Without Transition

Adam is a factory worker. He falls in love with Chris, a slightly older man. Instead of strengthening his own identity, Adam is unable to cope with his sexuality and suffers a nervous breakdown. One of the first representations of gay men in Australian cinema and an iconic piece of LGBTIQA+ film history.

Young Anabel mistakes a woman for her dead mother.

Seventeen-year-old Randy tries very hard to be a good person. Since his father left, Randy takes care of his emotionally disturbed mother, and he's the kind of friend all of his classmates can depend on. As strong as he seems on the outside, Randy is hiding a secret inner struggle and denial of his true self. It's not until he opens himself up to love that he discovers that becoming a man means accepting who you really are.

Abatarō Sentai Donburazāzu Supin-Ofu: Kore ga Donburazāzu no Nanori da! Abatarō no Honto no Sugata!?

A father fears the sexual awakening of his disabled son, a teenager living with Down syndrome, and struggles with the notion of letting him grow up.

It is 1999 in Bishop, a small town filled with secrets. Three sisters, Belle, Rachel, and Jessa are trying to cope with the absence of their mother and maintain a normal life. Silently repressing them is Rick, their damaged father who, adrift himself, is growing increasingly obsessed with the rapture that he believes is imminent. With home anything but a refuge, the sisters must cling to one another to survive.

Created by the members of a Nairobi-based arts collective — who have removed their names from the film for fear of reprisal — this anthology film that dramatizes true-life stories from Kenya’s oppressed LGBTQ community is both a labour of love and a bold act of militancy.

Two semi-studious students living in 'Korea-Town' are interrupted & intrigued by the actions of a girl in a nearby building, witnessed via CCTV, whilst each trying to come to terms with important subjects in their university projects [one Korean related: the Sewol ferry tragedy, and one British: the Grenfell tower incident], as well as their own life challenges in this claustrophobic tragicomedy of alienation, helping hands & secretive students. Is all really what it seems?

A sister and a brother and the fear of fornication.

The year is 1941 in Sweden and Astrid seeks independence by trying to become a train conductor. On the train she meets an older passenger Dora, which she feels attracted to. Astrid also faces a more dark and hostile world on board as she discovers that the staff has put in system to reject unwanted passengers such as Romans and Jews.

A girl goes to visit her sister who has been impossible to reach since being released from a psychiatric ward. When she arrives, things are much worse than she could have imagined. But to her surprise, her sister claims that she has never been happier since she turned her back on the outside world.

Jørgen lives abroad, but every summer he comes back to Denmark with his wife. He invites, as usual, his neighbours and their teenager son, Thomas, for dinner at his place. Only, this time there is a strange tension in the air between the adults. After dinner, Jørgen and Thomas go to the beach for a walk. They discover that both have secret problems, and the fact they cannot talk about them is creating great stress. As they disclose their secrets to each other, a friendship starts. But through the course of the next two summers their relationship develops in a way they would never have expected.

A visual poem exploring female relationships and intimacy. A journey across the different stages of a friendship that emphasizes both the unique fragility of female bonds and the extent in which they impact our identity as women. Cross-legged was shot combining different formats, both digital and film

14 vignettes without dialogue.

The video installation entitled Partenza (Italian for departure, and used in many of Croatia’s island and coastal dialects) express the global insecurity of contemporary society and the fragility of human existence. Metaphorically, they address a story about departure, waiting and separation, dictated by migrations. In the early 20th century, it was usual yet traumatic for men to leave Croatian islands (mostly bound for the countries of South America) due to poverty and hunger. One of these tragic stories is weaved into the author’s family history. The installation is inspired by the life story of Renata’s great-grandmother who lived on the island of Brač, whose husband went to Chile looking for work in order to secure his family’s future. Like many of the island’s women, she waited for her husband who, like many of the men, never returned.

A rebellious young woman with cerebral palsy leaves India to study in New York. On her journey of self-discovery, she unexpectedly falls in love.

The movie centers on a young hipster girl who loves to party. One day, she has to deal with taking care of naughty niece that she has never met before and on top of it all, she is trying to sort out her past love that could somehow affect her future.

Yan is an illegal second child born during the One-Child policy. To avoid government punishment, Yan's parents hid their oldest daughter in the countryside and raised Yan as a girl. Now a young adult, Yan struggles with his gender identity and being treated as an outcast in a conservative society. His sole escape is drifting his father's old taxi through abandoned parking lots.

A family gathers and sells waste. One day, the mother finds a cylinder in an abandoned hospital and takes it home. The family situation becomes worse when, without them realizing it, the cylinder begins to change them from within.