Já Não Sou Eu Quem Vive

Featuring seven stories from seven auteurs from around the world, the film chronicles this unprecedented moment in time, and is a true love letter to the power of cinema and its storytellers.

Faced with the catastrophic challenge of fighting a global crisis like no other, Indian scientists take on the mantle of producing vaccine despite not having enough resources and infrastructure to save the nation's sixteen million citizens.

In 2021, modest Hungarian cattle farm worker Feci joins an organised tour of the South of France with his wife Klara. The trip sees the couple take a plane for the first fime and places them outside of their comfort zone. A couple, more seasoned travellers, takes them under their wing, but on their arrival at Nice airport, Feci is forced to quarantine in the hotel due to a mix-up over his COVID test. Excluded from an excursion booked while he was in quarantine, Feci takes a life-changing tour of Provencal monasteries on his own, while Klara sets off with her newfound friends.

Three people from a former theater club get back in touch for the first time in 20 years during the COVID-19 pandemic. Each of them have led completely different lives, but an absent woman continues to cast a shadow over them. This story takes place over one night, and explores the themes of isolation during the COVID-19 pandemic and connections between people.

After having to quarantine together during COVID-19, a mother and daughter are forced to confront their personal obstacles and relationship tensions.

This is a story about the resilience of the human spirit during a pandemic. Little Tale, a great lover of film art, is infected with corona virus and is fighting for his life. Using the strength of the movie characters he adores, he gathers strength and resists the disease. The fairy Corona helps him and becomes his friend.

Covid-19: Imbavagliati

Jai's directorial career is on the uptick, though his marital life is on the rocks and he is trying to move on with his girlfriend Kiara. Mitali Chauhan, his wife, wants a divorce so that she can marry her clever engineer boyfriend Raviraj Varma, who is sober and caring, as against her unpredictable soon-to-be ex-husband. When Jai drops in in March 2020 to talk divorce, Raviraj is in the flat that once used to be Jai and Mitali's house, 'Talli Galli'. Raviraj, realizing that it will be awkward for the estranged couple to discuss divorce in front of him, decides to leave. But before one of the men can make way for the other in Mitali's life, the COVID-19 lockdown intervenes. Now, three horny souls afflicted with the love virus struggle to decide what they want, and at what cost, with nowhere to go but inside. Will they have threesome?

A newly wed couple invites a woman for threesome. Unknown to them someone is watching their sexcapade. When the threesome becomes foursome, that's when chaos begins.

Eleri has been caring for her mum, Luned, since she was a child. But both have become so invested in their reversed roles of parent and child, that they’ve lost sight of one another and the true connection between them.

A group of three friends, Rodrigo, César and Vitória, have a date at Vitória's house after a long time without meeting due to the COVID-19 pandemic. They sit in her backyard with a few bottles of beer and a joint, chat as it gets dark and each one brings up their own existential conflicts, perhaps looking for a solution, or leave with even more questions...

On the wild west coast of Auckland in New Zealand we follow one man's enforced isolation. Pacing the beach, he wonders if those dear to him will ever be seen again.

An experimental attempt that examines the four corners of the inner zoned quarantine world to question a person.

Michiko used to work as a live-in part-timer at an izakaya, but suddenly lost her job and her house at the same time due to COVID-19 pandemic. There are no new jobs because of the COVID-19 pandemic, and diners and internet cafes are closed. Michiko is at her wits' end, but there in front of her is a bus stop that stands slightly brightly in the darkness, illuminated only by the streetlights.

Two friends FaceTime each other during the COVID-19 pandemic and deal with their own anxieties about it.

Despite the rising stakes between losing healthcare workers and insufficient wage, a female nurse is determined to aid the victims of COVID-19 until she reaches her breaking point when a survivor is disillusioned about the recent news headlines.

When the pictures from Bergamo in Italy go around the world in spring 2020, even non-medical people know what the word pandemic means. The previously unknown Coronavirus is spreading rapidly across the planet. Four days later, exit and contact restrictions also apply in Germany. Since then, the life of the Konstanz intensive care physician Dr. Carolin Mellau and her family on their heads. The female doctor becomes a member of the crisis team and is on duty around the clock to prepare the clinic for the impending emergency. As an anesthesiologist intubating those infected with COVID-19, she herself carries a high risk of infection. Meanwhile, her husband Stefan has to cancel his concerts as a musician, is no longer allowed to teach his music students and is suddenly sitting at home without an income. Teenage daughter Luzy is not allowed to see her Swiss boyfriend because the border is closed. She and brother Tim cannot go to school. But the worst case for the family is yet to come.

A comedy during confinement? Probably so. A portrait of a little girl and her family during confinement? Apparently so. An absurd, Beckettian musical shot during confinement? Exactly, yes.

Featuring Soham Chakraborty, Srabanti Chatterjee, Om Sahani, Adrit Roy, Manali Manisha Dey and Rajnandini Paul, the slice-of-a-life drama has three parallel stories that meet at the climax. The COVID-19 pandemic-induced lockdown affects each of the protagonists.

In the world of Haami, there's no anger, rivalry, talking bad, feeling low; there's only joy uninterrupted. The sequel focuses on reality television shows which often create undue pressure on children.