WALKA!

Having slept together for the first time, two teenage boys must make sense of their evolving relationship.

As kit tries listening to her girlfriend, she is plagued by visions of rabbit.

Izo is an assassin in the service of a Tosa lord and Imperial supporter. After killing dozens of the Shogun's men, Izo is captured and crucified. Instead of being extinguished, his rage propels him through the space-time continuum to present-day Tokyo. Here Izo transforms himself into a new, improved killing machine.

Santuaryo is a movie that centers on the unfolding narration of a young man named Archie (Basti Romero). Archie went looking for a lost treasure when he came into the possession of an ancient map left by an old adventurer. His journey left him battered and cloudy with memories as he was found drifting on the ocean and later rescued by island fishermen. When his long time lover, William (Will Sandejas) arrives at his side, he is forced to painfully recall what happened to him and describes how he crossed paths with a group of boys looking for the same treasure. In the end, Archie realizes what is most valuable in life and it is in his relationship with William that he finds his greatest fortune. Panoramic and provoking. Santuaryo is ultimately a hypothesis about the behavioral mutations of a group of boys when faced with desperate circumstances.

A short animation by Makoto Shinkai in Lightwave 3D. Inspired by Haruki Murakami's book "Hard-Boiled Wonderland and the End of the World" with music by Tenmon.

Solomon Mahlangu is a Mamelodi township schoolboy-hawker who, after the events of June 16th joins the military wing of the ANC to fight against the brutal oppression of the Apartheid regime and ends up becoming an icon of South Africa's liberation.

The man, the hill, the shack.

An unsettling portrait of a destructive three night affair between two men - one is gay, lost and adolescent, the other is married to a woman and middle-aged. Set in the heart of Soho, a fracturing queer landscape, Nightstand is a whirlwind of repressed yearnings and urban loneliness.

When a northeastern brazilian worker, Filismino, is forced to move to the big southeastern metropolis of São Paulo, the northeastern grim reaper is forced to go there and kill him.

Eight year old Paulie is happiest when dressing-up in his mother’s high heels and having tea parties in the garden. His father however would prefer him to be involved in more ‘manly’ pursuits and decides to take action. It is left to Mickey, a ferret with the cutest nose and the sharpest teeth, to sort out the men from the boys.

Minami mistakenly kills a gangster associate of his named Brother. Almost as soon as the murder takes place, the body of the deceased man is gone, prompting Minami to conduct a search. While looking, he finds a mysterious isolated hotel where he decides to take a rest. Not only are the front desk clerks a bit strange, but even the ambiance feels unusual. Minami soon realizes he may have gotten more than he bargained for.

Maysa unfolds over a single afternoon as a young woman and her stoic middle eastern mother navigate the quiet tension of a long-held silence. As memories of migration and girlhood surface in fractured flashbacks, their unspoken history begins to unravel. A tender, restrained portrait of love, resilience, and the things women carry - even when they no longer have to.

In an alternate reality where the decline of nations has given rise to corporatist regimes, any trace of culture or tradition is suppressed by these new leaders to prevent the masses from reclaiming a national identity. However, rebel cells have emerged to counteract this agenda.

A girl is still dealing with the death of her father. In the midst of her relationship with a detached mother and her own struggle to find peace, she must confront an old wound she deeply buried.

Spain, March 1939. The war is dying down. At the Port of Alicante thousands of people are piling, waiting for the arrival of ships that will carry them to exile. Moored, the freighter Stanbrook is witnessing the desperation.

A Yokohama shoe executive faces a wrenching choice when kidnappers mistakenly seize his chauffeur’s son but demand the ransom anyway.

The host of an investigative news show is convinced by the CIA that the friends he has invited to a weekend in the country are engaged in a conspiracy that threatens national security.

Thomas, 12 years-old, and his brother Arne, 8 years-old, come back from a walk in forest. They've got blood on their clothes.

In a fancy restaurant, Ben plans to propose to his long time girlfriend only to find out that his ring was mistakenly sent to the wrong table.

In his film 'La tête dans les nuages' ('Head in the Clouds') Jean-Marie Teno criticizes the ills of the modern world and the regression of African societies. This short documentary shows the capital of the Cameroon, Yaondé, but might equally show other African cities: heaps of rubbish lie at the edge of streets, academics are out of work, officials unpaid, corruption is the norm, and misery everywhere. For Jean-Marie Teno 'colonization, civilization, independence, then humanitarian talk are merely excuses and theatrical gestures to ensure that Africa remains the place which foreign powers can exploit with a good conscience.'