The Contact Enigma

The film is about the deceleration of motion in linear form and speed, establishing a connection between space and love. It ends with high-contrast photos with increasingly drastic color changes. This short film, inspired by Brakhage's Stellar film, was created by manipulating 1750 space photos in Photoshop along with grotesque paintings. Some frames contain black paintings by Francisco Goya, grotesque drawings by Leonardo da Vinci, grotesque engravings by William Blake. In order to refer to Brakhage's poetic style and understanding of storytelling in experimental cinema, two poems by Frank O'Hara and Kenneth Koch are placed in the beginning and end of the film.

The fourth in a series of feature-length documentaries about Progressive rock written and directed by Adele Schmidt and José Zegarra Holder. Krautrock, Part 1 focuses on German progressive rock, popularly known as Krautrock, from in and around the Cologne, Düsseldorf, and Hamburg regions of Germany. Artist featured include Kraftwerk, Neu, Can, Faust and others.

When 17-year-old Makoto Konno gains the ability to, quite literally, "leap" backwards through time, she immediately sets about improving her grades and preventing personal mishaps. However, she soon realises that changing the past isn't as simple as it seems, and eventually, will have to rely on her new powers to shape the future of herself and her friends.

Three friends discover a mysterious machine that takes pictures 24 hours into the future and conspire to use it for personal gain, until disturbing and dangerous images begin to develop.

A young physicist reveals his invention to his mentor, whose fatal betrayal of trust is merely the precursor of the inventions immense power.

Electro-Pythagorus is an intimate and subjective portrait of the late Martin Bartlett, the Canadian electronic music pioneer who studied with Pauline Oliveros, David Tudor, John Cage, and Pandit Pran Nath. His contribution as an interdisciplinary composer, educator, and founding member of Western Front, though undoubtedly extensive, is in danger of being erased from cultural memory since his death from AIDS in 1993. Navigating an array of archival materials including letters, correspondences, notebooks, personal photos, and a huge body of unreleased music and field recordings held at the archives of Simon Fraser University, Electro-Pythagoras is a journey through the evolution of Bartlett’s musical time and space, softly guided by Luke Fowler’s insightful camera and montage—creating an experimental portrait that defies one-dimensionality.

Originally a collection of clips from the Neon Genesis Evangelion TV series, Death was created as a precursor to the re-worked ending of the series. Rebirth was intended as that re-worked ending, but after production overruns Rebirth became only the first half of the first part of The End of Evangelion, with some minor differences.

Chronicles of a male homosexual drug addict in 1980's in voice-over with long take scenes from Rome, television snippets of news of Gulf War and commercials.

A lonely university student develops a romance with a beautiful interesting woman, who turns out to be a cyborg from the future.

A psychiatry student gets on a tram that delivers him twenty-five years into the future, where an unexpected encounter awaits him.

Two scientists are chosen as guinea pigs for a time experiment: they are placed in hibernation and should be brought back to life after three years. In the meantime, however, World War III breaks out and life has been wiped off the surface of Earth. When they wake up, it turns out that not only 50 years have passed but also that they are the only living specimens of the male sex in a new, underground society composed exclusively of women.

The year is 2163. Starship Ikaria XB 1 embarks on a mission deep into space in search of alien life. During their perilous journey the crew confront the effects of a malignant dark star, the destructive legacy of the 20th century and, ultimately, the limits of their own sanity.

An experimental short film about wind and sunlight sweeping across tree leaves.

Joshua and Penelope are survivors of a deadly infection that laid waste to humanity 25 years ago. When they encounter fellow survivor Abira, their lives are forever changed as they fight off the remnants of the infected.

Lies can kill. Transgender Nuclear Suicide Sojourner is an exploration of propaganda, lies, and the overwhelming urge to end it all.

SEELE orders an all-out attack on NERV, aiming to destroy the Evas before Gendo can advance his own plans for the Human Instrumentality Project. Shinji is pushed to the limits of his sanity as he is forced to decide the fate of humanity. An alternate ending to the television series "Neon Genesis Evangelion", which aired from 1995 to 1996 and whose final two episodes were controversial for their atypically abstract direction.

Originally produced anonymously and distributed by RTMark, Untitled #29.95 tells the story of the commercial art establishment's attempt to turn video art into a precious commodified object through the release of limited editions during the nineties.

Minyoung is a shy high school girl suffering from depression and bulimia. She is mercilessly bullied by her classmates, especially the sadistic Taeyong and his posse. One day, she is rescued by a sympathetic classmate who introduces her to transhumanism, a process where electrical shocks to the brain cause a person to "wake up to reality" through electrical baptism. Now, fully empowered, she plans revenge for the boys that have brutally bullied her. But when Taeyong turns up murdered, Minyoung must travel back in time using the Tesla coil to reveal the killer... even if the killer might be herself.

Stillman, a heartbroken physics student, builds a time machine when his girlfriend breaks up with him. Going back in time, he attempts to save their relationship by fixing every mistake he made—while dragging his best friend along in the process.

As a major storm strikes Texas in 1900, a mysterious televisual device is built and tested. Blake Williams’ experimental 3D sci-fi film immerses us in the aftermath of the Galveston disaster to fashion a haunting treatise on technology, cinema, and the medium’s future.