This Is It

Covering a 35-year period between 1985 and 2020, ‘SMASH – The Singles’ works chronologically through the duo’s classic output, opening with their debut hit West End Girls and journeying through 2020’s Monkey Business. Select physical editions of ‘SMASH’ collect the duo’s videos on Blu-Ray for the first time, with a second disc containing bonus clips and lyric videos (including songs not featured on the audio tracklist), with a bumper 66 visuals presented in total. The remastered videos especially are a treat to behold, particularly from an act like Pet Shop Boys, for whom the image has always gone hand-in-hand with the music and serves to enhance the overall experience.

Recorded in February 2019 in Rio de Janeiro, Ludmilla releases the first live DVD of her career. With diverse participations, the audiovisual project has features with renowned names of music, from different styles, such as Anitta, Jão, Léo Santana, Ferrugem and Simone & Simaria, besides gathering countless hits from the singer, some new songs and a cover by Beyoncé. In total, there are 24 tracks and more than 70 minutes of music. “I hope my fans and the audience enjoy it too much, it was done with a lot of love, affection and energy. My heart is there, in every stretch, for you", Ludmilla explains.

Arguing that advertising not only sells things, but also ideas about the world, media scholar Sut Jhally offers a blistering analysis of commercial culture's inability to let go of reactionary gender representations. Jhally's starting point is the breakthrough work of the late sociologist Erving Goffman, whose 1959 book The Presentation of the Self in Everyday Life prefigured the growing field of performance studies. Jhally applies Goffman's analysis of the body in print advertising to hundreds of print ads today, uncovering an astonishing pattern of regressive and destructive gender codes. By looking beyond advertising as a medium that simply sells products, and beyond analyses of gender that tend to focus on either biology or objectification, The Codes of Gender offers important insights into the social construction of masculinity and femininity, the relationship between gender and power, and the everyday performance of cultural norms.

Like the hit album that inspires its name, Supernatural Live brings journeyman guitarist Carlos Santana back into the mainstream by surrounding him with younger superstars eager to bask in his formidable musical presence. Resuscitating stardom through sheer proximity can translate to forced pairings or superfluous music making, but credit Santana himself with minimizing such missteps. A fusion artist before the term was coined, the erstwhile Mexican street musician long ago extended his technical reach and broadened his stylistic palette by hungrily assimilating different styles of music. Accordingly, he shifts gears easily, whether soloing behind Dave Matthews, trading lines with legendary saxophonist Wayne Shorter, or spicing up a hip-hop excursion with Lauryn Hill.

This live set, containing twenty of Jonathan Coulton’s most popular songs, was filmed in February 2008 in front of a sold out crowd at the Great American Music Hall in San Francisco, California.

A documentary about Soulwax: Director Saam Farahmand filmed Soulwax on their recent international dates, capturing all the excitement, chaos and humour of the world tour. Where the Beastie Boys filmed one gig with 50 cameras, Soulwax filmed 120 shows with one camera, in Europe, Japan, US, Latin America and Australia. The result is a snapshot of life on the road with one of the most exciting live bands in the world, and features their friends including 2manyDJ's, James Murphy & Nancy Whang (LCD Soundsystem), Erol Alkan, Tiga, Justice, Busy P, So-Me, Peaches, Klaxons and many more in interview, as well as behind-the-scenes footage, and LOTS of music.

Girls' Generation lit up the stage at Seoul's Olympic Park Gymnastics Stadium in July 2011 with their second concert tour. From Genie and Mr. Taxi to Gee and Into the New World, the girls presented a nonstop lineup of their hit songs. They also prepared special stages like Tae Yeon and Tiffany's Lady Marmalade, Hyo Yeon's Don't Stop the Music, Jessica's Almost and Soo Young's Sway.

A documentary film exploring humanity's relationship with technology and with the natural world. Shot over a 5-year period in more than 30 countries, the film pioneers new timelapse, time-dilation, underwater, and aerial cinematography techniques to give audiences new eyes with which to see our world.

A millionaire sets out to prove his theory that his pet chimpanzee is as intelligent as the teenagers who hang out on the local beach, where he is intending to build a retirement home.

A native of Wilmington, Delaware, jazz trumpeter Clifford Brown made an outstanding and influential contribution to music. In an era when many musicians were emulating Charlie Parker’s drug abuse, Brown inspired others to achieve greatness while living a clean life. Ironically, he was killed in a car accident at the age of 25. This feature-length documentary presents a richly detailed account of Brown’s life, and examines his historical importance in the context of three criteria–innovation, influence, and individuality.

The film is an observational telling of a watchman in an apartment complex in Guwahati, Assam, India. It blends documentary to explore his alienation and raise the question of empathy vis-a-vis his occupation: its existence beyond what may be referred to as a linear time or the time occupied by the privileged. His time is interpreted as existing in an another time characterised by the banal quality of his job. The film attempts to do away with any narrative control where the subject (the spectator) too exercises a reciprocal gaze on the filmer: by becoming an observer to his own filming, the film's own privileged gaze is confronted.

On June 27th 2007, Genesis was playing a sold out show on their "Turn it on again"-Tour at Düsseldorfs LTU Arena. This show was broadcast live and uncut via satellite in selected cinemas in the UK and in Sweden.

U2's 360° concert at the famous Pasadena Rose Bowl was U2's biggest ever show in the United States with a box office attendance in excess of 97,000. The first live streaming of a full-length stadium concert, U2360° at the Rose Bowl streamed across seven continents, making history with over 10 million views in one week. Shot entirely in HD, this ground breaking concert was filmed with 28 cameras and directed by Tom Krueger who previously shot the concert film U23D. U2360° resumes in Europe in August with North American dates to follow in 2011.

The concert was captured on the tenth and final night of the 25th Meltdown Festival (curated by Robert Smith) at London’s Royal Festival Hall in June 2018. The band performed a song from each of their 13 studio albums with new, unreleased songs at the core of the set, offering a glimpse into the bands’ future.

Documentary originally from The Russell Harty Show chronicling Elton John’s iconic two-day concert at Dodger Stadium in 1975.

ayumi hamasaki COUNTDOWN LIVE 2002-2003 A is a concert DVD released by Hamasaki Ayumi. It was performed on December 31st as a New-Year event, at the National Yoyogi Stadium First Gymnasium in Tokyo. It was included on the ayumi hamasaki COMPLETE LIVE BOX and not released as a stand-alone DVD.

A look at the Black revolution in 1970s cinema, from genre films to social realism, from the making of new superstars to the craft of rising auteurs.

A portrait of the life and career of Robert Downey Sr. (1936-2021), the visionary and fearless US filmmaker — father of actor Robert Downey Jr. — who in the sixties and seventies laid the foundations for countercultural comedy.

Roy Orbison sings some of his greatest hits, including Only the Lonely, Crying, Penny Arcade, Blue Bayou, Running Scared, Candy Man, In Dreams, Mean Woman Blues, It's Over and Oh, Pretty Woman.

A documentary featuring archive footage to celebrate the 100th birth of jazz legend Louis Armstrong.