Antônio Bakunin: A História do Anarquista Antônio Fernandes Mendes

La Tragédie des Brigades Internationales

"For Sale! Including 500 violent stone throwers from Hell", was the message from the controversial squat 'Ungdomshuset' in Copenhagen, Denmark. The film takes a balanced look behind the barricades and follows the definitive last year in the life of the squatters before all was demolished in March 2007 and riots broke out in Copenhagen.

A Dutch documentary about the history of the anarchist punk band Crass. The film features archival footage of the band, and interviews with former members Steve Ignorant, Penny Rimbaud and Gee Vaucher.

It’s a model story, an extraordinary adventure, a tale of revolutionary practice and tension, among anarchy and irony, simplicity, curiosity and vitality throughout the whole of Europe, its wars and the social struggles of the 1900s. A tale on how to live all in one breath, responsibly, diving into contradictions, "getting one's hands dirty", and still keeping one's balance between theory and practice.˝

A key overview of twentieth-century American fascism and antifascism produced in 1991 by the John Brown Anti-Klan Committee.

An exploration of the heavy metal scene in Los Angeles, with particular emphasis on glam metal. It features concert footage and interviews of legendary heavy metal and hard rock bands and artists such as Aerosmith, Alice Cooper, Kiss, Megadeth, Motörhead, Ozzy Osbourne and W.A.S.P..

Documentary film with play scenes about the rise and fall of the short-lived Bavarian Soviet Republic in 1919 from the perspective of various well-known poets and writers who experienced the events as contemporary witnesses.

Stories of maniac sailors, anarchist castaways, and the voyage of the S/V Pestilence: a video zine three friends and I made about finding a derelict sailboat, fixing it up, and sailing from Florida to Haiti.

The emotional journey of Margalida Bover, who was the lover of the anarchist militant Salvador Puig Antich, convicted of murder and executed by Franco's regime in 1974.

A colorful and provocative survey of anarchism in America, the film attempts to dispel popular misconceptions and trace the historical development of the movement. The film explores the movement both as a native American philosophy stemming from 19th century American traditions of individualism, and as a foreign ideology brought to America by immigrants. The film features rare archival footage and interviews with significant personalities in anarchist history including Murray Boochkin and Karl Hess, and also live performance footage of the Dead Kennedys.

After a wave of arrests in 1969, Italian anarchist Giuseppe Pinelli allegedly falls out of a police building window while being interrogated. The circumstances leading to his death are re-enacted in three hypothetical versions in this attempt at counter-investigation. Released together with Nelo Risi's 'Giuseppe Pinelli', as 'Documenti su Giuseppe Pinelli'.

An experimental documentary about dead turtles, crab swarms, decaying tennis courts, and microscopic histories. The filmmakers shot their explorations into the abandoned golf courses, factories, and resorts of Sarasota, Florida and spoke to local youths who are using them for new and strange purposes. What would the Surrealists and Situationists think of a suburban, subtropical tourist town? What goes on in a storage unit in the dead of night? What is the afterlife of a decommissioned train car? What ghosts haunt a ruined hotel? What is the life cycle of a city? When will waters wash it all away?

On September 16, 1920, as hundreds of Wall Street workers headed out for lunch, a horse-drawn cart packed with dynamite exploded in front of Morgan Bank — the world’s most powerful banking institution. The blast turned the nation’s financial center into a bloody war zone and left 38 dead and hundreds more seriously injured. As financial institutions around the country went on high alert, many wondered if this was the strike against American capitalism that radical agitators had threatened for so long.

During the Spanish Civil War (1936-1939) and the Second World War (1939-1945), around three thousand people managed to elude their pursuers, and probably also avoided being killed, thanks to the heroic and very efficient efforts of the Ponzán Team, a brave group of people — mountain guides, forgers, safe house keepers and many others —, led by Francisco Ponzán Vidal, who managed to save their lives, both on one side and the other of the border between Spain and France.

For decades, the name of the Valencian anarchist César Orquín Serra responded to that of one of the 7,251 Spanish republicans deported to the Nazi concentration camp of Mauthausen-Gusen between 1940 and 1945, although the controversy surrounding his role as Chief of Kommando pursued him with the survivors, divided between those who highlighted his actions to help the survival of his men and those who accused him of collaborating with the SS.

There are plenty of anarchists in the world. Many have committed robbery or smuggling for their cause. Fewer have discussed strategies with Che Guevara or saved the skin of Eldridge Cleaver, the leader of the Black Panthers. There is only one who has done all that, and also brought to its knees the most powerful bank on the planet by forging travellers cheques, without missing a single day of work in his construction job. He is Lucio Urtubia, from a tiny village in Navarra in North of Spain. Lucio, 75, now lives in Paris, still raising anarchist hell.

Que Esse Grito Não Seja em Vão!

How to Fix the World? is a comprehensive and informative documentary about direct action in the 1990s and 2000s, directed by Jouko Aaltonen. In the documentary, anarchists, climate activists, and squatters openly describe their experiences and link them to mainstream phenomena in society. A wide range of archive material sheds a light on the history of direct action and activism in the Finnish society.

Montaje: Caso Bombas

The Vietnam War during the JFK years and beyond. Made in 1972 in the filmmaker's apartment, without documentary footage of the war, metaphors are created through the animation of images and objects, and through guerrilla skits. By rejecting the authority of traditional documentary footage, the anarchist spirit of individual responsibility is established. This is history from one person's point of view, rather than a definitive proclamation.