A documentary film about the taboos, stereotypes, and struggles of black actors in Brazilian television "soaps". Based on his own memories and on a sturdy body of research evidence, the director analyses race relations in Brazilian soap operas, calling attention to their likely influence on Brazilian African-Americans' identity-forming processes.
Can flipping through the channels change your life? For Karen, a former prosecutor living in Chicago, her world changed forever when she accidentally fell in love with telenovelas. Now she has quit her job, and she's moving to Mexico City to write the telenovela she's always wanted to watch.
Love Thing captures the emerging multicultural spirit and personal freedom of the late 1970s with an outrageous attitude and experimental style. A work in progress now finally completed it's the last American musical comedy from that era which can be viewed today as a prophetic satire. Through its provocative, entertaining storyline highlighted by song and dance, the movie answers the burning question of our time, "What happens after the marriage?
Four ambitious and beautiful young women. From four very different corners of Mexico. Just like hundreds of others, they are caught up in the frenzy that sweeps the nation when Alejandro Mateos, one of the country's most powerful producers, dreams up a nationwide talent search to cast the lead in his next big movie. But all this is news to Alejandro's on-again, off-again lover, Eva Gallardo, a diva of epic proportions, who expected to get the part. While Eva schemes to nail down the role, our four leads begin their own journey on the road to fame.
Set ten years after the finale's quintuple wedding, the special portrays the happily reunited San Román family, including four new grandchildren, as well as the Xochimilco residents. The San Románs go to Patricia's lake cabin in order to celebrate their shared ten-year wedding anniversary, unaware that Demetrio, whom they believe died after escaping from prison a year prior, is actually alive and well and is conspiring with his grandson, Ángel and Alma's young son Angelito, and the San Román grandchildren's nanny, Diana, to kill the entire family.
Two identical twin sisters, separated at birth, one truly decent but humble, the other ultra rich, conniving, and truly destructive. They soon find themselves hopelessly intertwined in each other's lives.
The real life story of Andres Lopez Lopez aka "Frecita" during his years involved with the Colombian Cartel aka "Cartel Norte del Valle"
Ana Maria is having a bad day until she magically switches places with the main character of her favorite telenovela. As she struggles to escape from Novela Land, Ana Maria finally understands why her real life was such a mess.
In love with Brazil and Maria, a soap opera heroin harassed by a corrupt contractor, Abdelinho suffers parallel ordeal in Morocco by pressure of Amr Taleb, a dogmatic, moralistic priest, enforcing religious purity on the community
A deliciously dramtic telenovela short film. The 7th Tickle Gang film produced for a 48-hour film festival.
José, a street performer who dreams about becoming a telenovela star, is recruited by a talent manager who promises him great success, but soon realizes the job is actually dancing in a gay strip club. Away from his home and enjoying the newfound fame he has acquired with his new job in the city, José starts wondering if turning his back on his family and himself is worth it now that he's the club's biggest star, nicknamed "El Pistolero."
After a surprising revelation, Leonor Alejandra del Campo and Sebastián Castillo Mendoza will finally talk about their feelings.
This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.
Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.
Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
On a misty morning in the fall of 1985, a small group of Haida people blockaded a muddy dirt road on Lyell Island, demanding the government work with Indigenous people to find a way to protect the land and the future. In a riveting new feature documentary drawn from more than a hundred hours of archival footage and audio, award-winning director Christopher Auchter (Now Is the Time) recreates the critical moment when the Haida Nation’s resolute act of vision and conscience changed the world.
Known for her intimate films, director Kim O’Bomsawin (Call Me Human) invites viewers into the lives of Indigenous youth in this absorbing new documentary. Shot over six years, the film brings us the moving stories, dreams, and experiences of three groups of children and teens from different Indigenous nations: Atikamekw, Eeyou Cree, and Innu. In following these young people through the formative years of their childhood and right through their high school years, we witness their daily lives, their ideas, and aspirations for themselves and their communities, as well as some of the challenges they face.
Fruit Flies, frogs and dogs are only a few of the many animals man has sent into space. The short documentary The Conquest of Space tells the story about the chimpanzee Ham that was sent to space some months before Gagarin became the first man in space. Based on archival footage from NASA and National Archives, The Conquest of Space is tragicomic look at the space program and the animals that went into space before humankind.
60 years ago, almost nothing was known of elephants in the wild. But then one young Scottish biologist changed that forever. In 1965 Iain Douglas-Hamilton arrived in Tanzania to live alongside African elephants. Later joined by his wife Oria and daughters Saba and Dudu, elephants became central to their lives with matriarch Boadicea and gentle young mother Virgo cherished like human relatives. But this garden Eden was short-lived as an ivory poaching epidemic swept across Africa forcing Iain to switch from pioneering scientist to maverick conservationist. He became a lone crusader against the international Ivory trade which was finally banned in 1989. Now back in the field and revealing even more about the fascinating world of elephants, Iain’s work continues alongside a new generation of Kenyan conservationists. This inspiring documentary combines stunning wildlife imagery with the story of a remarkable life showing how sometimes you have to stand alone to protect what you love.