Animated short film by Phil Mulloy.
In November 1936, a few months since the beginning of the Spanish Civil War, the government of the Second Republic moves to Valencia. In this situation, several Valencian artists and intellectuals decide to build four fallas — satirical plasterboard sculptures created to be burnt — to mock fascism.
A day in the life of Mr. Istvan and Ms. Magdi, neighbors for many years, is narrated by the building of Budapest where both live. The walls surrounding them reveal their small passions, stories and routines.
PaaPaa Chipskwenewh Sibii
Documentary about Giger's work for the movie Alien (1979).
Documentary - Short Film
Short documentary about social and economic situation in Galicia (Spain) in 1936
Set in an alternate WWI reality where a senseless war rages on, two soldiers on opposite sides of the conflict play a joyful game of chess. A heroic carrier pigeon delivers the soldiers' chess moves over the battlefield as the fighting escalates. Neither soldier knows his opponent as the game and the war builds to its climatic final move. Whoever wins the game, one thing is for certain: there are no winners in war.
The film is devoted to the theme of careful attitude to the nature. It tells us how one of butterflies which are caught by the boy, grows till the huge sizes and the hunter appears in the net. Having tested bondage, the boy lets out the captives.
Presents life in 18th century Spain as the painter Francisco de Goya showed it to us.
Short anime adaption of the Osamu Tezuka manga Neo Faust.
Four children want to invite their friends to a picnic, but they don't know how to use the telephone. Suddenly, the room goes dark and the phone becomes large enough for them to climb into. They walk through a tunnel and meet a man named Telly, who takes them into the world of Telezonia, where they are shown various kinds of telephones. They meet several costumed characters, such as Question Mark, who teaches them how to answer the phone; Q and Z, who show them how to use the phone book; and Exclamation Point, who teaches them how to place a call. By the time they leave Telezonia, they are full-fledged telephone users.
Referred as the actual first Mickey Mouse short. Inspired by Lindbergh's flight from New York to Paris, Mickey builds a plane to take Minnie for a trip.
The girl Hanusya and her younger brother Andriyko lived in the village, whose mother was taken captive by the Horde, and whose father, who went to free her, also disappeared. The Cossack Stepan is courting Hanusya, but she promised to marry only after the return of her parents. All three find themselves in danger, because they are pursued by the devil, who was driven out of hell by Satan himself, having ordered to harm at least one human soul.
An alley cat is foraging for food when he sees Tom's house and decides it's a rich haul. He dresses as a foundling baby and lands on the doorstep. Tom takes him in and Butch proceeds to raid the fridge between Tom's babying him. What he doesn't know is that Jerry's going to grab the ham Butch swiped every chance he gets.
Tom heads for a big city penthouse to become acquainted with a rich pretty female cat that lives there. He brings her Jerry as a gift and does some humiliating things to Jerry. Jerry, in turn, attracts the attention of another cat who also becomes interested in the female cat. It eventually turns into a fight between Tom and the other cat for the lady's hand but Jerry is the one who gets her in the end.
Tom, a castle soldier in 16th century France, is assigned to guard the food laid out on a banquet table. Jerry and a smaller mouse companion, two wandering "mouseketeers", make the situation miserable for Tom as they abscond with (and occasionally eat) all the food they can.
Tom's in love again, and Jerry's devil conscience reminds him of times this has happened in the past (which, of course, we see, in the form of clips from earlier shorts), and how that's been nothing but trouble for Jerry.
An experience of a camera swinging in different gestures facing the optical distortion of the Sun. The last appearance of the smudge.
Screen song by the Fleischer Studios