Cherry

While Thomas and Oscar are very much in love, after their first foster child returns to his birth mother, they find that they have different ideas about what making a family actually means.

Gay, alienated Los Angeles teens have a hard time as their parents kick them out of their homes, they don’t have money, their lovers cheat, and they are harassed by gay-bashers.

Two young men and two girls on a moonlit night confess to each other in their strange fantasies and loves that go beyond the usual standards.. The impetus to making the film was the book of the same name by the Russian religious philosopher Vasily Rozanov, who died 100 years ago. His treatise was devoted to the study of sexuality and its denial in Christianity. The film was made in the style of experimental films of the 1920s with a non-linear narration full of strange surrealistic images. He is black and white and devoid of dialogue. Filmed on film 16 mm of firm "Svema", released in the USSR. This added to his exoticism. The image was put to the music of Alexander Scriabin “The Poem of Ecstasy” (1907).

Jo, a sailor with an off-duty liberty pass, walks by a gay population at the seashore. His encounter with Cuir takes him into a dream-like universe, where the faces of the men he saw under a bridge become his deepest fantasies, all in a place of freedom and promiscuity: the RubiX.

Declan Flynn, a man struggling for self-acceptance, is preyed upon by a gang of self-described ‘Queer-bashers’ in Dublin, 1982. Based on the true story seen as a major catalyst for Ireland’s LGBTQ Pride movement.

It's July 4th at Dawson's Beach, and Jesse shows Hank an ominous note he received from someone who knows their romantic secret. The Southport Slasher Ben Willis sent a similar note to Julie James 25 years ago before wreaking havoc on the town, but that's just an old story. Is this some anniversary prank, or are they really in trouble? They and their girlfriends realize too late that they're in the wrong place at the wrong time... A queer horror fan film celebrating the 25th anniversary of the I Know What You Did Last Summer franchise, following the events of the original 1997 film (with a nod to the 1998 sequel).

Created in response to a traumatic hate crime, artist, Venus Patel, explores her emotional journey through several archetypes, each of whom perform with an egg. Using the weapon of the assailant, the egg itself becomes a tool with many psychological and symbolic meanings within it. The power of reincarnation, birth, nature, hope while also pointing to the power it has to utterly humiliate and embarrass if used in a certain way. There is an embrace of the absurdity of these performances while still speaking to the deeper subject matter. By placing the outlandish characters into public spaces, they confront a preconceived notion of pushing true queer expression into only hidden spaces or only at night, into the daylight and into the normal everyday experience.

In the quest to find herself, Alice is awakened by risky and liberating desires and liberating desires that shake the monotony of her daily her daily life in the convent.

Three kids are trying to stand strong. In a world where you don’t know for what you want to stay strong. Full of sexuality and the need to define their identity. “We are the children with no obligations, the most possibilities, with the most liberated freedom. We are children who build words. Children who give birth to children. We are children of our time, free from guilt.”

When the leader of an artist residency kills the possum that’s been eating their cauliflower, the residents come to a shocking consensus.

"The Winged Detectives" is a queer coming-of-age short film, which follows Reagan and her friends as they prepare for the annual bird-watching competition. Tensions quickly rise for Reagan with the introduction of potential new friends and the absence of a special team member.

A young girl is forced to reckon with the changing nature of her relationship

In an alternate universe, Jada continues her relationship with her deceased boyfriend.

A private all-girls boarding school is scandalized when one spiteful student accuses the two young women who run it of having a romantic relationship.

Late-blooming Cole enters a chaotic house party where a basement punk show awaits. As he descends, his anxious inner thoughts become reflected through ten characters in their early 20s.

Since his boyfriend left him, Yotam hasn’t slept alone. He developed an obsession for dating apps and spends his nights in the arms of strangers. One day, he discovers he’s been infected with an insufferable skin disease and realizes he’s got no choice but to stop his way of living for a while. His journey into the midst of his first night alone will find him and his obsession in very dark and itchy places.

In this romantic thriller, blackmail, kidnapping, and fraud combine to give two lesbian private detectives (and lovers) their toughest case. Will their relationship survive? Produced by women for women.

Four ambitious and beautiful young women. From four very different corners of Mexico. Just like hundreds of others, they are caught up in the frenzy that sweeps the nation when Alejandro Mateos, one of the country's most powerful producers, dreams up a nationwide talent search to cast the lead in his next big movie. But all this is news to Alejandro's on-again, off-again lover, Eva Gallardo, a diva of epic proportions, who expected to get the part. While Eva schemes to nail down the role, our four leads begin their own journey on the road to fame.

Chih-Ting and Chia-Lin, two students in Pingtung Girls’ Senior High School, are bosom friends. Their close friendship attracts jealousy from other classmates; thus rumors about them being lesbians spread. When this groundless rumor victimizes Chih-Ting and costs her best friend, it becomes too much to bear. In the 70s, the Taiwanese mainstream society regarded homosexuality as a negative variation of sexuality and imputed the cause of homosexuality to growing up in an unhealthy environment. However, the two protagonists’ friendship remains the heart of the story. Their unspoken emotional undercurrents are left for the audience to infer.

A mother goes searching for memories of her son after his death and struggles with the truth she finds out.