OFW the Movie

This is the story of Marie, an OFW in Italy who reflects the lives of most of the Filipinos living in Italy, the real life behind the sacrifices and efforts our countrymen is facing being a Filipino abroad. It also tells a story of how Filipinos are treated and known from this part of the world. An AI generated character perhaps but her life experiences and story is very real to Filipinos living on that country.

Sarah Gonzales, a grade school English teacher, joins the 150,000 Pinoy OFWs working in the United Kingdom to support her husband, Teddy Gonzales, in making a better living for their family. More than just a chronicle of the Filipinos experience working as nurses and caregivers in the UK, this story also charts Sarah's journey to self-discovery from a submissive wife who makes sacrifices for her husband's aspirations to an empowered woman who finds dignity and pride in a humbling job as a caregiver in London.

Loving husband Lino is on a mission: his wife, who works as a domestic in Milan, is missing and he's determined to find her. To do so, he enters Italy illegally and takes cover as one of the hundreds of Filipino migrant workers who make their way to Europe.

From the inside of a balikbayan box, a daughter plays a video game system gifted to her by her father. She recalls the days before her father went overseas due to the lack of stable and livable employment and the ongoing drug war in the country. A meditation on parental bonds and the OFW experience from a child’s perspective.

Summoning his younger brother Andrew to the city of Dubai, the financially stable Raffy, a Filipino citizen who's spent several years overseas, hopes his sibling can find work so that they can finally move to Canada. Unfortunately, Raffy doesn't expect Andrew to fall in love with his ex-girlfriend, Faye, a woman Raffy, in fact, still cares for very much.

A woman returns to the Philippines after working abroad to find that her family has fallen apart in her absence.

When Bambi discovers that her family has squandered their savings, they devise a plan to cover their debts — but first, she must fake her death.

Alo, an undocumented overseas Filipino worker, lives in an overcrowded house-share in London. He is struck by a latent neurological problem, which causes a bout of seizures and disrupts his situation in the household. The residents of the house are posed an ultimatum; should they risk Alo’s health or call an ambulance, potentially resulting in his deportation?

A hardworking and loyal OFW, a chef from Dubai, returns home hoping to pursue his dream of owning his restaurant and starting his own life. However, he finds himself at odds with his family and their toxic tendencies, making him question “Where does sacrifice end and selfishness begin?"

During the late 1990s, a busy working-class Singaporean couple hires a Filipino woman as a maid and nanny to their young son.

Janno, the filmmaker, captures mundane but distanced moments at home with his retired OFW father, Michael. As the father-son attempt to rekindle their veiled relationship, years of pent-up sentiment gush out, revealing the key to their long-awaited reconnection.

The Philippines has one of the biggest diaspora of overseas workers in the world. The term Overseas Filipino Workers (OFWs) is well-known due to this. While the media has always acknowledged the big sacrifices that OFWs make in order to provide for their children an opportunity to live a better life than what they were given, no one talks about the perspective of the children who are left behind, having to grow up and face life without the presence of their parents. This film features Joanna, a Filipina in her mid-20s who has little to no connection left with her OFW mother. As she faces adulthood, she must decide if she wants to let go of her past. Bahay-Bahayan follows Joanna as she reels back to her past through memory and nostalgia.

A father does not hold a very good opinion about his son, Kannan, who works at his factory. Things take a turn for the worse when Pakkiri creates misunderstanding between the father and son duo.

Nithyanandam, a sincere police officer, ends up in a wheel chair after an accident. His son, Vijay, who is a daring youngster, decides to become a police officer to fulfil his father's dreams.

Aalayamani is a tale of possessiveness and distrust towards one's partner and the eventual redemption by sacrifice. The story is an essential interplay of feelings and the shadows cast upon by darker feelings of one person and the effect it produces on himself and in his immediate circle of friends and family.

Anna Deavere Smith transforms herself into scores of individuals -- using only their words and duplicating their speech patterns, mannerisms, dress, and attitudes -- in a mosaic set in the violent aftermath of the 1992 Rodney King trial and verdict. These verbatim portrayals bring together adversaries, victims, eyewitnesses, and observers who have never stood within the same four walls, let alone spoken to each other. In her signature performance style, Smith embodies and gives voice to scores of real-life "characters" -- from LAPD Police Chief Daryl Gates to a gang member, from Korean store owners to a white juror, from Reginald Denny to Congresswoman Maxine Waters -- black, white, Asian, Latino. Because she is able to speak the words and convey the deeply held sentiments of so many different people, Smith enables her audience members to hear what they might otherwise discount.

Just before the end of the war, Japanese soldier Kitani is released from prison, having served his term for theft. Told in flashback, viewers learn about Kitani's past and reasons behind his prison sentence.

A young Tokyo businessman joins an online movie forum and develops a special bond with one of its members through back and forth e-mails.

About the infamous murder of six year old child beauty pageant contestant JonBenét Ramsey and the hysterical media coverage that made the investigation even more difficult.

Mazie, a poor orphan girl, is mistreated by cruel farmer Slag and his wife for whom she works. Mazie, who is growing into a woman, does not like they way Slag has been looking at her lately.