The Magician's Alms

Darken is set in a bizarre, mysterious, and violent unknown world with danger and death around every corner. After a young woman is accosted by a dying warrior in the middle of the street, a bizarre incantation propels her into the realm of Darken - a violent prison-like world of labyrinthine rooms, interconnected with no apparent rhyme or reason and no way of escape. As she fights for survival within this brutal place, she finds allies who are rebelling against the rule of a self-appointed religious despot who demands allegiance to an all-powerful god called "Mother Darken." Eve and her allies must fight with everything they have if they are to have any hope of surviving the horrors Darken has in store for them.

In the not-too distant future, 17 year-old Tye and his family move to the burgeoning metropolis of Real City, where, bored with classes, he spends his time daydreaming until one day he finds a magic stone that allows him to pass through walls. On a field trip to a museum, Tye meets NoNo, a deaf girl with bionic ears who is working as a museum docent. The two grow closer, until Tye discovers she has a boyfriend and demands she chooses between them. NoNo tells him to come and see her again in twenty years and then disappears from his life, leaving him only with a photo of her in front of a signpost saying Elsewhere. Tye uses the magic stone to go to Elsewhere, but he discovers a desolate world full of discarded things, among them an attractive blind girl, Ya-hung. Two worlds, two realities, two girls, what will Tye’s choice be ?

Catherine Tate's iconic character Nan hits the big screen as she goes on a wild road trip from London to Ireland with her grandson Jamie to make amends with her estranged sister Nell. Militant vegan arsonists, raucous rugby teams, all night raves and crazed cops on motorbikes all make for a proper day out. An origin story that mixes Nan's present with her past where we finally find out what's made her the cantankerous old bastard she is today.

Anita and Marion realize that an abandoned baby they sneaked into an orphanage was kidnapped from a millionaire. For the reward, they proceed to break into the institution at night, dressed as men to beat curfew, to get the kid out again. This film survives only in very fragmentary form.

A knight returns home from the Crusades to find his village devastated by disease and his family gone. He roams the forest searching for them, until he finds a mysterious maiden who is being held prisoner by a black knight. In order to free her, he must confront her captor.

...Her son-in-law, Ippolit Matwejewitch Worobjaninow, is a former nobleman and a dandy who is currently wasting away as a small town magistrate in charge of civil marriages. He eagerly takes up the quest to find the treasure. Meanwhile, over the years, the twelve chairs have been dispersed all over the country. However, Worobjaninow is not the only one in pursuit of the treasure. Hot on its trail are Ostap Bender, a clever and colorful conman, as well as Father Fjodor, a priest to whom the wealthy aristocrat has also confessed her secret. Thus begins a wild chase that ranges from North to South, West to East, across water and land, from the country to the city.

"Selma," as in Alabama, the place where segregation in the South was at its worst, leading to a march that ended in violence, forcing a famous statement by President Lyndon B. Johnson that ultimately led to the signing of the Voting Rights Act.

Sara, a cold college professor, and her husband, an ecstatic painter, spend a summer away from the city, straining their rocky relationship.

Finding love in city can be hard, keeping it can be harder. Look at Me revolves around the lives of seven twenty-somethings and their complications with dating and surviving in New York City.

Avant-garde homage to pre-revolution Russian silent movies, and to the poet Aleksandr Blok.

Co-directed by Blackwood and Julien, the first full-length feature film by Sankofa Film and Video offers a radical and necessary interrogation into what constitutes 'post-colonial' identity at a time of political and social restlessness in Britain. Set within an isolated desert landscape contrasted with recognizable scenes of the intensity of family life, this vanguard work demonstrates the richness and variety of the black experience; it is a poetic and hard-hitting commentary on the complexities of race, gender and sexuality.

Two actresses take us through a series of 'raps' and sketches about what it means to be beautiful and black.

For many years, market woman Addi has been helplessly exposed to the ever-increasing aggression of her husband Max. His physical and emotional abuse has become part of her everyday life, from which she cannot find a way out. Due to her economic dependence on Max and the passivity of those around her, every attempt to escape leads her back to her husband. When Addi accidentally learns of the existence of a women's shelter, this is her long-awaited escape from violence and she flees to the facility with her son. Strengthened by the solidarity among the women, she founds a shared flat with others in order to regain her long-suppressed freedom. Director Cristina Perincioli had the story developed and acted out by residents of Germany's first women's shelter in West Berlin.

The child-duo Rico and Oskar, one of them is quite more sluggish, but precisely because of fantasy and own world view; the other one is a smart whiz, but scared for life.

After a tragic crime of passion, Artur leaves the depths of Brazil on a journey in search of redemption. Early on, he meets Matuim, the anarchic captain of an old vessel, and comes to befriend him through a series of tense and comic situations.

A young woman arrives in Paris where she finds a job as a waitress in bar next on Avenue Montaigne that caters to the surrounding theaters and the wealthy inhabitants of the area. She will meet a pianist, a famous actress and a great art collector, and become acquainted with the "luxurious" world her grandmother has told her about since her childhood.

A young teenage werewolf is torn between honoring her family's secret and her love for a man.

A pair of rivaling stage magicians are forced to confront their falling out over a guillotine mishap when they compete in a magic competition.

The loving and nurturing Mariel marries Edward after his first wife abandons him and their three children. Mariel strives to win the acceptance and affection of her new stepchildren, even as she tries to define her role in the family.

Meredith Baxter plays Joyce Wadler in this heartwarming story of hope, courage and redemption inspired by the New York City journalist's real-life struggle with breast cancer. Stuck in a lackluster relationship with her boyfriend, she's forced to re-examine her life when she receives the troubling diagnosis.