A glimpse into the raw and simple power of nature through encounters with farm animals: the eponymous Gunda, a mother pig; two cows, and a one-legged chicken.
A young man living far from his beloved one wastes his existence absorbed in modern distractions until he loses contact with her.
A mysterious old man and a dark past made up of classic cars, beautiful women and the excesses of his youth.
A documentary of insect life in meadows and ponds, using incredible close-ups, slow motion, and time-lapse photography. It includes bees collecting nectar, ladybugs eating mites, snails mating, spiders wrapping their catch, a scarab beetle relentlessly pushing its ball of dung uphill, endless lines of caterpillars, an underwater spider creating an air bubble to live in, and a mosquito hatching.
A mysterious detective appears in a desolate and dark place, with no memory of how he got there or who he is. With a cigarette in hand, he begins to explore his unfamiliar surroundings.
An exploration of technologically developing nations and the effect the transition to Western-style modernization has had on them.
A detective tails a suspect and must barter with an unforeseen threat to his cover in order to remain concealed. A Suspense/Non-Dialogue Short Film.
Takes us to locations all around the US and shows us the heavy toll that modern technology is having on humans and the earth. The visual tone poem contains neither dialogue nor a vocalized narration: its tone is set by the juxtaposition of images and the exceptional music by Philip Glass.
We flirt with our bodies and faces. TRUST creates a playful variation of the classical initial contact of heterosexual Europeans. A creative man courts a woman with long hair. Would you do the same in this situation?
Lelaina was mellow, eating marshmallow.
A short story about a young witch, Alyssa, so envious of the genuine beauty and sweetness of her twin Alexya, that she seeks to destroy her.
Overripe with psychosexual poetry and stark, oneiric rituals, Adachi's filmmaking debut, made while he was still an undergraduate, counts among the more resonant accomplishments of the now famous Nihon University Film Club. Adachi's obvious fascination with the wide-eyed watchfulness of childhood and the uncanny is an expression of the important surrealist strand running throughout the post-WWII Japanese avant-garde. - Harvard Film Archive
A devastating plague has wiped out half the population of New York City, leaving it in a perpetual state of emergency. After years of lockdown, a young man, Paul, puts on his hazmat suit and ventures into the abandoned streets to meet Justine - a woman with whom he has developed a romance online, but never met. Paul has dreamed about this day, but doing this in reality is something else entirely. Will they be able to overcome their anxieties - and is it worth the risk?
Two would-be thieves bumble their way through a corner store robbery gone very, very wrong.
A hungry pidgeon finds a box of popcorn, down on a bench, and tries to reach it. The only thing it stops him to get it it's the rain.
X-ray images were invented in 1895, the same year in which the Lumière brothers presented their respective invention in what today is considered to be the first cinema screening. Thus, both cinema and radiography fall within the scopic regime inaugurated by modernity. The use of X-rays on two sculptures from the Bilbao Fine Arts Museum generates images that reveal certain elements of them that would otherwise be invisible to our eyes. These images, despite being generally created for technical or scientific purposes, seem to produce a certain form of 'photogénie': they lend the radiographed objects a new appearance that lies somewhere between the material and the ethereal, endowing them with a vaporous and spectral quality. It is not by chance that physics and phantasmagoria share the term 'spectrum' in their vocabulary.
The aristocratic White Mice and the rustic Creatures Who Dwell Under the Oak battle over the doll of their hearts' desire.
On an ordinary day off, a man starts his day by cleaning his room as usual. But when he tries to sweep up the dust, he finds that it won't go into the dustpan as expected. He then tries every possible way to make sure the room is spotless.
A bride is apparently on the run from an assassin, when she stumbles into a world she hasn`t considered.
The bodies of women lying on the ground weave relationships around them, they breastfeed, they connect with the ground ... Carla Simón's first short, shot on 16 mm in the Californian forests. An experimental exercise that connects with the cinematographic avant-gardes of the early twentieth century.