiltrator is hired to extract his client's mind-controlled daughter from a dangerous group.

An aspiring race car driver fights off the recognition that he'll never progress beyond an amateur circuit. On this Saturday night race, however, he puts it all on the line to prove otherwise—at whatever cost.

In cargo handling areas where a lot of foreign employees work, the managers are always Korean. The class imbalance between Koreans and foreign workers causes inevitable conflicts.

A professional cellist has an encounter with a stranger on the subway which has unexpected and far-reaching ramifications on his life.

A teenage boy tries to hide from a sinister figure prowling around the house.

When a college student discovers her tongue can read minds through touch, she reluctantly teams up with her best friend to solve a mysterious death at a frat party—but as she licks her way through a parade of suspects, she uncovers a dark secret that could cost her more than just her sanity.

Thirteen-year-old Mila Malinov wakes up alone in the back of a cab. Arriving at the densely packed apartment block of zone 21, she makes her way to her room as the watchful eye of the global government hovers above in the form of monitor drones. Across the courtyard, another set of eyes watches her, a protective Mother. Her room is small, cubed, and very simplistic. In her ear, a voice keeps her company. Her father, Darko Malinov checks in. He speaks to her through an earpiece making sure she’s okay. The next day, Mila visits the local bartering station that’s at the end of the long alley that hugs her apartment block. Currency in this world has resorted back to bartering, swapping items for other items. Mila finds a group of interested buyers and swaps a capacitor for some food, all while her father guides her. That night, she shares a meal with her father via voice, wishing that he was there instead. As Mila sleeps, a figure sneaks up to her door making Mila nervous.

A young girl is playing on some waste ground when she finds a pencil with a face. Whatever she draws with the pencil becomes real. Just an ordinary day.

A young man is forced to eat constantly because of a strange condition that causes deformations on his body.

A half-Japanese woman begins to see her mother's early-onset dementia as a monster that haunts them both in this bilingual horror.

A blind woman has a seizure in her own house one evening. Her doctor, a neighbor called John arrives soon. She is unconscious. What happens next?

Monette, a recently separated travelling book salesman tells his grim story to both a priest and a hitchhiker, looking for absolution.

Two ambulance paramedics put their lives on the line when a routine call becomes a deadly race against time.

A short proof-of-concept for a feature film about spiders that breed inside of human beings.

Growing up with addicts for parents, Abigail's only solace is an odd porcelain doll named Betsy. Only Betsy isn't like other dolls. She moves, speaks, cries - and Betsy wants Abigail to bring her to a dark tunnel in middle of the woods.

Thalion Ltd.

Out on their first date, high-schoolers Brett and Erica defy Erica's father's warnings about mysterious local legends, and take the infamous Proctor Valley Road shortcut home, risking their lives as they end up in a race for survival.

In 1976 on the University of Maine campus, Elizabeth Rogan is studying in the library when an odd boy comes up to her and says "I Know What You Need" - and he does. But how does he know? It's a love story - but a Stephen King love story - so things aren't always what they seem.

A fashion photography crew heads to a remote ranch house to shoot, only to get terrorized by a pair of ghoulish strangers. (Screamfest)