First Love

The oppressing life of a father and his son with a tragic ending and what can happen if a dream suddenly comes true.

Both original and incredibly romantic, Redwoods tells the story of an already-partnered man whose love is tested when a mysterious drifter passes through his small Northern California town.

Mariana must sacrifice her dog Frida after violently beating it for having destroyed her recently deceased son's toys. The pet's death helps Mariana accept and overcome the loss of her son.

Carlos, a man haunted by his past, plunges into an existential crisis that leads him to day-to-day apathy due to the loss of a child, an act that condemns a declining marriage and continuous desolation.

Crossing hills and streams, a muleteer determined to find the murderer of his father, will discover that in revenge the weakest can be the fiercest.

Amelia arrives at the hospital, her father is dying. Her frustration and pain keep her on her feet.

At her young age, Juana has two great responsibilities: preventing her older sister from fleeing the house and passing on the secret of making bricks to her younger sister.

In 1929, during the Cristiada, Ranulfo, captain of the Cristero army, kept a federal prisoner, whom he tortured and threatened. At another time, Eugenio, captain of the federal army, rebukes and mocks the faith of a group of Cristeros peasants who are weak but not defenseless.

Naoya and Katsuhiro are boyfriends, new in their relationship. Things are uneven at first—Naoya is open and free while Katsuhiro is cautious and closeted—but nothing compares to the chaos that arrives when Asako, a troubled woman with a history of psychiatric problems, abortions, and casual sex, asks Katsuhiro to conceive a child with her.

A coming-of-age story. Shuji, a Japanese teen, is falling in love with his friend Hiroyuki, however, Hiroyuki is attracted to Kasane, the new girl in their class.

Chronicling the troubled existence of Duncan Mudge, a 14-year-old misfit who—while vying for the attention of his vacant father—struggles to fill the void brought on by his mother's sudden death.

A young zombie named Otto appears on a remote highway. He has no idea where he came from or where he is going. After hitching a ride to Berlin and nesting in an abandoned amusement park, he begins to explore the city. Soon he is discovered by underground filmmaker Medea Yarn, who begins to make a documentary about him with the support of her girlfriend, Hella Bent, and her brother Adolf, who operates the camera. Meanwhile, Medea is still trying to finish Up with Dead People, the epic political-porno-zombie movie that she has been working on for years. She convinces its star, Fritz Fritze, to allow the vulnerable Otto to stay in his guest bedroom. When Otto discovers that he has a wallet that contains information about his past, before he was dead, he begins to remember details about his ex-boyfriend, Rudolf. He arranges to meet him at the schoolyard where they met, with devastating results.

Adapted from "Vehi-Ciosane ou Blanche-Genèse," this short drama portrays a Senegalese village thrown into crisis by the pregnancy of a young girl, revealing deeper patterns of moral and social breakdown.

Accepting the potentialities of the medium to manipulate both time and space, Broughton brings past and present head-on as he regards with adult feelings his childhood family and friends. Grown-ups romp like children, and by their magnified infantilism playfully underscore such basic traits as sadism, sensuality, arid egocentricity. (Melbourne International Film Festival)

In sunny suburbia, a loud-mouthed Jewish mom incessantly nags and humiliates her shy gay teenage son, who she calls her 'Boychick'. Meanwhile, in the classroom, Boychick can't stop ogling a hunky classmate. If only Boychick had the courage to face up to his desires. As if by magic, along comes his idol, pop star Ashley Hart, to give him the hip-strutting, hair-flicking confidence he craves.

The short film depicts the life of a boy who is constantly sexually abused by his father. Leonardo Miggiorin brilliantly plays the role of this boy, who belongs to a poor and unstructured family.

Based on a story by the same name by Caio Fernando Abreu, it tells the encounter of a young man and a sergeant in the 1970s.

Marta and Ana break up, and shortly afterward, they get stuck in an elevator, forcing them to be honest with each other.

The social democrats of the sixties and seventies worked on their grand plan to build a highway network in Germany that every German citizen could reach within five minutes of their home. The little film hangs around between and on the streets of this network - where the country discos, pedestrian zones, shopping centers, hospitals and roads home are behind noise barriers.

A Mão Direita