It Is Not the Brazilian Homosexuals Who Are Perverse, But the Situation in Which They Live

A man on the brink of death, has a conversation with a stranger. The pair philosophize about the meaning of a life well lived.

In the window of the house, where some say the sweetness dwells, is reflected, every night, a delicious story.

After traveling hundreds of miles, a woman must wait another twenty-four hours before she can get an abortion.

This short celebrates the 20th anniversary of MGM. Segments are shown from several early hits, then from a number of 1944 releases.

Promotion reel/souvenir of a 1939-40 meeting of the Paramount Studios sales people.

Simmons, best-known for her photographs of miniature rooms populated by dolls and of oversized objects—such as a house, birthday cake, and pistol—balanced on female legs, both human and fake, brings these characters to life in a three-act mini-musical. The film is inspired by three distinct periods of Simmons’s photographic work: vintage hand puppets, ventriloquist dummies and walking objects enact tales of ambition, disappointment, love, loss, and regret. Working with composer Michael Rohaytn ("Personal Velocity") and cameraman Ed Lachman ("The Virgin Suicides" and "Far From Heaven"), Simmons’s puppets come to life in miniature domestic scenes that echo real life.

Lester Burnham, a depressed suburban father in a mid-life crisis, decides to turn his hectic life around after developing an infatuation with his daughter's attractive friend.

夜游

The place is the notorious Starck Club (so called because it was the first major project designed by Philippe Starck in the US.) The Starck Club opened in Dallas in 1984 and not long after hosted the 1984 national Republican Convention. Ironically, it was actually legal to buy MDMA aka ecstasy there, people would put it on their credit cards. The DEA stepped in and made it a category 1 drug on July 1, 1985... In a time when ecstasy was legal & guyliner was cool.

After meeting in a chat room, Fede arrives at a down- town building to have an intimate encounter with a gay couple older than him. As the night unfolds, Fede has an intense and telling experience. The next morning finds him different, as if suddenly he had found a new possible way to love.

Jack and Mary (and their dog, Rags) are walking down the street when a talking car stops them and begins lecturing them about traffic safety.

A woman reflects on her most recent visit to her father in prison, where he recounts the tale of the Cyclops—a cursed being that, from the moment of its birth, is aware of the precise day of your death.

When Jacob's ex-girlfriend Polly comes to visit, the pair can barely contain their excitement. Since their teenage days when they were an item, Jacob has long since been out of the closet and in a happy relationship with boyfriend Nicholas, so both he and Polly have a lot of catching up to do. Sure enough, Polly's visit extends into a long stay as the trio relish each other's company. However, all good things must, eventually, come to an end.

Su-yeon has been harassed and bullied by the class president, Hyun-ji for a long time. When she consults this matter with the school’s reverend, she is advised to collect evidence of her harassment and bullying. Religion is the only thing Su-yeon can count on, but the school reverend cannot protect her. This film makes us ponder about the bullying problem in schools, the role of religion, and the teacher and reverend’s duplicity.

Once a woman can't stop crying, she gets hired as a weeping woman in the funeral.

For one-night-only blood was spilled in the mud.

A filmmaker talks about his work and love life with an unseen friend behind the camera. We also watch four of his short films.

Kuhle Wampe takes place in early-1930s Berlin. The film begins with a montage of newspaper headlines describing steadily-rising unemployment figures. This is followed by scenes of a young man looking for work in the city and the family discussing the unpaid back rent. The young man, brother of the protagonist Anni, removes his wristwatch and throws himself from a window out of despair. Shortly thereafter his family is evicted from their apartment. Now homeless, the family moves into a garden colony of sorts with the name “Kuhle Wampe.”

Plagued by feelings of guilt, the meeting of two brothers confronts them with feelings that should not be experienced.

Questions how we as individuals are psychologically relying on our inhabit spaces and how we as society are influencing and being influenced by our surroundings.