The film describes the microcosmos of the small village Wacken and shows the clash of the cultures, before and during the biggest heavy metal festival in Europe.
One day, while Grigoris is working and singing at a construction site, a conductor, Vangelis, and two bouzouki musicians happen to pass by. They listen, enchanted by his limpid voice, and suggest that he becomes a member of their orchestra. Thus, the newly-wed day laborer gets a second job at Mr. Lefteris’ night club. His wife, Marina, soon joins him at the club, and, before long, she too goes on stage, cuts capers and charms everyone. Her success, however, has a negative impact on the couple’s relationship, since Marina’s admirers as well as those of Grigoris’, turn one away from the other.
Peter Maffay: Extratour Live 2013 - Loreley
Gruber is a normal 16-year-old growing up in Budapest in 1962, but he has a problem -- how does he get to know the opposite sex? At the Sunday afternoon dance classes the young "ladies and gentlemen" hold each other while dancing, and that makes the lessons worth something. Otherwise, the pianist's attention wanders and the orchestra does not exactly play with a single-minded dedication. In fact, everybody seems to have other things on their minds, except for the enthusiastic dance instructor and his ever-smiling assistant.
Live concert from the austrian Band "STS"
The young American Pablo Menéndez came to Cuba to study Music at the National School of Art. Here he formed a family and became one more Cuban. Member of the Sound Experimentation Group of ICAIC and promoter of the teaching of the electric guitar in Cuba, he is, together with his group Mezcla, one of our most original musicians.
When a Mongolian nomadic family's newest camel colt is rejected by its mother, a musician is needed for a ritual to change her mind.
Dance Alone
Peter Maffay: Deutschland '84 Live
Peter Maffay: Lange Schatten Tour '88
In 1940s France, a new teacher at a school for disruptive boys gives hope and inspiration.
In the Swedish city of Lethe, people from different walks of life take part in a series of short, deadpan vignettes that rush past. Some are just seconds long, none longer than a couple of minutes. A young woman remembers a fantasy honeymoon with a rock guitarist. A man awakes from a dream about bomber planes. A businessman boasts about success while being robbed by a pickpocket, and so on. The absurdist collection is accompanied by Dixieland jazz and similar music.
In a bland, utilitarian world of order, one worker finds his inner jazz
A vacuum repairman moonlights as a street musician and hopes for his big break. One day a Czech immigrant, who earns a living selling flowers, approaches him with the news that she is also an aspiring singer-songwriter. The pair decide to collaborate, and the songs that they compose reflect the story of their blossoming love.
When Chizuru joins as a teacher at Umega High School, she hears an amateur orchestra perform. Reminiscing her old days of playing the violin, she decides to enroll in one.
An experimental journey through a year in the life of the director, using his always playing playlist to cross the boundaries of fiction and documentary. Through scenes of both comedy and tragedy, realistic documentary footage and experimental sequences of the director's environment and daily life we get a sometimes estranging image of a young man and also an intriguing insight in his mindset and how this translates to the imagery on screen.
When you listen to The Years, the debut studio recording from Urbanites, you're hearing a band in progress. They wanted to make The Years differently, and decided to record the album together, live, in the same space - Studio A of Electrical Audio in Chicago, Illinois. With the exception of limited overdubs, (vocals, drum ensembles and laptop atmospherics) each song represented one collective take, warmly captured to two inch analogue tape. This recording method embraced the mistake as much as the moment. They also chose to document the making of the record with a film, appropriately titled, 'You Can't Rewind The Years'. With a new understanding and years of progress to come, these longtime friends are making the music that they'd always hoped to. As they sing, in The Years' standout track Restless, "Not without trial, not without err - this brokenness is ours to share."
In spring 1997, after several delays, The Video Dream Mixes was released. It features music material from The Dream Mixes, combined with films of US landscapes and alienated sights of Venice, pictures and computer animated graphics and virtual views from outer space. The film material was mixed up with clips showing the band on stage or during journeys. Most of the material was filmed by Edgar Froese.
San Francisco's North Beach in the 50's - A mix of jazz, poetry and art - The Beach recreates the atmosphere that prevailed through first-hand accounts from the actual "players" along with photographs and artwork from that vibrant time.
Following a childhood tragedy, Dewey Cox follows a long and winding road to music stardom. Dewey perseveres through changing musical styles, an addiction to nearly every drug known and bouts of uncontrollable rage.