Finnish filmmaker and artist Sami van Ingen is a great-grandson of documentary pioneer Robert Flaherty, and seemingly the sole member of the family with a hands-on interest in continuing the directing legacy. Among the materials he found in the estate of Robert and Frances Flaherty’s daughter Monica were the film reels and video tapes detailing several years of work on realising her lifelong dream project: a sound version of her parents’ 1926 docu-fiction axiom, Moana: A Romance of the Golden Age.
When oil is discovered in 1920s Oklahoma under Osage Nation land, the Osage people are murdered one by one—until the FBI steps in to unravel the mystery.
Somewhere in Australia in the early 20th century outback, an Aboriginal man is accused of murdering a white woman. Three white men are on a mission to capture him with the help of an experienced Indigenous man.
Still today, people say that during the stormy night from March 31st to April 1st, 1922, the devil had come to Hinterkaifeck. On the farmstead near Schrobenhausen, all 6 inhabitants – 4 Adults and two children – are struck down bestially. The police did not manage to seek out the murderer(s). As the case is still unsolved as of today, the story still lives on in the minds of the people. Motion pictures, theatre plays, and the bestselling novel “Tannöd”, behind all of them stands Hinterkaifeck. Aspiring police investigators and a self-declared “Internet – special commission ‘Hinterkaifeck’” have now once again taken up the trail of the case. This exciting search for traces is followed by the film, and its findings are recreated in elaborate play scenes. Thereby, a picture of an era thought to be bygone and an idea of what really happened back then comes into existence. More precise than any fiction, the docudrama manages to get closer to the truth.
In the years before World War II, a penniless Japanese child is torn from her family to work as a maid in a geisha house.
In the class-obsessed and religiously divided UK of the early 1920s, two determined young runners train for the 1924 Paris Olympics. Eric Liddell, a devout Christian born to Scottish missionaries in China, sees running as part of his worship of God's glory and refuses to train or compete on the Sabbath. Harold Abrahams overcomes anti-Semitism and class bias, but neglects his beloved sweetheart in his single-minded quest.
In the wake of the Great Kanto Earthquake (1923), which killed nearly 100,000 people, more than 6,500 Koreans were murdered by the military, the police and civilians. This film uses evidence and testimony to examine the history behind this massacre.
1918, Castelao leaves his public position in Pontevedra to work as a doctor in Rianxo during the Spanish flu. A hero for the town, but an absent man for his wife, Virxinia. 1929, the couple travels through Britain a few months after the loss of their only son. Two broken beings and a bond that is no longer understood. A trip will unite them forever and ever. Castelao before being Castelao. Galicia before the “xeración Nós”. Castelao and Virxinia before being “we”.
The life and death of famous Korean singer, Yun Sim-deok in the 1920s.
An account of the revolutionary years of the legendary American journalist John Reed, who shared his adventurous professional life with his radical commitment to the socialist revolution in Russia, his dream of spreading its principles among the members of the American working class, and his troubled romantic relationship with the writer Louise Bryant.
Noi sempre lotterem
Cultural mistrust and false accusations doom a friendship in British colonial India between an Indian doctor, an Englishwoman engaged to marry a city magistrate, and an English educator.
The film takes place among the prisoners in the camp, who are secretly praying and being bullied by the guards. At the same time, the screen shows the lives of believers who, while remaining in the Vinnytsia region, continue their quiet struggle for faith. Based on real events.
A biographical film about Finnish singer J. Alfred Tanner and his path through a failed career as a construction master to become a highly successful couplet singer - the "king of couplets".
Alain Lefevre is a boxer paid by a Marseille mobster to take a dive. When he wins the fight he attempts to flee to America with the mobster's girlfriend Katrina. This plan fails and he seeks escape by joining the foreign legion. As part of the legion he tangles with abusive lieutenant Steinkampf and bonds with legionnaires Luther, Mackintosh and Rosetti.
It is 1920, political unrest is growing in Prague and the Social Democrats are about to betray their historic mission by prioritising their own selfish interests instead of those of the working class. An extortionist scandal falls on the Social Democratic deputy Jandák, forcing him to renounce his convictions. Under these circumstances, the seriously ill Hungarian revolutionary Kerekes, who had to flee his homeland, is hiding in Prague...
Ailing from a sickness that threatens to silence her forever, Umm Kalthoum, the greatest Egyptian singer the world has ever known, takes to the stage one final time for her most important performance yet, one with the potential to heal a nation broken by the shadow of a great defeat. As she slowly steps onto the stage to deafening chants and applause, fearful for her health and country, a legend finds herself walking down memory lane, reminiscing on her humble beginnings and the seven decade journey of triumphs, failures, defying social conventions, and loves lost that followed.
The concept for the film was developed based on sociological research conducted as part of the Youth Subcultures conference in collaboration with the Institute of Sociology of the Slovak Academy of Sciences. The film’s core value lies in its ability to provide an inside look at selected subcultures, achieving an exceptional level of engagement with their members. The filmmakers managed to break through the participants' initial reluctance to openly discuss their experiences. The documentary directly addresses key aspects of these subcultures, including drugs, faith, and personal beliefs. It focuses on six specific groups: the techno scene, graffiti artists, antifascists, religiously oriented youth, skinheads, and young people inspired by Eastern spirituality. The film includes footage from illegal rave parties, graffiti sessions, and other underground activities. Overall, the documentary serves as an insightful map of Bratislava’s contemporary alternative scene.
When Astrid Lindgren was very young something happened that affected her profoundly, and this combination of both miracle and calamity came to shape her entire life. It was an event that transformed her into one of the most inspiring women of our age and the storyteller a whole world would come to love. This is the story of when a young Astrid, despite the expectations of her time and religious upbringing, decided to break free from society's norms and follow her heart.
A cameraman wanders around with a camera slung over his shoulder, documenting urban life with dazzling inventiveness.