Nisei (Second-generation)

A gentle physician saved an injured rabbit in the forest, not knowing that it was actually a Rabbit Spirit. The Rabbit Spirit decided to visit the physician in a human form, and they started to become closer. But when the Rabbit Spirit hears the story of the White Snake, and how human and demons are not destined to be together, she begins to doubt if she should stay at the physician's side. (Short film sequel to the 医女和兔子精的故事 music video)

Good Morning in Singapore.

In the face of AAPI violence, an intergenerational coalition of Black, Indigenous, Latinx, Asian, People of Color organizers come together to organize a march across historic Washington Heights and Harlem, as a continuation of the historic and radical Black and Asian solidarity tradition.

Vincennes, cité royale

Two young women are about to receive the great honor of being sacrificed to their Mexica gods; but the cruel and bloody ritual does not go as expected.

Edo, Japan. Calligraphists are not mere writers, they can bring drawings to life and utilize kanji. Three calligraphists from the art wielding clan join up and fight against an exiled calligraphist and his minions to protect the Tokugawa shogunate.

A grandfather recalls how he and his wife met and fell in love during the Second Italian War of Independence.

Intimate views of the movie stars of the Silent Era, at work and play; featuring Sessue Hayakawa, Lillian Gish and others.

A journalistic story inspired by Volodymyr Vernadsky about the genesis of life in the universe — from the physical elements of the primordial broth to the civilization of intelligent man.

Short documentary film on the fashionable nightclubs and the trendy pop culture scenes that were famous in London on the late 70's. Released as a support feature to the first Alien (1979) movie.

There is romance in every corner we turn. In this sequel to the documentary, Old Places, Old Romances takes us on a journey to experience Singapore through the collective voices of ordinary Singaporeans. Through their voices, we hear personal stories from members of the public who shared their anecdotes on radio. Everyday spaces come alive with these special memories, which are bonded forever with these places. Old Romances is a journal of love letters to places that we grew up with.

Vito is a sweet little boy with Down syndrome, and this short documentary puts his energetic, jolly personality on full display as he interacts with his loving family. By showing Vito’s dignity and inherent value, Vito-Man tackles the difficult conversation that is the eradication of people with Down syndrome, proving that an extra chromosome should not be a death sentence.

Migrant families experience violence, but they also keep beautiful memories when they arrive in new lands. Fantastic and intimate stories, recalled from childhood, travel across time and space, magically intermingling with the help of the four elements and breaking the boundaries of cinema.

A short film depicting the execution of Mary, Queen of the Scots. Mary is brought to the execution block and made to kneel down with her neck over it. The executioner lifts his axe ready to bring it down. After that frame Mary has been replaced by a dummy. The axe comes down and severs the head of the dummy from the body. The executioner picks up the head and shows it around for everyone else to see. One of the first camera tricks to be used in a movie.

Tian Soepangat joins the U.S. Navy out of a commitment to helping others. As a Muslim, Tian is uncertain of his shipmates' attitudes toward his religion, and so he hides it. Eventually discovering he doesn't have to hide his faith, he is free to express pride in his heritage.

LA CASA DELLE VEDOVE portrays a group of widows who, he thinks, lived in a constant ‘dialogue‘ with death. In the house where they all lived ‘every colour was saturated with that special reddish shade that you see everywhere in Rome, and furthermore the rooms were filled with a stale, musty smell.‘

A cartoon film about the whole heterogeneous mixture of Canada and Canadians, and the way the invisible adhesive called federalism makes it all cling together. That the dissenting voices are many is made amply evident, in English and French. But this animated message also shows that Canadians can laugh at themselves and work out their problems objectively.

There are children. There are those who abuse them. And there are those who know, but never tell.

Bruce Baillie's Mr. Hayashi might be thought of as a putative East Coast story transformed by a West Coast sensibility. The narrative, slight as it is, mounts a social critique of sorts, involving the difficulty the title character, a Japanese gardener, has finding work that pays adequately. But the beauty of Baillie's black-and-white photography, the misty lusciousness of the landscapes he chooses to photograph, and the powerful silence of Mr. Hayashi's figure within them make the viewer forget all about economics and ethnicity. The shots remind us of Sung scrolls of fields and mountain peaks, where the human figure is dwarfed in the middle distance. Rather than a study of unemployment, the film becomes a study of nested layers of stillness and serenity.

Two women living alone are visited by a young strange man whose identity and intentions they begin to question as the evening progresses.