Hold Up

After the Trento bombing in Italy 1943, the CG animated short film is the story is of a little girl named Mila. It focuses on the collateral damage affecting the civilian population, and especially the children.

Edge of Alchemy is the third film in a trilogy examining the psychological terrain of women's inner worlds. In this handmade film, assembled from over 6,000 collages, the actors Mary Pickford and Janet Gaynor are lifted from their early silent features and cast into a surreal epic with an unending of the Frankenstein story and contemporary undercurrents of hive collapse.

“There must be a different solution than the one from hell’. Full unadulterated terror (and music). 'The best class always ends with a lesson'. Almost baroque in its ambition and detail, Akerman and Seabra Lopes’ mesmerising short film delves deeply into the hard-wired dread of music lessons. Sewn around Schubert’s steely Opus 1, which is itself based on the no less terrifying legend of Goethe's Erlkönig, their film is a revelation.” International Film Festival Rotterdam.

A girl who keeps growing extra fingers lives as a recluse due to bullying. When she sees a possible solution to her condition, it takes her on a path to a much different outcome.

Blu animation takes a circular trip around a room

Dancing All Day

To the memories of my mother.

A statue, with outstretched arm pointing “forward,” is unveiled to thunderous applause. Then one day it points the other way. Once again, thunderous applause!

In the Parque del Retiro, in Madrid, Spanish writer Ramón Gómez de la Serna weaves a humorous and absurd monologue about a monocle without glass, the noises that can be heard in a chicken coop and the importance of gesturing correctly with a large hand if someone wants to succeed in the art of oratory.

When the Littles adopt Stuart, the mouse, George is initially unwelcoming to his new brother, and the family cat, Snowbell, is even less enthusiastic. Stuart resolves to face these difficulties with as much pluck and courage as he can muster.

Woody, Buzz, and the rest of Andy's toys haven't been played with in years. With Andy about to go to college, the gang find themselves accidentally left at a nefarious day care center. The toys must band together to escape and return home to Andy.

Miss T is the centre of a series of short, humorous sex sketches in pin-up style à la Betty Page. She fights with the male member, which first knocks her out, but which she later rides triumphantly. The elementary special effects (a huge dildo and a giant vagina) and cartoonish decors give the scabrous scenes a pleasant atmosphere.

Waiting to board the train, an old lady just wants to eat her cookies in peace, but hijinks ensue when a teenager on the platform next to her seems intent on sharing them, too.

The first short made by Robert Morgan, made using a VHS camera and some rough puppetry.

An experimental visual poem combining film, animation, photography, and archival footage inviting people to occupy the Black Body and examine the lived Black experience for a brief moment.

French pantomimist Pierre Étaix plays an insomniac who makes the mistake of trying to read himself to sleep with a book about vampires. Short film included in the anthology film As Long as You've Got Your Health (1966).

When Armelio finds himself in the "mercado 4" with the mission of buying chicken and rushed by his mom, he stumbles upon a setback that will delay the errand. He'll have to make way across the chaotic and overwhelming paraguayan market chasing his slippery thief. Could Armelio reclaim the chicken and avoid getting in trouble?

Kiko is a nightmare for all the animals. He bullies them all the time, even the smallest mouse can't escape from him! How could the animals stand out and make him understand that they are just like him, capable of emotions, love, and deserve respect?

Cécile thinks one thing and its opposite. She wants one thing and its opposite. She doesn't know what she thinks or what she wants. So she talks about one thing and its opposite.

As technology accelerates, our species' collective imagination of the future grows ever more kaleidoscopic. We are all haunted by temporal distortion, perhaps no more than when we attempt to remember what the future looked like to our younger selves. As the mist of time devours our memories, the future recedes; each of us burdened by the gaping mouth of entropy. Yet, emerging technology provides a glimmer of hope; transhumanism promises a future free from mortality, disease and pain. Does our salvation lie in digital simulacra? We're here to sell you the answer to that question, for the low, low price of four hundred and seventy seconds.