A comic, biting and revelatory documentary following a small group of prankster activists as they gain worldwide notoriety for impersonating the World Trade Organization (WTO) on television and at business conferences around the world.
Short documentary featuring the small Montreal based surf-punk band No Waves.
Jeunes, Militants et Sarkozystes
Joe died young. But his and "The Clash's" memory live on in the programme as it seeks to explore and identify the music and the reasons behind the split of one of the most iconic punk rock groups of the day. We follow the life of one of the original members of "The Clash". Told through interviews of Joe's involvement in the ground breaking group from other band members including Mick Jones and 'Topper' Headon, we tell the story as it was.
The Allman Brothers Band were initially not happy with the first two releases, but they were able to fix the production mistakes only 40 years later. On April 29, a DVD will go on sale, followed by an audio recording of the famous concerts in New York 5 years ago. Then, on the Allman's favorite concert venue, the Beacon Theater, on March 26, 2009, they completely played the material of the debut (1969) and subsequent (1970) records, made under pressure from the producer in an undesirable sound for them. Now 15 tracks of the new DVD-CD-box are released in the form ... in which the public has known them for more than 40 years, but in the presentation of a completely different group (of the same name). 40: A very special number, and this DVD proves why the Allman Brothers Band is a special group indeed. Savor every note of every song, because chances are a band the likes of this one will not come our way again.
A chronological history of one of the most influential bands to come out of Australia, the Go-Betweens.
As the first all-female band to play their instruments, write their songs and have a No. 1 album, The Go-Go’s made history. Underpinned by candid testimonies, this film chronicles the meteoric rise to fame of a band born in the LA punk scene who became a pop phenomenon.
Three intrepid women battle for Indigenous women's treaty rights.
Remember December 15, 2024. How beautiful this moment was! "TWENTY", the special performance of the PEPPERTONES on the 20th anniversary of their debut. The bright and warm melodies they have been creating, and the moments when they shined on stage—Experience them again up close. We are forever singing about youth, 20 years of music, and a story that continues. PEPPERTONES In Cinema, Everything Is OK!
By November of 1980, the B-52’s had two albums under their belt and were two months away from their debut Saturday Night Live performance. The New Wave band were quickly rising to national fame, and they were still touring with the original lineup which consisted of frontman Fred Schneider (who in this set’s liner notes is credited as playing both the glockenspiel and “various toys”), Cindy Wilson, Ricky Wilson, Kate Pierson and Keith Strickland.
Street art, creativity and revolution collide in this beautifully shot film about art’s ability to create change. The story opens on the politically charged Thailand/Burma border at the first school teaching street art as a form of non-violent struggle. The film follows two young girls (Romi & Yi-Yi) who have escaped 50 years of civil war in Burma to pursue an arts education in Thailand. Under the threat of imprisonment and torture, the girls use spray paint and stencils to create images in public spaces to let people know the truth behind Burma's transition toward "artificial democracy." Eighty-two hundred miles away, artist Shepard Fairey is painting a 30’ mural of a Burmese monk for the same reasons and in support of the students' struggle in Burma. As these stories are inter-cut, the film connects these seemingly unrelated characters around the concept of using art as a weapon for change.
Part of the Show Must Go Off series, Live at the House of Blues finds the ska-punk band at their best.
Two brothers reflect on their chaotic journey to stardom, as part of the legendary punk rock bands The Rezillos & The Revillos. Navigating friendships, fame, and fallouts.
'90s indie-rock band Pavement reunites for their sold-out 2022 tour. But as preparations get underway, surreal tributes emerge: an off-Broadway musical adaptation of their songs, a museum devoted entirely to the band’s legacy, and a shamelessly awards-baiting Hollywood biopic.
In 1950s Alabama, the owner of the Honeydripper juke joint finds his business dropping off and against his better judgment, hires a young electric guitarist in a last ditch effort to draw crowds during harvest time.
A real time journey witnessing the rise, fall, and ultimate redemption of the fierce feminist pioneers of American grunge punk: L7.
This 58 minute DVD video is one of the Dead Kennedy's last ever live concerts, captured on film just months before their breakup in 1984. This 14-song performance at San Francisco's On Broadway catches Jello and company at the height of their punk powers.
An overview of the early years--late 1970s, early 1980s--of San Francisco punk band Dead Kennedys, with clips from some of their live concerts and footage of landmark San Francisco locations of the punk music scene. Jello Biafra and The Dead Kennedys show why they're the kings of satire in 9 live early performances.
A 1-hour Documentary looking at the Manchester post-punk group and its infamous leader Mark E Smith. The Film follows the current band recording their final Session for the John Peel Show (they were his favourite group and recorded more sessions than any other band) as well as chronicling the chaotic history of the band & its numerous line-up changes.
The band Fugazi is documented over a period of more than ten years (1987-1998) through performance footage and interviews with the band and their fans. Director Jem Cohen's relationship with band member Ian MacKaye extends back to the 1970s when the two met in high school in Washington, D.C.. The film takes its title from the Fugazi song of the same name, from their 1993 album, In on the Kill Taker. Editing of the film was done by both Cohen and the members of the band over the course of five years. It was shot from 1987 through 1998 on super 8, 16mm and video and is composed mainly of footage of concerts, interviews with the band members, practices, tours and time spent in the studio recording their 1995 album, Red Medicine. The film also includes portraits of fans as well as interviews with them at various Fugazi shows around the United States throughout the years.