County Durham, England, 1984. The miners' strike has started and the police have started coming up from Bethnal Green, starting a class war with the lower classes suffering. Caught in the middle of the conflict is 11-year old Billy Elliot, who, after leaving his boxing club for the day, stumbles upon a ballet class and finds out that he's naturally talented. He practices with his teacher Mrs. Wilkinson for an upcoming audition in Newcastle-upon Tyne for the royal Ballet school in London.
Luciano Pavarotti - An Evening With Luciano Pavarotti
Multi-platinum recording artists release their first-ever live DVD. Recorded in April 2005, the shows were filmed in the band's hometown of Atlanta during two special sold-out performances featuring the Atlanta Symphony Youth Orchestra. The 20-song collection spans ninety minutes and encompasses hits from Collective Soul's seven studio albums, including their latest release, "Youth".
The Mother is a powerfil, narrative dance production choreographed and directed by Archar Pita a master storyteller: Inspired by Hans Christian Andersen's dark tale, The Story of a Mother, this sumptuously designed production stars international dance superstar Natalia Osipova and multi-award winning dancer Jonathan Goddard. This inventive new production conjures up a dangerous, kaleidoscopic world. combining narrative dance and drama. In setting out to save her sick child, a young mother journeys into the unknown to face life and death. Will she succumb to the forces of evil, or will the power of motherhood prevail?
Four outstanding works by world-renowned Czech dancer and choreographer Jiří Kylián performed for the first time by the National Theatre Ballet. The National Theatre Ballet has prepared a special premiere entitled Kylián – Bridges of Time for this year's celebrations of the founding of the republic. This project will not only dignifiedly support this important anniversary, but also pay tribute to the famous Czech native, choreographer Jiří Kylián, who has undoubtedly become an icon of world dance. The evening will present four works to the audience – Psalm Symphony, Bella Figura, Petite Mort, and Six Dances.
"Lady of the Camellias" (Kameliendame) was premiered in Jan 1978 at the Stuttgart ballet. Choreographer and text writer was John Neumeier who had been requested in 1972 by ballerina Marcia Haydee to write a full length ballet. He suggested "Lady of the Camellias" , the Dumas fils autobiographical novel. The idea of using Chopin music was suggested by ballet conductor Gehart Markson. The ballet was a success and this version was also presented in 1979 at the Kennedy Center in Washington DC. Neumeier revised it for the Hamburg Ballet now directed by Brazilian ballerina Marcia Haydee after the death of famous director John Kranko. The revised version with sets and costumes by Jugen Rose and conducted by Heribert Beissel was recorded as a movie in 1987.
During a Christmas Eve party and a young girl, Clara, being given a nutcracker doll by her godfather, Drosselmeyer. Later in the evening when Clara sleeps, she finds herself in the midst of the Nutcracker’s battle against the Mouse King and his army of mice. Coming to Clara’s aid, the Nutcracker is transformed into a Prince and journeys with her to an enchanted island where spectacular celebrations are held in their honor. Pre-recorded at the Mariinsky Theatre in St. Petersburg in December 2011, Wassili Vainonen’s version of the beloved holiday ballet is for the first time in 3-D in select theaters.
Going to see Nutcracker with the whole family has been a tradition in other countries for many years. Now it is a tradition in the Netherlands as well. It became apparent that the Netherlands had also adopted this tradition in 1996, when the Dutch National Ballet presented its own version of the famous fairytale ballet. It is a magical production that has won the hearts of more than 250,000 people to date. Choreographers Toer van Schayk and Wayne Eagling created a Nutcracker for the children and adults of today. It is more dynamic and exciting, and less sweet than usual. They also chose to give a Dutch twist to their interpretation of the story, with skaters on the canals and a living room that transforms into a snowy forest. Unlike the original story, the production by Eagling and Van Schayk (who also designed the delightful sets and costumes) does not take place on Christmas Eve in a German town, but during St. Nicholas celebrations in Amsterdam, around 1810.
With the Australian Opera and Ballet Orchestra and conductor Brian Castles-Onion, a gritty set design, sumptuous bold costumes, stunning choreography, and the inestimable direction of Gale Edwards and Bizet's glorious opera is brought to life like never before in this second Handa Opera on Sydney Harbour.
Christopher Wheeldon's acclaimed new Cinderella for the Dutch National Ballet is an imaginative interpretation of a much-loved classic. Inspired by the original Brothers Grimm fairy tale, Wheeldon gives the characters renewed depth and complexity, complementing Prokofiev's celebrated and colorful score. With sets and costumes by the renowned designer Julian Crouch, supported by stunning stage effects, this world premiere production is a truly magical experience, bringing an age-old fairy tale into the 21st century.
A pair of short ballets, written for the screen, filmed and performed by artists of the Georgian SSR. In color, with narration.
A group of 12 teenagers from various backgrounds enroll at the American Ballet Academy in New York to make it as ballet dancers and each one deals with the problems and stress of training and getting ahead in the world of dance.
Eugen Suchoň's ballet Angelika is historically the first Slovak ballet in staged form, depicting the story of a musically gifted but poor and underestimated girl who is wrongly accused of theft. In the 2014/2015 season, the SND Ballet undertook the staging of the first Slovak ballet. Composer Eugen Suchoň (1908 - 1993), one of the founders of Slovak musical modernism, wrote the ballet pantomime Angelika for Slovakia as a seventeen-year-old pupil of the Music School. The work was found in the composer's estate along with other compositions from the so-called pre-Opus period. Mauro di Candia, who choreographed and directed the first staging of Suchoň's work, presents the staging concept of the ballet Angelika as an original, precise and pure ballet form within a contemporary choreographic language, combined with the musical elements of Suchoň's melodic score.
After the death of her mother, Sara moves to the South Side of Chicago to live with her father and gets transferred to a majority-black school. Her life takes a turn for the better when befriends Chenille and her brother Derek, who helps her with her dancing skills.
When rebellious street dancer Andie West lands at the elite Maryland School of the Arts, she finds herself fighting to fit in while also trying to hold onto her old life. When she joins forces with the school's hottest dancer, Chase Collins, to form a crew of fellow outcasts to compete in Baltimore s underground dance battle The Streets.
Peer Gynt
Pollini plays flawlessly, with the greatest finesse and sensitivity, very much in tune with each composer's personal style. His performances are exemplary in every respect. The video and audio are quite acceptable, given their 1970s vintage. Böhm and Abbado are at home in this repertoire, and the Wiener Philharmoniker in excellent form, notwithstanding a few strange noises coming from the horns.
When Chizuru joins as a teacher at Umega High School, she hears an amateur orchestra perform. Reminiscing her old days of playing the violin, she decides to enroll in one.
The Merry Widow, a beguiling, romantic ballet starring Patricia McBride and Peter Martins.
Jerome Robbins considered the Paris Opera Ballet as his second home after the New York City Ballet. This production in his honour brings together works displaying the infinite diversity of his sources of inspiration and his genius on stage. Be it in the energy of the large-scale Glass Pieces or the intimate sweetness of Afternoon of a Faun and A Suite of Dances, there emerges that rare capacity to make bodies follow the flow in a living comprehension of music. As the celebrated ballet Fancy Free, a veritable theatrical portrait of an era, enters the repertoire, Robbins reveals another facet of his talent.