Psychotropica

Begotten is the creation myth brought to life, the story of no less than the violent death of God and the (re)birth of nature on a barren earth.

After concluding the now-legendary public access TV series, The Pain Factory, Michael Nine embarked on a new and more subversive public access endeavor: a collaboration with Scott Arford called Fuck TV. Whereas The Pain Factory predominantly revolved around experimental music performances, Fuck TV was a comprehensive and experiential audio-visual presentation. Aired to a passive and unsuspecting audience on San Francisco’s public access channel from 1997 to 1998, each episode of Fuck TV was dedicated to a specific topic, combining video collage and cut-up techniques set to a harsh electronic soundtrack. The resultant overload of processed imagery and visceral sound was unlike anything presented on television before or since. EPISODES: Yule Bible, Cults, Riots, Animals, Executions, Static, Media, Haterella (edited version), Self Annihilation Live, Electricity.

An exiled magician finds an opportunity for revenge against his enemies muted when his daughter and the son of his chief enemy fall in love in this uniquely structured retelling of the 'The Tempest'.

Hercules is sent from Mount Olympus to modern-day Manhattan, where he takes up professional wrestling before getting mixed up with a gang of mobsters.

Obinagụ is not human. They are a spirit who walks among us, taking the form of a worker each day, only to return each evening to the forest they call home, a place where they feel whole and free, where they don’t have to perform or hide.

A mysterious door in the basement of the Hercules house leads to the Sixth Dimension by way of a gigantic set of intestine. When Frenchy slips through the door, King Fausto falls in love with her. The jealous Queen Doris takes Frenchy prisoner, and it is up to the Hercules family and friend Squeezit Henderson to rescue her.

Fleeing from the cult that murdered his father, a teen is aided in his quest to find the lost city of the fabled Ziox by a secretive drifter.

When forest animals invade our cities, the world is in disarray. Office vixen Fiona struggles with her banana phone addiction. Will she succumb to it? Temperamental bunny Barbara only gives her stag sugar daddy Nestor his special massage, after he dines her and plays the big spender. This obscure short film pinpoints postmodern tropes of consumerism, eroticism, and art with an homage to the theater stage and references to literature. This work uses a fantasy language and needs no subtitles.

A tale of passion and betrayal in which Samson, a judge of Israel who fled with his tribe during the Great Exodus from Egypt, uses his herculean strength in the fight against the Philistine oppressors. He is seduced by Delilah, a Philistine courtesan, who uses her cunning to discover the secret of her lover's great power and then betrays him.

We're all searching for something! Explorer Reed Randle goes deep into the woods on an adventure looking for the "Bigfoot" creature. Lost within himself, can he find meaning again?

A couple open a video store in a new town, and come to find out that the locals only rent horror films and the "occasional triple X'er", and make their own snuff videos.

Joseph's story is told in the context of God's plan for Israel and the promised coming of the Messiah, powerfully demonstrating God's sovereign hand in all things.

When an evil genius steals the Magical Beacon Stone and forces the children of Inverclyde to toil in his factories, Bella and Jenny only have five days to find the Stone stop his schemes and save Christmas.

St. Nicholas comes to life in this video portrayal through authentic costumes, historical data, storytelling, and sing-along music. This unique experience helps children understand what Christmas is all about: the celebration of Jesus’s birthday.

See Whiskers and his toy friends Harley, Celeste, Sabre, Trogg and VCR come alive as they search for the real Easter Bunny and his legendary Magic Egg, that can help their sick owner Peter, get well in time for Easter.

Vintage pornography reels from the archives of Italy’s National Film Museum display over an AI recitation of Dante's The Divine Comedy.

An outrageous erotic poem focusing on the daydreams of a beautiful boy prostitute who, from the seclusion of his ultra-kitsch apartment, conceives a series of interlinked narcissistic fantasies populated by matadors, dancing boys, slaves, and leather-clad bikers.

Vincent Salinger, an edgy uninspired poet, fumes at being spurned by his publisher. Suspecting his work and life mean nothing, Vincent seeks new inspiration. An unexpected visit from quasi-demonic friend of poetry introduces Vincent to a clever East-European escort girl who thinks up a literary hoax for success but at the risk of Vincent losing his integrity and identity. Things become more complicated when a rival muse falls in love with Vincent and Vincent's hoax suddenly materializes to haunt him.

Homo Sapiens Project (200) was completed in 2020 as part of the 20th anniversary of Experimental Film Society. This eight-hour experimental feature is constituted from short film experiments made between 2000 to 2010. These films have already undergone many metamorphoses over the years. They were always restless wandering spirits seeking a permanent place of rest but so far without success. Each section of Homo Sapiens Project (200) was made under the unique condition of living out a form of subtle therapeutic practice. Collectively they reflect major life-changing events, formalistic mutations and thematic shifts within Rouzbeh Rashidi’s filmography. In spite of this, they could not find the peace of a satisfactory final shape. Indeed, they are about peace, something that rarely (if ever) exists within Rashidi’s work. But now, after twenty years of roaming the subconscious, they have come to rest in a permanent retirement in one world, one very personal floating planet.

Homo Sapiens Project (201) was completed in 2021 as part of re-envisioning and restructuring Rashidi's filmography. This nineteen-hour experimental feature is constituted from many feature films produced between 2002 to 2014. These experimental features were made as a type of test or trial experiment. Rashidi assembled the films from footage accumulated over the years, archival footage, found footage and rushes donated by his close collaborators.