This last gasp of the grindhouse "Olga" series is a tossed off shrug of a movie that nonetheless entertains in a tacky, surreal style. Audrey Campbell no longer stars as the sinister femme fatale Olga, and her replacement retains none of her clumsy menace. Instead she languidly lounges about the flimsy sets smoking cigarettes and looking pale and sweaty. This new Olga is apparently too bored by the proceedings to even torture her white slaves. Instead the dirty work is handled by her partner Nick (Larry Hunter), a slimy, weasel faced man who lures innocent housewives into prostitution by offering them jobs as "dance instructors" in Olga's dance hall. Group sex, nude dancing and pretty ladies wrestling in their underwear are the results, along with several long, seemingly impromptu scenes where the characters talk endlessly and in circles.
An obsessive, insubordinate homicide cop is convinced a serial killer is loose in the Hollywood area and disobeys orders in order to catch him.
Obsessed with finding her old boyfriend, Gumer, a 25-year-old girl, is released from jail in Barcelona, one of Europe's most sought-after port cities for drug trafficking and prostitution. Charo, her best friend, tries to help her, although she is not free, since depends on her pimp "Toni". But Gumer will persuade Charo to abandon Toni and form, along with other friends, a band to start businesses on their own.
A coming-of-age story of a reluctant 13-year-old hustler named Nathan who will do whatever it takes to feel loved.
Lonely hostess Kiyo spends her days propositioning men on the cold streets of Tokyo and being beaten by her violent pimp, Tetsuya. One day her luck seems to change when she meets a charming foreigner named Anchin and a romance blossoms but soon everything falls apart when she becomes pregnant. Upon hearing the news Anchin flees Tokyo. With nowhere left to go she turns to The Viper, a scorned spirit that has been with her since birth.
LEI and WONG clandestinely arrive to Ecuador, on their way to the port city of Guayaquil. From here LEI plans to continue her journey to New York, but CHANG, a bipolar mobster will decide her fate. WONG unwillingly gets entangled in the web of corruption that operates the encroachment of Chinese immigrants. His only objective is to bring his twelve-year-old son from China.
A woman falls victim to a dominant mafia boss, who imprisons her and gives her one year to fall in love with him.
A story of the sexual adventures of three fifteen year old girls: Elisa, Marian and Susi.
A pool boy and a gardener turn an empty mansion into a home for women who belong to the world's oldest profession.
Revolves around the Punjabi wedding culture.
Aitana, Pierrick, Rita and Jorge are all in their twenties and all look for ways to make their nights in the city of Madrid a little less lonely. Aitana is a sweet girl trapped in a men’s body; Pierrick is a cute French gay; Rita doesn't much care about her partner, Carolina, and walks through life with no expectations; Jorge is trapped in a relationship with no future: the one he has with Maria. Set against a background of drugs, sex, multiple partners and differing sexualities, Longing Nights follows the individual stories of these young people. A candid portrait of four relationships highly loaded with eroticism from beginning to end. Four stories told without no borders between fiction and reality.
Brother and sister meet again after 15 years and fall in love with each other.
On the one hand, there’s the desert eating away at the land. The endless dry season, the lack of water. On the other there’s the threat of war. The village well has run dry. The livestock is dying. Trusting their instinct, most of the villagers leave and head south. Rahne, the only literate one, decides to head east with his three children and Mouna, his wife. A few sheep, some goats, and Chamelle, a dromedary, are their only riches. A tale of exodus, quest, hope and fatality.
Germany in the autumn of 1957: Lola, a seductive cabaret singer-prostitute exults in her power as a temptress of men, but she wants out—she wants money, property, and love. Pitting a corrupt building contractor against the new straight-arrow building commissioner, Lola launches an outrageous plan to elevate herself in a world where everything, and everyone, is for sale. Shot in childlike candy colors, Fassbinder’s homage to Josef von Sternberg’s classic The Blue Angel stands as a satiric tribute to capitalism.
Based on Mariane Pearl's account of the terrifying and unforgettable story of her husband, Wall Street Journal reporter Danny Pearl's life and death.
Shin-ae moves to her recently late husband’s hometown. Despite her efforts to settle in this unfamiliar and too-normal place, she finds that she can’t fit in. After a sudden tragedy, Shin-ae turns to Christianity to relieve her pain, but when even this is not permitted, she wages a war against God.
A film by Eddie Rodriguez.
The film centres around the young woman Erika, desperately seeking for love and escape from the depression of the times, drifting, and in the end becoming involved with a circle of rich people who sell goods for sexual favours.
As the city of Paris and the French people grow in consumer culture, a housewife living in a high-rise apartment with her husband and two children takes to prostitution to help pay the bills.
In 1921, we follow two women - Marie and Grete - from the same poor Viennese neighborhood, as they try to better the lives of themselves and their families during the period of Austrian postwar hyperinflation.