Missing Home

A strong-willed peasant girl is sent by her father to the estate of some local aristocrats to capitalize on a rumor that their families are from the same line, but is left traumatised from her experiences.

Wayne Szalinski is at it again. But instead of shrinking things, he tries to make a machine that can make things grow. As in the first one, his machine isn't quite accurate. But when he brings Nick & his toddler son Adam to see his invention, the machine unexpectedly starts working. And when Adam comes right up to the machine, he gets zapped along with his stuffed bunny.

Gréti, a German shepherd, searches for her missing puppy.

An ordinary funeral procession moves along its path from church to cemetery. Observing, you slip from reality into a place where time has lost its linearity, looping through the odd images thrown off by a distorted reality. Images of non-existence, of varying reflections of death issuing from both past and future, concrete yet abstract, horrible yet desirable. A family asks a young psychiatrist to be their guest for a while to untangle the circumstances of their father's illness. He's developed a suicidal fixation for ropes and knots among other things. While deeply involved in analyzing the patient's delirium, the doctor begins to lose track of what is taking place. The task of "how to help" is twisted into "who am I? Doctor or patient? Chance guest, member of this suffering family, or a catholic priest who has dreamed this all up?" In order to get a handle on it all, it's best to start from the beginning, but why do things keep shifting, changing?

Oliver doesn’t have a family so he steals one.

Beyond Silence is about a family and a young girl’s coming of age story. This German film looks into the lives of the deaf and at a story about the love for music. A girl who has always had to translate speech into sign language for her deaf parents yet when her love for playing music grows strong she must decide to continue doing something she cannot share with her parents.

When an Italian man comes out of the closet, it affects both his life and his crazy family.

Rahul Seth is a dashing young millionaire who believes he is "western" enough to rebel against his mother and grandmother. They are not too keen about his Caucasian girlfriend Kimberly who, to make matters worse, is a pop star. Before you can say "karmic intervention," Kimberly dies in a freak accident and Rahul is devastated. Instead of allowing him to mourn in peace, Rahul's mother sees the opportunity she's been waiting for. She threatens to call off his sister's wedding unless he finds himself a "nice Indian girl." Rahul enlists the services of Sue, a fiercely independent escort whom he believes to be Hispanic, and therefore not "married" to the conventions taught to young Indian women. With a wink in her eye, Sue accepts the deal to pose as his Indian bride-to-be. She needs the money and having never been a fan of the typical Indian male, she feels her heart is safe. The charade begins....

With the intention to break free from the strict familial restrictions, a suicidal young woman sets up a marriage of convenience with a forty-year-old addict, an act that will lead to an outburst of envious love.

Vijay and Pournami are two very different sort of people who first meet because of a misunderstanding. Vijay is a lazy engineering graduate unwilling to follow his passions and Pournami is an unlucky bold girl who doesn't give up on her dreams. They don't seem to find a lot of things in common at first; but as time passes more avenues open up for them to collaborate and learn from each other.

Lovable Sulley and his wisecracking sidekick Mike Wazowski are the top scare team at Monsters, Inc., the scream-processing factory in Monstropolis. When a little girl named Boo wanders into their world, it's the monsters who are scared silly, and it's up to Sulley and Mike to keep her out of sight and get her back home.

In Akihabara, Sakura Sakuragi (Yurika Kubo) runs cat cafe "Mocha." She listens to her customers’ troubles there. The various customers that enter her cafe also take comfort in the cats that reside there.

Eunju and her half-brother Minjae lose their parents in an accident. When his sister suddenly disappears with the inheritance of 100 million won, Minjae drives a long way to the southern region to find her, without knowing that ten-year-old Eunho, Eunju’s baby brother, has sneaked into the car. Beginning with images of the happy faces of the sister and brother within the crowds enjoying the cherry blossoms, the film follows Minjae’s trip, asking one question. Why did his sister leave him and disappear? Minjae wants the money his sister took, but money is not the only reason for his trip. When he finally finds her, he realizes that he now has to live on his own and take care of his younger brother Eunho.

When their father passes away, four grown, world-weary siblings return to their childhood home and are requested -- with an admonition -- to stay there together for a week, along with their free-speaking mother and a collection of spouses, exes and might-have-beens. As the brothers and sisters re-examine their shared history and the status of each tattered relationship among those who know and love them best, they reconnect in hysterically funny and emotionally significant ways.

A mother and father who are very open and frank with their children about sex find their relationship in turmoil when an old love enters the picture.

The only thing keeping Harold's family bound is his unconditional love for them.

Tunis by Night

A retired farmer and widower in his 70s, Alvin Straight learns one day that his distant brother Lyle has suffered a stroke and may not recover. Alvin is determined to make things right with Lyle while he still can, but his brother lives in Wisconsin, while Alvin is stuck in Iowa with no car and no driver's license. Then he hits on the idea of making the trip on his old lawnmower, thus beginning a picturesque and at times deeply spiritual odyssey.

Sommer ’04 is a character study of a family on vacation. German director Stefan Krohmer examines the emotional abyss and problems behind the seemingly nice facade of an intact family as they experience guilt, love and jealousy.

Mr Banks is looking for a nanny for his two mischievous children and comes across Mary Poppins, an angelic nanny. She not only brings a change in their lives but also spreads happiness.