@ in the mood for love

Três cortes para Glauber

A seven-part "making-of" documentary featuring Jon Favreau, visual effects supervisor John Nelson, Embassy VFS supervisor Winston Helgason, 3D artist Paul Copeland, lead 3D artist Michael Blackburn, Orphanage VFX supervisor Jonathan Rothbart, visualization/HUD effects supervisor Kent Seki, HUD design supervisor Dav Rauch, ILM VFX supervisor Ben Snow, animation director Hal Hickel, view painter Ron Woodall, model supervisor Bruce Holcomb, VFX art director Aaron McBride, composing supervisor Jeff Sutherland, and technical director Philippe Rebours. It visits the three effects studios that handled Iron Man - The Embassy, The Orphanage, and ILM - and examines what each one did for the film. It goes through the appropriate effects topics in a solid manner that gives us a good idea of the challenges and their solutions.

At the 1996 Atlanta Games, the Magnificent Seven became the first American women to ever win gymnastics team gold. Sixteen years later, in London, the Fierce Five joined them in the history books. Relive all the excitement as Gabby Douglas, Aly Raisman, Jordyn Wieber, McKayla Maroney and Kyla Ross take the lead from the first rotation and never look back on their way to gold. Follow Gabby Douglas on her way to the podium to make it three straight American gold medals in the individual all-around competition. Every individual event final is featured on this DVD, including Aly Raisman's historic gold-medal performance in the floor exercise, her bronze on the balance beam, as well as McKayla Maroney's silver medal in the vault.

A strong and fast-paced overview piece that looks at the picture's set design, the inspirations from various versions of the comic, costume construction, and filming locations.

Voleurz' That’s Fine documents the antics and exploits of the infamous Voleurz Family, comprised of skiers, snowboarders and skateboarders, making the multi-sport offering one of the most well-rounded and diverse films in the action sports world. Highlights include snowboarder Justin VDP slaying pillow lines in the Whistler backcountry, freeskier KC Deane's jaw-dropping big mountain segment, a raucous urban trip to Ontario with Scott Sych & Matt Brindisi, the unique style of one of skiing's most imaginative individuals, Max Hill (along with the highly entertaining return of Max Hill vs The Intern), skateboarding the streets of Vancouver with Tyler Holm, and of course, the hilarious and not-to-be-missed Winter Volympics. As voted by fans, That’s Fine won Best Web Video of 2011 on ESPN.

Voleurz' eighth feature-length film showcases the antics and exploits of the Voleurz family, and features snowboarders and skiers forced against each other in an all out bloodbath. Who will take the throne? Kill Your Boredom highlights include riding from newly appointed Voleurz snowboarder Geoff Brown jumping unique road gaps and adding a double cork in the backcountry to his already heavy bag of tricks; skier Rob Heule shows us what it takes to be skiing’s up-and-coming urban slayer, proving that the infamous 5-kink elbow rail in Calgary is actually possible; and of course, the hilarious and not-to-be-missed Winter Volympics will once again leave your mom asking, “who are these morons?”

Short directed by Agnès Varda in 1986 on the occasion of the 50th anniversary of the French Cinematheque, presenting a contrast between the famous stairs from the place along with classic film images also revolving around stairs.

The video revolution of the 1970s offered unprecedented access to the moving image for artists and performers. This Is Not a Dream explores the legacies of this revolution and its continued impact on contemporary art and performance. Charting a path across four decades of avant-garde experiment and radical escapism, This Is Not a Dream traces the influences of Andy Warhol, John Waters and Jack Smith to the perverted frontiers of YouTube and Chatroulette, taking in subverted talk shows and soap operas, streetwalker fashions and glittery magic penises along the way.

Several burlesque performances from the days burlesque was actually risqué ánd tantalising.

Retrospective documentary about the British rock band "Queen", from the 1970s till the death of Freddie Mercury, victim of AIDS. Includes interviews with the band members, friends and fans, behind the scenes material, the making of music videos, concerts and lots of music.

Másik Magyarország

Sangue Marginal

A trip down the memory lane and memories of a girl about three houses of San Sadurniño city council. Present, past and future.

For two weeks, around twenty young musicians from the northern districts of Marseille come to train every day and rehearse three jazz pieces.

Find bric-a-brac and trinkets galore in this vividly colourful snapshot of Portobello Road Market.

In his debut as a documentary filmmaker, Morten Meldgaard tells the story of freedom fighter Kim Malthe-Bruun. Through excerpts from Kim's letters and diaries, the memories of those he left behind, and selected contemporary film footage from the places Kim describes, the film depicts a series of precisely sensed moments in the journey of an unusual young man through life toward an all too early death. The film is a human story about love, joie de vivre, heroism, powerlessness, and grief, and it provides insight into how a country's history affects the fate of individual families and individuals.

"Food, Funk and Favela", which portrays the story of the NGO project "Cozinhas Solidárias Gastromotiva", draws a direct parallel between three elements that are fundamental to building a new future: food, culture and a look at people who live in the outskirts, often unassisted by public authorities.

"Being a world-renowned chef for some can mean personal recognition, for others a call to transform the world with food. "Table for All" tells stories of people that came together because they all believed it was possible to transform realities by bringing education and gastronomy together. And it is in the city of Rio de Janeiro, during the Olympics, that we see the project taking shape in the fight against food waste, malnutrition and social exclusion, showing that human dignity begins with food."

The portrait of a young bakery worker in Swabia. A vague desire for something else lurks between her sentences and the images of her everyday life.

Ekhlas Alhlwani was forced to flee Syria with her three children and now lives in Zaatari, a refugee camp in the Jordanian desert. Rizzi spent seven weeks observing her and other women's daily life, which is devoid of any prospects. He shows how Alhlwani makes every effort to establish some kind of normality for her family despite the difficult camp conditions. The film vividlyconveys the cruelty of war, and especially the state o funcertainty and rootlessness to which refugees are exposed. The film is the first part of a trilogy that focuses on the emergence of a new civil consciousness in Malaysia, Tunisia, Egypt, Bahrain and Syria, as well as the social implications of the end of post-colonialism in these countries.